The Frye Art Museum in Seattle, WA combined looking, drawing, and shared discussion for their Slow Art Day 2019.
The museum chose a single artwork in their current exhibition Tschabalala Self as a focus.
Each person then participated in three connected activities:
- a close-looking session
- a detailed artwork discussion rooted in Visual Thinking Strategies
- a drawing activity and discussion with a partner (to see the drawing activity they used, watch this video here…the drawing assignment begins at about minute 3)
During the drawing portion, one participant noted it was “meaningful to exchange our drawing with a partner, interpret each other’s, then explain our own.” The museum also provided a self-guided form for visitors to lead their own slow looking art exploration.
Caroline Byrd who works in the Education Department at the museum says, “Slow Art Day is an accessible, inventive, and community-oriented opportunity that we continue to look forward to each year.” We couldn’t have said it better and appreciate the creativity they brought to the design of their day.
AX, the Arts and Culture Centre of Sussex in New Brunswick, Canada, held a multi-sensory Slow Art Day 2019 led by artist Deanna Musgrave, who had recently researched and written her Master’s thesis on multi-sensory art experiences.
Musgrave, whose own art was being shown, began by guiding the participants through a relaxation exercise, using sound and voice commands to invite the audience to achieve a trance-like state. She then focused on three pieces of work and encouraged viewers to experience tastes (wine, chocolate, peaches), smell (wine and peppermint), and sounds (recorded instruments) paired with each piece.
According to AX, audience members, ranging in age from 8 to 70, said that the slow multi-sensory session really enhanced their experience.
In other good news, Bonny Hill, Exhibitions Committee Chair at AX said they recently applied for and were awarded a grant to curate and host an exhibition of artists who work in the “slow art” style, using outdated technology and painstaking methods to create contemporary work. That exhibition will launch in early 2020, and perhaps be the focus of their Slow Art Day 2020.
Asia Kuzmiczow, the Artist Manager at Beeldend Gesproken in Amsterdam, designed a wonderful (and sold out) Slow Art Day 2019.
She and her team decided to focus on one artwork for one full hour from the photo exhibition Different Perspectives. My first Slow Art Day test in 2008 was also one hour with one artwork. I subsequently decided to suggest 10 minutes per artwork for the global event to make it more accessible, but still love the one hour format and am glad they used it in Amsterdam.
After 60 minutes of intense viewing, they then enjoyed a delicious lunch prepared by the artist Sook Bae.
Asia and her team received some terrific feedback including:
Slow Art Day for me was literally a delight. A delight because of the invite to sit down, look without thinking, feeding the mind; having food for thoughts. It was a welcoming slow digest.Shirley Herts, Founder www.msindysolutions.nl
P.S. Beeldend Gesproken (“visual voice” – great name) is organized as a social enterprise with a mission focused on presenting artists who experience mental health problems such as autism, burnout or psychotic symptoms. I encourage you to go visit their site and learn more.
For Slow Art Day 2019, Michelle Nye, Manager of Gallery Programs at the San Francisco Museum of Modern Art, brought in Claudia L’Amoreaux of Mindful Digital Life to lead the day.
Participants looked for 10 minutes at each artwork and then had a group discussion about the experience (and a light lunch). The museum sold special tickets for Slow Art Day at $10 each (including the food) and sold out the event.
L’Amoreaux wrote about a common part of the Slow Art Day experience – the surprising nature of slow time and of focused looking.
When everyone started, I think we were all thinking 10 minutes was an impossible eternity to look at one piece of art. But afterwards, many of us shared how quickly the 10 minutes passed and how surprised we were by what we noticed, especially with pieces we weren’t especially attracted to.Claudia L’Amoreaux
P.S. We are planning a webinar with Nye and L’Amoreaux to discuss the design of their event. More on that soon.