The annual event celebrating art.
Slow Art Day is Saturday, April 11, 2026 Join Us!
Photo by Greg Neville
Second Slow Art Day at Sint-Andrieskerk in Antwerp, Belgium
March 14th, 2026For Slow Art Day 2025, Sint-Andrieskerk (Saint Andrew’s Church) in Antwerp, Belgium hosted a small and intimate gathering centered on slow looking, reflection, and shared meaning. The event was coordinated by Viviane Vandenbroucke and thoughtfully led by members of the church community.
The experience embodied the core spirit of Slow Art Day: slowing down, looking closely, and engaging in meaningful dialogue.
For adult visitors, the session was led by Father Rudi Mannaerts, priest of Sint-Andrieskerk. Participants were guided in slow looking at the modello of the Crucifixion of Saint Andrew.
Under Father Mannaerts’ leadership, visitors were encouraged to take time with the work, observing details, reflecting on its symbolism, and discussing how the artwork connects visual form and spiritual meaning.
Interestingly, the painter of this modello – Otto van Veen – was not only the most celebrated painter in Antwerp in the late 16th century, he was also Peter Paul Rubens’ *teacher*. So when the Slow Art Day participants looked slowly at this painting, they were also seeing some of what Rubens’ himself saw centuries ago.
For children, guide Wiske Claus led a parallel experience in the Sacristy. Young participants were introduced to the garments worn by priests and learned about their meanings and uses within the church year.
By engaging directly with these objects, children were invited to look carefully, ask questions, and connect visual elements with deeper significance — a hands-on approach aligned with Slow Art Day’s emphasis on attentive observation.
Sint-Andrieskerk demonstrated how Slow Art Day can thrive in intimate, religious settings as well museums and galleries. The church is already planning its 2026 event, where visitors will gather to slowly contemplate What is the truth? (2012), a contemporary painting by French artist Alain Senez. Inspired by Pontius Pilate’s famous question before the death sentence of Jesus, the work reflects on how media and perception shape what we believe to be true. Led once again by Father Rudi Mannaerts, the church will host multiple sessions throughout the afternoon, continuing its thoughtful approach of connecting historical faith spaces with modern artistic questions.
We are especially grateful to Viviane Vandenbroucke, Father Rudi Mannaerts, and Wiske Claus for continuing to support Slow Art Day within the church community. Sint-Andrieskerk has been an important participant in bringing Slow Art Day into sacred spaces, helping inspire the growing church movement within our global network.
We hope that more churches and sacred spaces join our movement in 2026, and we certainly look forward to hearing about Sint-Andrieskerk’s event on April 11th.
— Ashley, Johanna, Jessica Jane, and Phyl
Eighth Slow Art Day at Habitat for the Arts, Jasper, Alberta, Canada
March 13th, 2026On April 5, 2025, Habitat for the Arts in Jasper, Alberta, Canada hosted another meaningful Slow Art Day at the Jasper Museum, continuing a tradition they have explored over eight years. Each year is different, and this year’s gathering centered on heritage photography and the way art captures and stills time.
The focus of the day was a photography exhibition featuring the work of Harry Rowed — images of people and places in Jasper National Park from the 1940s through the 1960s. The black-and-white still images offered participants a window into earlier generations, inviting them to consider memory, place, and continuity.
The morning program began with a dedicated half hour of slow viewing inside the exhibition. Participants were given a small piece of paper to carry with them as they moved through the gallery. They were invited to reflect on a simple but powerful question: Which image captured you? Which image made you stop and truly spend time with it?
After the quiet viewing period, guests gathered for tea and cookies — and even chocolate — creating a relaxed and welcoming atmosphere for conversation. The structure of the hour allowed for both solitude and shared reflection. The museum space, with comfortable seating placed among the historic images, encouraged visitors to linger.
Photography proved to be an especially fitting medium for Slow Art Day. As Habitat for the Arts shared, still images are perfect for capturing a piece of time. The photographs of Harry Rowed moved beyond documentation into storytelling. They carried gestures, landscapes, family groupings, and expressions that bridged generations.
Two reflections stood out from the discussion.
One participant shared, “It struck me witnessing the ties of family and how the love of nature and exploration crossed generations.”
Another reflected, “There is something so exact and familiar in spending time with the person in the photo. You feel almost as if you might know them, or have met them somewhere before despite the division of time.”
According to the Habitat for the Arts team, these responses captured the essence of the day.
We are grateful to Habitat for the Arts for continuing to celebrate Slow Art Day in Jasper and look forward to what they come up with for 2026.
– Ashley, Johanna, Jessica Jane, and Phyl
Test Kitchen at the Gardiner Museum, Toronto
March 12th, 2026On April 5, 2025, the Gardiner Museum in Toronto, Ontario participated in Slow Art Day for the sixth time — this year embedding the experience within their major exhibition Test Kitchen: A Museum Project.
As the museum underwent a full-scale reimagining of its ground floor and reinstallation of significant parts of its collection, Test Kitchen created a space of experimentation, collaboration, and participation. The exhibition functioned as part exhibition, part workshop, and part ideas generator. Visitors were encouraged not just to observe, but to question, respond, and contribute.
For Slow Art Day, participants were invited to closely engage with four collection-based “episodes” within the gallery:
- Connected Worlds
- Modern and Contemporary Ceramics
- Ancestral Abiyalas
- Indigenous Immemorial
Featured works included:
- Two-handled vase with palmette motif, Deruta, Umbria, Italy, c.1500–1550
- Ewer, silver mounts with German coin dated 1626, Jingdezhen, Jiangxi, China, 1635–1640
- Posset pot with chinoiseries, possibly Brislington, Bristol, England, 1687
- An Odyssey, Artist: Pamela Cevallos (Ecuadorian, born 1984), Collaborator: Guillermo Quijije, Quito, Ecuador, 2022
Participants navigated the exhibition using a self-guided Slow Art Day activity sheet created specifically for the program (below). The prompts encouraged close looking, sketching, reflective writing, and imaginative engagement.
In Connected Worlds, visitors searched for ceramics that visually embodied global exchange: an English pot with Chinese dragons, a Chinese jug with Dutch designs and a German coin, and an Italian vase made using a technique from Iraq. In Indigenous Immemorial, participants compared two works by John Kurok, reflecting on form, design, colour, and emotional tone.
In Modern and Contemporary Ceramics, guests identified works connected to myth or magic, considering how contemporary artists draw from narrative and symbolism.
In Ancestral Abiyalas, participants looked closely at An Odyssey, imagining themselves within its scenes — listening for sounds, sensing scents, and noticing what surprised them.
After completing their exploration, visitors were invited to participate in the exhibition’s interactive “Befriend an Object” activity, further reinforcing the exhibition’s collaborative spirit.
We are grateful to Sofia Flores-Ledesma and the team at the Gardiner Museum for continuing to champion Slow Art Day and for integrating it so thoughtfully into their institutional transformation, and look forward to seeing what they come up with for Slow Art Day 2026.
– Ashley, Johanna, Jessica Jane, and Phyl
Klimt, Turtles, AI & Art at Deutsches Museum Bonn
March 11th, 2026On April 5, 2025, the Deutsches Museum Bonn in Bonn, Germany participated in Slow Art Day and focused on the exhibition KI-Update: Deep Dive – Ist das Kunst? (“AI Update: Deep Dive – Is It Art?”).
The exhibition explored artificial intelligence and its growing role in creativity, authorship, and perception.
For Slow Art Day, the museum centered the experience around a set of connected questions: “Can we recognize AI-generated art? And when we look closely at AI-generated content, do we discover the same feelings, surprises, and emotions as we do when we spend a long time looking at human-made art?”
Displayed throughout the gallery were pairs of artworks inviting comparison and contemplation — classical works alongside AI-generated interpretations, including images inspired by Gustav Klimt’s Der Kuss and other well-known masterpieces. Through activating and participatory stations, visitors were encouraged to look carefully, question assumptions, and examine their own emotional responses.
The format followed a simple but powerful structure:
- First, slow down upon entering.
- Second, engage deeply with the works and prompts.
- Finally, reflect on whether the experience of looking at AI-generated imagery felt different from looking at traditionally created art.
One unexpected outcome of the day was the shared feeling of becoming “turtles.” As visitors slowed their pace and extended their viewing time, the metaphor stuck. To celebrate the theme, a volunteer led a hands-on crafting station where participants created multicolored turtles using potato starch material. The playful activity reinforced the central message of the day: slow down, take your time, and carry curiosity with you.
By blending philosophical inquiry, technology, and participatory creativity, Deutsches Museum Bonn created a Slow Art Day that felt both timely and joyful.
Warm thanks to Tanja Löschner and the entire education and engagement team for bringing Slow Art Day into the evolving conversation around AI and art. We look forward to seeing what they come up with for Slow Art Day 2026.
– Ashley, Johanna, Jessica Jane, and Phyl