For Slow Art Day 2019, artist and holistic pyschotherapist Henrique Vieira Filho invited groups of up to six participants at a time into the intimacy of his studio, HVF Artes, located in São Paulo, Brazil.
He chose what he thought were the most impactful works and guided participants to slowly observe each piece.
Some participants also chose a quiet session of art therapy.
After slow observation, refreshments were served and guests were invited to talk about the experience of slow looking with the artist.
This was a very interesting design and we look forward to more Brazilian gallery and museum participation in 2020.
For their third Slow Art Day, B-galleria in Turku, the former capital city of Finland, held a yoga workshop where participants could take a deep breath, stretch their bodies, and look slowly at surrounding works of art.
After the yoga workshop, participants slowly observed B-galleria’s scholarship holder Aino Ojala’s exhibition Seassa / Among, which consisted of ceramic replicas of parts of the skin of the artist and her friends. Studying this work closely obviously made for a unique slow viewing experience.
We look forward to what B-galleria chooses for its art and slow looking design for 2020.
For Slow Art Day 2019, Hofstra University Museum of Art invited visitors from the surrounding Long Island, NY communities to look slowly at their exhibition, “Pushing Boundaries: American Art After World War II.”
The museum started their event by providing written prompts instructing participants how to slowly observe selected works. Nancy Richner, Museum Director, then facilitated a group conversation about each individual piece, which was followed by a light lunch.
Nancy reported that it was delightful to see the participants, without prompting, naturally engage in their own discussions about the selected works. They were so enthusiastic about the discussions that they also ventured to look at other works in the exhibition together.
“It was reaffirming to watch the visitors, who were initially strangers to each other, discuss insights and make new friends through their shared experience of slow looking,” she said.
We love to hear how Slow Art Day can facilitate new insights and friendships, and look forward to Hofstra University Museum of Art’s 7th Slow Art Day in 2020.
Philadelphia Museum of Art creatively integrated music and poetry with their 2019 Slow Art Day in celebration of National Poetry Month.
“Since poems slow us down to consider individual words, phrases, and the structure of language, we thought this would be a great way to encourage slow looking,” said Greg Stuart, Museum Educator and Public Programs Coordinator.
Slow Art Day participants were asked to focus on a single work of art for 45 minutes while experiencing an in-gallery music performance. They were then also encouraged to participate in poetry writing workshops and a bookmaking program.
Candy Alexandra Gonzalez, a local poet and visual artist, encouraged participants to create a collaborative book by writing and drawing about things in their lives that they wished moved at a slower pace.
One visitor said:
“This was great for me and my eight year old daughter. It helped us look at the art more closely and talk about it together. Thank you!”
We couldn’t be happier to hear of such a successful multimedia, multi-sensory Slow Art Day, and look forward to what the Philadelphia Art Museum creates for Slow Art Day 2020.
BOZAR Center of Fine Arts in Brussels, Belgium hosted participants ages 10 to 70 in their multi-sensory 4th annual Slow Art Day in 2019.
Attendees focused on the exhibition Bernard van Orley: Brussels and the Renaissance, where they meditated in front of the rich landscapes within Bernard van Orley’s tapestries while listening to polyphonic renaissance music. Visitors also looked at portraits of the powerful but tragic Margaret of Austria while listening to her life story.
Participants reportedly went home with peaceful smiles.
We love to hear of such creative Slow Art Days, and look forward to BOZAR’s participation in 2020.
This year marked the first Slow Art Day at the Kelowna Art Gallery in Kelowna, BC, Canada. Alison Trim, visual artist and graduate student in the MFA program at UBCO in Kelowna, along with the Gallery’s Public Programming Assistant Ryan Trafananko together hosted an afternoon that combined art exploration and information about the Poetics of Space exhibition.
Trim and Trafanako reported that many participants loved learning the art of slowing down and fully experiencing art — especially with this exhibition, which focused on the experience, creation, and dynamics of space.
We were very happy to hear that their first Slow Art Day went well, and are looking forward to Kelowna Art Gallery’s participation in 2020.
For their first Slow Art Day, the Byron School of Art Project Space in Mullumbimby – a small Australian town well-known for its artist colony – combined several multi-sensory activities along with food and yoga.
They started Slow Art Day with an artist talk by Marlene Sarroff whose exhibition 365 Days: You Get What You Choose is a meditation on everyday practice. Marlene spoke about her long history of working and exhibiting in artist-run spaces, about finding materials whilst not seeking them, and also about being awake to possibility.
After Marlene’s talk, participants began something organizers called The Slow Art Challenge. The challenge started with five minutes of silent looking at one artwork, then followed that with a group discussion. Next, participants took a few moments to enjoy cups of tea together, and then reconvened in pairs to observe a second chosen work in silence. For the final segment, they listened to music while looking at another artwork, and then held another discussion after that multi-sensory experience.
And as if this were not enough, their Slow Art Day finished with an evening Slow Flow Yoga Class led by yoga instructor Shien Chee from Seeker + Kind yoga studio, their neighbor two doors down. Chee and Meredith Cusack, BSA Project Space Coordinator, wanted to integrate yoga, sound, smells, and sight. They came up with the idea of using the art as a way to talk about drishti (gaze point). As a result, Chee built her class around changing drishti – looking at different works, but also from different positions, and heights. Wow.
The Byron School of Art Project Space had such a good – and creative – first Slow Art Day that participants asked if they would do the exercises for other exhibitions, which they plan to do. They also look forward to participating in Slow Art Day 2020 and we look forward to having them back. They are a wonderful addition to the global slow looking movement.