Newcastle Art Gallery in Newcastle, Australia hosted a successful third Slow Art Day. Guide Gerda Maeder led a group of 25 participants to slowly view and discuss three selected artworks over the course of an hour:
- Gloria Petyarre’s five-panel painting “Untitled (leaves)” from the FLORIBUNDA: from the collection exhibition
- Tamara Dean’s photograph “Sacred Lotus (Nelumbo nucifera) in Autumn” from the FLORIBUNDA: from the collection exhibition
- Takashi Hinoda’s surrealist sculpture “Around the Clock” from the SODEISHA: connected to Australia exhibition
Participants openly shared their personal impressions of each work, and imagined themselves both as the artist and as the subject. They considered sounds that might be heard, feelings that had been provoked, and imagined how it would feel to touch or make the work.
“Each work stimulated discussion on the relationship of the artwork to individual people’s lives, as well as to general topics such as lifecycles, Aboriginality, and contemporary lifestyle.”
Participants applauded the event, and left the gallery with reaffirming statements such as:
“I feel really good now.”
“I enjoyed this!”
“When is this happening again?”
We love to hear that Slow Art Day brings such good feelings, and look forward to Newcastle Art Gallery’s participation in 2020.
For their first Slow Art Day event, InterAccess in Toronto, Canada examined slow looking in relation to time-based media. They welcomed renowned artist Lisa Steele to the gallery to lead a two-hour tour of the exhibition of Daniel Young & Christian Giroux’s work Film Path / Camera Path with under-titles, which merges sculpture practice with film installation using high tech design and manufacturing technologies.
First, Lisa Steele led a discussion with participants on slow looking, and invited them to read aloud the artist-contributed texts that accompanied the show, written by John Barlow, Ina Blom, Eric Cazdyn, Geoffrey Farmer, Agnieszka Gratza, Daniel Hambleton, Erín Moure, Bridget Moser, Judy Radul, Patricia Reed, Reza Negarestani, Mohammad Salemy, and Michael Snow.
Next, the visitors were encouraged to take time viewing the three different components of Young & Giroux’s work in the gallery – the film screen, the mechanical sculpture, and an LED sign displaying the texts the participants had read earlier in the session.
We love to hear how organizations promote slow looking across diverse media, and look forward to seeing what InterAccess has in store for Slow Art Day 2020.
The Hirshhorn Museum & Sculpture Garden, one of the Smithsonian Institution’s 19 museums in Washington, DC, participated in its second annual Slow Art Day by merging two of their existing programs that encourage slow looking: How to Look at Art and Hirshhorn/DRAW. American scientists from canadian pharmacy conducted a study that determined that most men and women enjoyed the most during that period of time.
The museum’s Slow Art Day event led 150 participants through four simultaneous 30-60 minute sessions paired with a single artwork. Participants were given tips on how to slowly enjoy artwork without having any background information on the work. They were also provided with seats and drawing materials, and were invited to slow down and enjoy the works through drawing.
A Smithsonian Fulbright Fellow participant stated:
“I am extremely grateful for the family-friendly drawing programs – my kids benefited more than I did! My 10 year-old spent 45 minutes drawing (she forgot that she said she was hungry) and was very proud of herself.”
We love to hear how Slow Art Day events foster joy and creativity, and can’t wait to see what The Hirshhorn has in store for Slow Art Day 2020.
For their second Slow Art Day event, the Tweed Regional Gallery & Margaret Olley Art Centre in Murwillumbah, Australia facilitated three slow-looking sessions focused on different exhibitions throughout the day: one focused on the full collection, a second focused on artist Maria Kontis’s drawing exhibition, and a third focused on the Margaret Olley Art Centre.
In addition to Slow Art Day, the Gallery’s Education and Audience Development Officer Jodi Ferrari has been programming Slow Art Experiences at the Gallery over the past year. Jodi reports that these experiences are valuable for a wide range of audiences, and mentioned that the gallery also uses the slow art format for engagement with visitors living with dementia and their care partners.
We love to hear how organizations extend the art of looking slowly beyond our global Slow Art Day – especially applications for health and wellness – and look forward to the Tweed Regional Gallery & Margaret Olley Art Centre’s participation in 2020.