Slow Art Day founder Phil Terry was recently interviewed by Isaac Kaplan for Artsy Editorial. The editorial delves into the experience of looking at art, the length of time required to look at a work of art in order to “get” it, and how museums both help and hinder the practice of slow looking.
Phil says in the editorial, ““People in the art world generally know how powerful it can be to look at a work of art for more than seven seconds.” […] “I started Slow Art Day because everyone else doesn’t know this.”
Read the full article here, and let us know your thoughts below!
In November, Slow Art Day founder Phil Terry partnered with the All Stars Project to bring a group of youth and community members to El Museo del Barrio in New York for a day of slow looking and discussion.
Phil writes, “Museums and art are for everyone – not just the few. Slow Art Day and the All Stars Project, Inc. are working together to help more people learn how to look at and love art – how to walk into a museum and not feel intimidated, to approach art as if we are all included because we are.”
Check out photos from the visit below!
We’re starting the countdown to Slow Art Day 2017 – it’s just seven months away! 11 venues in the US, UK, France, and Belgium are leading the charge and are among our first hosts for 2017. We’re excited to welcome new and returning hosts in the months to come, and to celebrating Slow Art Day’s eighth (!) year as an official, worldwide event.
A report from host and museum educator Nina Montijn in Amstelveen, Netherlands:
We had a great Slow Art Day at the Cobra Museum for Modern Art!
In three organized art walks, visitors were challenged to look slowly, to genuinely take their time and lose themselves in the works of art. Participants looked with awe at four selected works, discussed with each other, learned from each other.
For those who preferred to look on their own we created two guides with several tips. Also we distributed notebooks and pens, so everyone could write down their discoveries. Quickly there were visitors watching and writing vigorously everywhere.
Afterwards visitors could chat about their experiences in the museum café whilst enjoying a complimentary beverage. Here we heard many enthusiastic stories about the tour. Even works of art that didn’t seem so interesting at first, turned out to be quite captivating.
I really think Slow Art Day is a keeper!
In Chichester, England, Slow Art Day participants communed with five artworks in the cathedral and bishop’s palace.
Host Naomi Billingsley, the Bishop Otter Scholar at Chichester Cathedral, writes in her blog: “Although the Slow Art Day initiative is secular in origin … it translated well into a sacred space, and some of the participants said that they found it a spiritual experience. I’m thinking about experimenting further with this format, and perhaps trying an even slower viewing experience (people said that ten minutes went quickly).”
She shared participants’ comments, among them: Slow Art Day “created a space to see new things in works seen many times before.” And: “It is the joy of Chagall that stays with me.”
Naomi’s Slow Art Day blog is here.
We had a wonderful Slow Art Day at HAM Helsinki Art Museum! People occupying the floors of the big gallery to draw on a huge paper together (some even for hours!), DJ playing songs fitting the day’s theme through headphones to our visitors and slow watching on our new HAMfulness guided tours.
— Aino-Marja Miettinen of Helsinki Art Museum
The participants, all strangers to one another, took their stools, floor plans and notebooks and headed into the gallery space. After 15 minutes with each of five portraits, we met for coffee, tea, biscuits and a chat about their experience of slow art in the NPG. Among their comments:
“I have never done anything like this before, I have sat very still and after a while I really started to look; it was great. Some of the portraits were very detailed and symbolic and some seemed simpler, but every one was interesting. I could have spent longer …”
“I would not have chosen these portraits, but … they made me look; one was difficult and I stayed with it, now especially after our discussion I am glad that I did that.”
“The portraits said a lot about women, just the change between the early placid portrait of Ann Lawrence (1841) and then penetrating Norah Heysen (1934) and then the video portrait of Cate Blanchett (2008), a big difference. But after a while I noticed maybe Ann Lawrence was thinking, her eyes looked very different from her mouth; maybe she was not happy being so passive.”
“I have enjoyed our talk afterwards, everyone is so full of their own ideas; it is very good to be able to have that quiet look on your own at the art without anyone else and then talk together afterwards.”
At Uillinn, West Cork Arts Centre in Skibbereen, Ireland, a small, enthusiastic group celebrated Slow Art Day by becoming one with the art. They immersed themselves in the setting for performance artist Amanda Coogan’s durational work, Spit, Spit, Scrub, Scrub. They mingled with the artifacts of her five-hour performances – seeing them as sculpture.
“I thought it was interesting to be spending time looking at one of the places where she had been performing, but without her there – like looking at an empty stage set,” said Alison Cronin, schools coordinator at Uillinn.
“We almost felt like performers ourselves, with other gallery goers looking at us and wondering what we were looking at.”
Check Instagram for all the amazing photos coming in from around the world for Slow Art Day 2016 – https://www.instagram.com/explore/tags/slowartday.
In the meantime, Slow Art Day Shanghai just reported via email (Instagram is not available in China):
We had a wonderful experience with Shanghai artist Li WenGuang in attendance. We asked the artist to speak to us AFTER we had an extended encounter with his artworks.
He was so interested in our unfiltered experience with this works.
The 1933 Contemporary Gallery features young, undiscovered talent like Li WenGuang.
It was a GREAT event in Shanghai once again – we were all entranced.
– Joan Lueth