For their 5th Slow Art Day, the Artichoke Gallery at MelonRouge Eatery in Magaliesburg, South Africa, organized an event featuring different art forms by three South African artists:
Handmade Damascus art knives by Bertie Rietveld
An oil painting by Evarné van Niekerk
A pen-drawn labyrinth artwork by Lorraine Reister
Visitors were given a “Meet the Maker” bio of each artist, and were guided around the artworks by facalitator Hanolet Uys, himself an artist.
As part of the event, visitors were also given two blank canvases, acrylic paint, oil, and black permanent markers and were invite to create their own art.
Facilitator Hanolet Uys explaing Bertie’s process of making daggers.
Participant engaging with acrylic paint, oil, and black permanent markers.
Below are images of the featured artworks.
Bertie Rietveld. Apollo.
Asection of the painting by Evarné van Niekerk. Oil on canvas.
Lorraine Reister. Wie is ek.
Participants engaging in discussion
Following the tour, participants discussed the artworks and artists around a table outside.
In their discussion of the art, participants reflected around the changed meaning of art in the context of a pandemic:
” The Pandemic made me look at art as a bare necessity and not as a ‘”luxury” as before”
Participant’s quote
“I started an art piece before the pandemic – and the outcome after a year was totally different than what I anticipated beforehand”
Participant’s quote
The Gallery, which has always been good at creating video artefacts of their event, produced a short TikTok video this year. We recommend that museum educators and other Slow Art Day designers watch it below:
TikTok video summarizing the Artichoke Gallery’s Slow Art Day.
We at Slow Art Day HQ are fans of the Artichoke Gallery and love the effort they put into designing their event every year.
We very much look forward to whatever they come up with in 2022.
Johanna, Jessica, Ashley, and Phyl
P.S. You can follow Artichoke Gallery’s updates on Facebook
For their 9th Slow Art Day, the Patricia & Philip Frost Art Museum at Florida International University, in Miami, Florida, invited participants to join them for a virtual guided meditation, a yoga session, and a close-looking art exercise.
The event was organized in memory of Helena Venero, a dedicated docent, volunteer and art lover who enthusiastically helped the Frost Art Museum host their first Slow Art Day. We never knew Helena, but we feel her spirit strongly, and are really touched that the Museum organized the event in her memory.
Slow Art Day Zoom Session: Screenshot of Krysten Medina’s yoga session from the gallery on Zoom. In the background: Chris Friday, “20 Feet Tall.” (Chalk on Arches paper, 2021)
On April 10, Victoria R. Gonzalez, a Health Educator, opened the event by encouraging participants to turn off their cellphones and join her in a guided meditation.
This prepped participants for the virtual yoga class that followed, which was led by Krysten Medina, a Prana Yoga instructor. With artwork in the background, she encouraged participants to give love and care to their bodies during the session as a grounding practice.
After yoga, participants were invited to complete a close-looking exercise using one of the below five works from the Gallery’s permanent collection.
Pepe Mar, ‘Mothership,’ Mixed media on wood, 2020, Courtesy of the Artist and David Castillo Gallery
René Portocarrero, ‘Mujer,’ 1954, painting, 15.25 x 11.5 in, Darlene M. and Jorge M. Perez Art Collection at FIU
Xaviera Simmons, ‘Beyond the Canon of Landscape,’ color photograph. 2008 Courtesy of the Artist and David Castillo Gallery
Unknown, ‘Mexico Mask,’ wood paint. 20th Century 6 5/8 x 6 3/8 x 4 ½ inches Gift of Lawrence and Linda Twill, FIU
Edouard Duval Carrie, ‘Regional Study,’ mixed media on paper. 2002 80 x 60 x 2 ½ inches Purchase made possible with funds donated by Dr. Sanford L. and Dolores Ziff. FIU
Participants chose one of the artworks, and spent 15 minutes looking slowly. They were then asked to ponder the following questions:
1. Describe the object.
2. What emotions, moods, ideas, or thoughts does the object convey or generate?
3. How has the maker/artist manipulated the materials and/or elements to convey or generate these emotions, moods, ideas, or thoughts?
4. What social, cultural, and historical factors might have influenced the maker/artist’s choices, and the object’s meaning?
5. What personal meaning or significance do you find in this object?
6. How would you compare this work to other artworks that you have seen? How is it similar and how is it different?
7. What other observations do you have?
Emily Afre, Education Specialist at the Gallery, thanked the Slow Art Day HQ team for “the opportunity to participate in another year of taking it slow.”
In turn, we would like to thank Emily and The Frost Art Museum for their long-term commitment to celebrating Slow Art Day, and for holding this year’s event in memory of someone who started their journey in Slow Art. We love being part of a global movement that helps people learn to look at and love art, all while slowing down in this fast-paced, multi-tasking world.
We can’t wait to see what the Patricia & Philip Frost Museum comes up with for their 10th Anniversary Slow Art Day in 2022.
Johanna, Jessica, Ashley, and Phyl
P.S. If you are interested in following the Frost Art Museum’s updates, here you can find their Facebook page.
