When you are looking at art in a gallery or museum do you pay attention to the building or the installation set-up?
Harry Cooper, curator of modern and contemporary art at the National Gallery of Art in Washington DC, writes in ArtForum about his experience of the Clyfford Still Museum, a museum built specifically to house the artwork of Clyfford Still, a first generation Abstract Expressionist. Still’s will required that his works only be shown in such a museum and so most of his work had been sealed off from the public for over 30 years.
In the article, Cooper takes us on a slow tour of the museum space and considers how the exterior, the layout, and even the wall texture, compliment the paintings on display. He also makes observations about the relationships between pieces that the installation and separation of different rooms create for the viewer.
– Naomi Kuo, Slow Art Day Intern