According to the visitor experience team at Tate Modern, Slow Art Day 2019 was “fantastic.”
They organized two one-hour slow looking sessions split between two artworks and, then, after the sessions, the team invited the visitors to come together for tea, coffee, biscuits, and a discussion about the whole experience.
Here’s what some of the participants said:
“A really interesting session. I’m more mindful of how to observe art in the future.”
“What a wonderful idea!
“I understand now how you can spend so much time in a gallery looking at art!”
“The combination of looking at art slowly and with other people is a real eye opener.”
“Really like the concept. As someone who can feel a bit intimidated by the art world this felt like a really nice way in and gives me more confidence to engage with art in the future.”
“A brilliant concept, lovely to think that this is going on all around the world.”
“I will definitely bring friends next time. Do it again!”
“I felt like a part of a group/community and was an hour well spent.”
“We can’t wait for next year to do it again,” said Adriana Oliveira, Visitor Experience Manager there at Tate Modern.
Slow Art Day 2019 at the Columbia Museum of Art attracted a small but very invested group of participants. At each stop along the way they experienced the art from a different perspective, whether a deep visual dive, a multi-sensory experience, or a complex conversation about the details within a piece.
The participant conversations were fruitful, and resulted in insights that the docents used in later tours.
We look forward to Columbia Museum of Art’s participation in 2020!
For Slow Art Day 2019, artist and holistic pyschotherapist Henrique Vieira Filho invited groups of up to six participants at a time into the intimacy of his studio, HVF Artes, located in São Paulo, Brazil.
He chose what he thought were the most impactful works and guided participants to slowly observe each piece.
Some participants also chose a quiet session of art therapy.
After slow observation, refreshments were served and guests were invited to talk about the experience of slow looking with the artist.
This was a very interesting design and we look forward to more Brazilian gallery and museum participation in 2020.
For their third Slow Art Day, B-galleria in Turku, the former capital city of Finland, held a yoga workshop where participants could take a deep breath, stretch their bodies, and look slowly at surrounding works of art.
After the yoga workshop, participants slowly observed B-galleria’s scholarship holder Aino Ojala’s exhibition Seassa / Among, which consisted of ceramic replicas of parts of the skin of the artist and her friends. Studying this work closely obviously made for a unique slow viewing experience.
We look forward to what B-galleria chooses for its art and slow looking design for 2020.
For Slow Art Day 2019, Hofstra University Museum of Art invited visitors from the surrounding Long Island, NY communities to look slowly at their exhibition, “Pushing Boundaries: American Art After World War II.”
The museum started their event by providing written prompts instructing participants how to slowly observe selected works. Nancy Richner, Museum Director, then facilitated a group conversation about each individual piece, which was followed by a light lunch.
Nancy reported that it was delightful to see the participants, without prompting, naturally engage in their own discussions about the selected works. They were so enthusiastic about the discussions that they also ventured to look at other works in the exhibition together.
“It was reaffirming to watch the visitors, who were initially strangers to each other, discuss insights and make new friends through their shared experience of slow looking,” she said.
We love to hear how Slow Art Day can facilitate new insights and friendships, and look forward to Hofstra University Museum of Art’s 7th Slow Art Day in 2020.
Philadelphia Museum of Art creatively integrated music and poetry with their 2019 Slow Art Day in celebration of National Poetry Month.
“Since poems slow us down to consider individual words, phrases, and the structure of language, we thought this would be a great way to encourage slow looking,” said Greg Stuart, Museum Educator and Public Programs Coordinator.
Slow Art Day participants were asked to focus on a single work of art for 45 minutes while experiencing an in-gallery music performance. They were then also encouraged to participate in poetry writing workshops and a bookmaking program.
Candy Alexandra Gonzalez, a local poet and visual artist, encouraged participants to create a collaborative book by writing and drawing about things in their lives that they wished moved at a slower pace.
One visitor said:
“This was great for me and my eight year old daughter. It helped us look at the art more closely and talk about it together. Thank you!”
We couldn’t be happier to hear of such a successful multimedia, multi-sensory Slow Art Day, and look forward to what the Philadelphia Art Museum creates for Slow Art Day 2020.
BOZAR Center of Fine Arts in Brussels, Belgium hosted participants ages 10 to 70 in their multi-sensory 4th annual Slow Art Day in 2019.
Attendees focused on the exhibition Bernard van Orley: Brussels and the Renaissance, where they meditated in front of the rich landscapes within Bernard van Orley’s tapestries while listening to polyphonic renaissance music. Visitors also looked at portraits of the powerful but tragic Margaret of Austria while listening to her life story.
Participants reportedly went home with peaceful smiles.
We love to hear of such creative Slow Art Days, and look forward to BOZAR’s participation in 2020.
This year marked the first Slow Art Day at the Kelowna Art Gallery in Kelowna, BC, Canada. Alison Trim, visual artist and graduate student in the MFA program at UBCO in Kelowna, along with the Gallery’s Public Programming Assistant Ryan Trafananko together hosted an afternoon that combined art exploration and information about the Poetics of Space exhibition.
Trim and Trafanako reported that many participants loved learning the art of slowing down and fully experiencing art — especially with this exhibition, which focused on the experience, creation, and dynamics of space.
We were very happy to hear that their first Slow Art Day went well, and are looking forward to Kelowna Art Gallery’s participation in 2020.