Asia Kuzmiczow, the Artist Manager at Beeldend Gesproken in Amsterdam, designed a wonderful (and sold out) Slow Art Day 2019.
She and her team decided to focus on one artwork for one full hour from the photo exhibition Different Perspectives. My first Slow Art Day test in 2008 was also one hour with one artwork. I subsequently decided to suggest 10 minutes per artwork for the global event to make it more accessible, but still love the one hour format and am glad they used it in Amsterdam.
After 60 minutes of intense viewing, they then enjoyed a delicious lunch prepared by the artist Sook Bae.
Asia and her team received some terrific feedback including:
Slow Art Day for me was literally a delight. A delight because of the invite to sit down, look without thinking, feeding the mind; having food for thoughts. It was a welcoming slow digest.
Shirley Herts, Founder www.msindysolutions.nl
P.S. Beeldend Gesproken (“visual voice” – great name) is organized as a social enterprise with a mission focused on presenting artists with a psychiatric background. I encourage you to go visit their site and learn more.
Participants looked for 10 minutes at each artwork and then had a group discussion about the experience (and a light lunch). The museum sold special tickets for Slow Art Day at $10 each (including the food) and sold out the event.
L’Amoreaux wrote about a common part of the Slow Art Day experience – the surprising nature of slow time and of focused looking.
When everyone started, I think we were all thinking 10 minutes was an impossible eternity to look at one piece of art. But afterwards, many of us shared how quickly the 10 minutes passed and how surprised we were by what we noticed, especially with pieces we weren’t especially attracted to.
P.S. We are planning a webinar with Nye and L’Amoreaux to discuss the design of their event. More on that soon.
The Oceanside Museum of Art in California reports that they had a “wonderful” multi-sensory Slow Art Day 2019.
The museum developed three self-guided stations aimed at slowly engaging multiple senses – designing multi-sensory experiences is a growing trend in the slow art movement (see the webinar we hosted in January 2019).
The three self-guided stations they created were:
Partner blind-drawing station in their watercolor exhibition
Storytelling station based around Matthew Barnes: Painter of the Night exhibition
Pairing music with paintings in their surrealism exhibition (photo to the left).
They ran Slow Art Day through the weekend and had many more people participate as a result. In fact, Slow Art Day and the self-guided stations were so successful – led to so much visitor participation – that the curatorial staff has asked that stations remain up longer.
The variety of activities – and the multi-sensory element – really allowed visitors to participate in ways that worked for them and that also added a sense of fun.
Andrea Hart, Director of Education and Public Programs at the Oceanside Museum of Art
P.S. I’m particularly pleased with this report given that my mother lived in Oceanside for years and ran a clandestine Slow Art Day at this museum with a few friends when we launched a decade ago.
At the Ulster Museum, Slow Art Day 2019 guides took visitors through the works of Belfast-born artist Gerard Dillon, the British Vorticist movement, and then finished with a screening and discussion of a video art installation examining the political confusion of Brexit by Cornelia Parker – ‘Left, Right & Centre.’
The museum reports the event was quite successful – they had both more staff and more public participation than ever before. They were also proud to have their Slow Art Day event featured by the BBC alongside Tate Modern, Ashmolean Museum (Oxford), Photographer’s Gallery, and Yorkshire Sculpture Park.
Because of the success of their Slow Art Day annual events, the Ulster Museum now runs a monthly ‘Slow Art Sunday.’ They also integrate slow looking sessions into nearly all their new art exhibitions.
Thanks to the Slow Art Team for organizing such a brilliant global event – an event that has now become a regular and important part of our programming.
Charlotte McReynolds, Art Curator, National Museums Northern Ireland
The Virginia Museum of Contemporary Art focused on key pieces in the exhibit, The Rest of History, which explores groups (minorities, women, etc.) that have been underrepresented in history. Slow Art Day also coincided with Military Family Appreciation Day at VirginiaMOCA so a number of families came and did slow looking together.
Slow Art Day 2019 this year was celebrated in hundreds of museums and galleries from The Rubin Museum in NYC, to the Tate Modern in London, to a small museum in the rural Basque countryside, the Ur Mara Museoa.
Elena Cajaraville sent us this lovely 60 second video, which shows the Ur Mara’s slow and long day filled with art, food, music, and dance.
I guarantee it will put you in a good mood and show you some of the magic of this global/local Slow Art Day phenomenon.