According to the visitor experience team at Tate Modern, Slow Art Day 2019 was “fantastic.”
Participants slowly looking at The Snail by Henri Matisse
They organized two one-hour slow looking sessions split between two artworks and, then, after the sessions, the team invited the visitors to come together for tea, coffee, biscuits, and a discussion about the whole experience.
Here’s what some of the participants said:
“A really interesting session. I’m more mindful of how to observe art in the future.”
“What a wonderful idea!
“I understand now how you can spend so much time in a gallery looking at art!”
“The combination of looking at art slowly and with other people is a real eye opener.”
“Really like the concept. As someone who can feel a bit intimidated by the art world this felt like a really nice way in and gives me more confidence to engage with art in the future.”
“A brilliant concept, lovely to think that this is going on all around the world.”
“I will definitely bring friends next time. Do it again!”
“I felt like a part of a group/community and was an hour well spent.”
“We can’t wait for next year to do it again,” said Adriana Oliveira, Visitor Experience Manager there at Tate Modern.
For their second Slow Art Day, The Eaton Gallery in Bloomington, Illinois, organized a “drive-by” exhibit in the Gallery’s window display, inviting the local community to slow down and enjoy floral still-life paintings by local artist Herb Eaton.
Herb Eaton, Still Life with Grace. 3ft x 4 ft, oil on canvas.
Herb Eaton, Single Petal of a Rose. 24×18 oil on canvas board.
Pamela Eaton, Gallery owner, aims to make art more accessible in a relaxed setting, and provide a space to support local artists.
From the 10th to the 30th of April, the Gallery created a drive-by window exhibit for viewers to pause and look slowly at a selection of artworks. They were then invited to share their thoughts and reflections in a variety of ways: write a note and drop it in the Gallery’s mail slot, send an email, or leave a post on the Gallery’s Facebook page.
The exhibit got great press coverage from local news outlets, both last year and this year. An article by week.com includes a video interview with Pamela Eaton, where she explains that Slow Art Day is an opportunity for people to simultaneously develop an appreciation for art and local artists.
“We are so busy hurrying around. When you slow down and pay attention to your space and place you start to see more value in them. That’s probably one of the values of COVID, it’s slowed us all down.”
Pamela Eaton
Eaton Gallery’s press release
The Eaton Gallery received a lot of great feedback from participants:
Kind of makes you think of the beauty of life and the changes through the years. The petals are beautiful but life happens and the years change us, but the beauty still remains in our memories.
Viewer’s quote
I drove by today, slowly passing by in my car to admire A Single Petal of a Rose which I love more and more each time I see it.
Viewer’s quote
Walked by Saturday to enjoy the paintings in your window… peaceful and full of color.
Viewer’s quote
Looking forward to coming inside and seeing more of the art and the space.
Viewer’s quote
Beautiful work.
Viewer’s quote
Brightened up my walk downtown.
Viewer’s quote
The Eaton Gallery’s creative drive-by solution to sharing art with the local community during Covid19 has helped viewers and participants slow down and feel connected. At Slow Art Day HQ, we agree with Pamala Eaton: “When you slow down and pay attention to your space and place you start to see more value in them.”
We look forward to Eaton Gallery’s Slow Art Day in 2022.
For their 8th annual (and 2nd virtual) Slow Art event, the National Museum of Women in the Arts (NMWA) in Washington DC, invited visitors to take part in a Slow Art Week, which opened on April 2 and culminated in a virtual gathering on April 10, facilitated by a museum educator.
The NMWA created a virtual collection, “(Anything But) Black and White”, for the week of activities. The Museum’s aim with this collection was to remind that life is rarely clearcut, and that we should seek to discover and embrace nuance, variety, and difference. The selected artworks were available to view online throughout the week, and were on display in the museum for those who could visit in person.
The final event of Slow Art Week, held on Saturday the 10th, featured lively conversation about the experience of slow looking. To facilitate more intimate dialogue with the group the museum used breakout rooms, which is a great tool during virtual sessions.
The NMWA provided participants a detailed PDF with instructions to review before joining the session on Saturday 10th.
We encourage museum educators and curators to review the PDF above to get a sense of the design of the whole event. We will highlight just a few things here.
We particularly liked the four guiding questions the NMWA asked participants to consider ahead of the Saturday session. Those questions were the following:
How might art help you appreciate perspectives other than your own?
What are your first impressions or assumptions based on? What do you need for your opinions to evolve or change?
Have you experienced a shift from binary to spectrum thinking about a topic in the last year? What influenced that change in thinking?
How can we seek to “find the gray” in the world around us?
Also in preparation for the Saturday session, the close looking PDF provided various entry points for participants, including prompts for kinesthetic and visual learners. The aim was to give participants the opportunity to approach the process of slow looking in way(s) most comfortable for them. Some of the provocations are listed below.
Consider the artwork’s details. Roll up a sheet of paper to create a viewfinder. Look at the artwork through it to isolate and consider the artwork’s parts.
Arrange things you find around your home to make a temporary found-object sculpture that is inspired by your favorite choice. Take a picture of your sculpture. Post it to social media and tag @womeninthearts and @slowartday.
Create a bank of words and phrases that come to mind as you look at an artwork.
Slow Art Week was well received:
“For the NMWA session I did the independent slow looking first, then attended the Zoom meeting. All of it was rewarding. I enjoyed the chance for interaction in the small groups. Hearing other people talk about their observations, questions, ideas, etc. is a reminder to me that I miss things even when looking closely and/or I interpret what I see differently than other people. Above all what was most meaningful to me was the opportunity to “commune” with other, like-minded (art-minded) people. For a short time I felt less alone. What I enjoyed about the day overall (attended Slow Art Day at both NMWA and Philadelphia Museum of Art) is that I allowed myself to have a whole day for art things, which was like medicine.”
Participant’s quote
“If you want to learn about and get to know a person, you spend time with them. The same is true with works of art. Time to look, time to pause, time to breathe. Time to process and to just be. NMWA’s works of art deserve this, and so do we. These works can become our life-long friends.”
Participant’s quote
“I participated in the independent slow looking and in the Zoom meeting. For me, both were important, I guess one needs time to look in your own times and places, and you also arrive prepared to the meeting. The meeting is also important because it is the opportunity to share and to listen to other experiences and views. For me both are learning opportunities and experiences.”
Participant’s quote in response to the moderator’s questions: What element(s) of Slow Art Day did you take part in—independent slow looking, Zoom meeting, both? Which element(s) did you find most rewarding. Why?
“I did not do the independent slow looking exercise since I only decided to participate a short while ahead of enrolling in the session. During the Zoom meeting, I found the conversation that you facilitated thoughtful and respectful, with time given in between words for collective observation. When you added information about the works, it was artfully done, with just the right amount so as to further the looking dialogue that was happening between us.”
Participant’s quote
We at Slow Art Day HQ would like to thank the NMWA for their long-lasting commitment to Slow Art Day, and love how creative and inclusive their Slow Art Week was. The pandemic has proven quite isolating for many, and we agree, as one participant mentioned, that enjoying art slowly is “like medicine” for the soul.
We look forward to seeing what the NMWA comes up with for Slow Art Day 2022 (and, again, encourage museum educators to review their detailed PDF for ideas and inspiration).
Johanna, Jessica, Ashley, and Phyl
P.S. If you would like to be updated with the NMWA’s events you can follow the on Facebook, Instagram, and Twitter.
For their sixth Slow Art Day, the Georgia Museum of Art in Athens, GA, hosted an in-person slow looking and drawing session.
The session was originally planned as an outdoor sculpture viewing, but the rain had other plans and the event was hosted inside the museum. The program was created by Sage Kincaid, Associate Curator of Education, who has a strong passion for all things Slow Art.
On April 10, participants were invited to look slowly at three works of art at the museum:
Steinunn Thorarinsdottir, ‘Tide’, 2012. Cast iron and glass. 70 7/8 × 27 9/16 × 13 3/4 in. (180 × 70 × 35 cm) Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by Judith Ellis
Participants doing line-drawings of Nick Cave’s Soundsuit Sculpture for Slow Art Day 2021. Photo courtsey of the Georgia Museum of Art.
Visitors in front of Joan Mitchell’s painting “Close” (1972) during a previous Slow Art Day event. Photo courtesy of the Georgia Museum of Art.
After looking at the art pieces, Katie Landers, an Education Department Intern at the museum, led separate slow looking and drawing activities.
Participants were first encouraged to think about their physical relationship to the sculpture by Steinunn Thorarinsdottir. Next, they investigated color and color palettes by looking at Joan Mitchell’s painting. Finally, they made a blind contour and continuous line drawing of Nick Cave’s sculpture. To end the day, all participants made abstract color collages together. The event was well received by a dedicated group of 10, who spent several hours together for an immersive experience on Slow Art Day.
At Slow Art Day HQ, we love the integrated multi-sensory approach that the Georgia Museum of Art took to designing this year’s event. While looking at something closely lets us see in new ways, slow drawing takes that process even further and allows attendees to connect looking, talking and making. And that creates the possibility to be present — with art, with ourselves, and with others.
We look forwad to what the Georgia Museum of Art comes up with for their 7th Slow Art Day in 2022.
For their first Slow Art Day on April 10, 2021, Open to Being, a community-building organization based in Arlington, Virginia, hosted a virtual slow looking event and set of interactive exercises.
Theresa Esterlund, the founder of Open to Being, led a 45-minute session focused on artist Foon Sham’s outdoor sculpture ‘Ridge’ (2018), and participants were invited to join via Zoom or Facebook Live.
Foon Sham. Ridge. 2018. Public installation located in Oakland Park, Arlington, Virginia. Photograph by Theresa Esterlund.
After looking slowly at the sculpture for 7-10 minutes, participants were invited to share and discuss their observations using the following questions and creative prompts:
Questions
What did the experience feel like to you?
What surprised you?
What inspired you?
What sparked your curiosity?
What do you remember the most?
Creative prompts
Write a 6 word story or Haiku
Use scraps of paper or other materials to build something
Take a photo
Design a symbol
Draw
Pictures and notes submitted by the participants in response to the creative prompts
The event was well received, and participants felt that the program was very accessible:
“I really appreciated the way your program unfolded. I did feel like I was transported to the park in a way, it was engaging in that we could almost compare notes with each other as guests on Zoom.”
Participant’s comment
With 25 years of experience in science, history, and art museum education, Esterlund is also an artist who now teaches yoga and meditation alongside her work with Open to Being. She sees a clear connection between slow looking at art and mindfulness:
“Looking at art slowly is an opportunity to practice mindfulness – being with everything that’s going on at any given moment and experiencing everything without judging or getting caught up in it. That kind of experience can lead to openings, which might be experienced long after the program. The emphasis was on the experience, with the artwork as a pathway and essential element of that experience, rather than on the art itself.”
Theresa Esterlund
At Slow Art Day HQ, we love it when hosts integrate slow looking, mindfulness and play. We can’t wait to see what creative design Esterlund comes up with for Slow Art Day 2022.
-Johanna, Jessica, Ashley and Phyl
PS. You can view a recording of the event, and check out the Open to Being Facebook page for more information about upcoming events.
For their 8th Slow Art Day, the McMaster Museum of Art in Hamilton (ON), Canada, hosted a slow looking Zoom session led by McMaster BFA students Donna Nadeem, Julianna Biernacki and Jill Letten, and it focused on their own work and on art by John Hartman, a McMaster alumni.
On April 10, participants were invited to look slowly at the painting by John Hartman, followed by discussion. Donna, Julianna and Jill, graduating BFA students, also showed and discussed their own work, part of the McMaster Museum of Art’s upcoming exhibition for graduating students: QUIXOTIC. Meaning “all that is deemed idealistic, starry-eyed and impractical”, the word ‘quixotic’ inspired all pieces in the exhibition (Curator’s Statement by Alexis Moline).
The event was well received, with the Instagram post being liked 70+ times. Participants also left glowing feedback:
“I’m so thrilled to look at more than just the subjects and colors. I’ve never been good at interpretation but this has been the light bulb moment I was looking for.”
Participant feedback
We love this quote, and hear this all the time from Slow Art Day attendees — simply slowing down to look creates “light bulb” moments.
You can find out more about the QUIXOTIC exhibition on the Museum’s Instagram. Their Facebookand Twitter pages are also great places to find out more about its collections and events.
At Slow Art Day HQ, we want to thank the McMaster Museum for the long-time leadership they have provided to the Slow Art Day movement, including this year’s creative design, featuring work by former and current students at the University.
We are already excited about seeing what they come up with for 2022.
On April 10, the museum started their Slow Art Day by sharing three artworks to Instagram.
Viewers were asked to respond with one-word descriptions of the images, which the museum turned into word clouds to illustrate the feelings evoked. “Breezy”, “depth” and “freedom” were frequent responses.
The museum also produced a slow looking video that features the sculpture “The Fist” by Alice Morgan Wright. Viewers were encouraged to find a quiet space, silence their technology, take a few deep breaths, and observe the sculpture for one minute in silence. The video slowly circles the sculpture, allowing viewers to see it from every angle. At the end of the minute, the video moderator guides participants through thought provoking questions about the sculpture. View the video below and try this slow-looking activity for yourself.
Slow looking video of Alice Morgan Wright, ‘The Fist’, 1921. Video produced by The Albany Insitute of History and Art.
For the Zoom-based wellness workshop ‘Making Meaning: Meditating on Artwork as Wellness’, participants were guided through an hour of exploring, viewing, and discussing works of art with licensed art therapist Chloe Hayward. They were also invited to share an object from their personal space as a vehicle for connecting to the artworks. The session ended with a guided meditation.
People responded positively to the digital events hosted by the Albany Institute, with one participant calling them “invaluable at this time”. Victoria Waldron, Education Assistant at the Albany Institute, said the Albany Institute’s first Slow Art Day program was a success, with 60+ combined participant and social media interactions.
At Slow Art Day HQ, we love that the Albany Institute of History and Art chose to host five connected events for their first Slow Art Day, and are already excited to see what they plan for Slow Art Day 2022.
On April 10th, the Museo di Arte Moderna e Contemporanea di Trento e Rovereto (MART) in Rovereto, Italy, organized a virtual Slow Art Day event that focused on re-titling artworks based on participants’ emotional experiences of slow looking.
Images of three artworks from the MART collection were emailed to the 15 registered participants ahead of joining a Zoom session. Once in the virtual session, participants were given 45 minutes to look slowly at three artworks. They then split into 3 discussion groups, each led by a coordinator, that focused on the emotions and observations of the participants while viewing the works. Participants were then asked to give each artwork their own title based on emotions experienced during the slow looking. The day after the session, participants were sent a brief profile of each artwork that included the emotional titles, the actual title, and the name of the artist, date, and art movement.
Below is one of the artworks along with a word cloud of the emotional titles given by the participants. Some of these translate to: “Disgust”, “Towards tomorrow?”, “Artist’s self-portrait”, “Who am I?”.
Arnulf Rainer, Splitter, 1971 Pastel and oil on photography, cm 60,5 x 50,5, Mart
Titles assigned to the artwork by the participants.
The event was well recieved by all the attendees, with one participant commenting:
“See how this way of following art stimulates a lot of creativity in us. Beautiful. We are like amateur jazz improvisers, extemporizing on a score!”
Participant Quote
That’s right. Slow looking is like jazz improvisation. We love this design of MART’s first official Slow Art Day event and hope that others decide to copy this.
Note that their Slow Art Day was not their first slow looking series. In 2020, local art enthusiast and MART member Piero Consolati approached Denise Bernabe, the Membership Coordinator at MART, about the possibility of organizing slow art sessions. Thanks to their initiative, MART has hosted nine slow art sessions since May 2020, which are now held monthly at the museum (so far, mostly virtually).
At Slow Art Day HQ we are delighted that slow looking has become a staple activity for the MART Museum. Denise Bernabe and Piero Consolati share updates with us about the status of slow art at MART throughout the year.
We look forward to MART’s continued events throughout the year, and their celebration of Slow Art Day in 2022.
More than 110 museums* and galleries around the world are slowing down today – to create more inclusive environments that allow everyone to learn how to look at and love art.
We are really excited about the many creative events happening all over the world today. And we look forward to learn in the coming weeks more about what the educators and curators designed for this year (and we will be working with them to write-up and publish their 2021 reports).
Meanwhile, if you are looking to participate in a Slow Art Day event today, then you can go to your local museum or gallery to see if they are planning an event – or, you can click here on the official venues for this year. (tip: some of the links direct you to a museum homepage, from there go to their “events” section or search for “Slow Art Day”).
You can also check Instagram #slowartday2021.
Because of the pandemic, many events will be virtual allowing you to participate anywhere in the world.
Again, happy Slow Art Day!
– Phil, Johanna, Maggie, Ashley, and the whole volunteer team
*P.S. 110 is the official count, though we know many more are also celebrating.
In a terrific feature-length article published yesterday, the Washington Post writer Kelsey Ables covered slow looking, Slow Art Day, our message of radical inclusivity, and encouraged readers to sign up to one of the 90+ venues around the world for this year’s global event.
Participating museums like the Philadelphia Museum of Art and the National Museum of Women in the Arts are featured in the article, as is our friend, Jennifer Roberts, an art history professor at Harvard.
Further, the article highlighted a key element of our mission: increasing the accessibility of museums. From the beginning, we’ve believed that slow looking is an act of radical inclusivity where the viewer includes themselves, rather than being lectured to or told how to look. This radical inclusivity we believe is key to opening up museums and galleries to many more people.
I encourage you to read the article and share it on social media.
Also, if you are hosting a Slow Art Day event this weekend, then we wish you all the best and look forward to your report on how it went (and please post on social media with the tag #slowartday2021).
[Note: Slow Art Day 2021 is coming up Saturday, April 10 – read the 2020 report for ideas on how to design your slow looking events.]
In this interview, Annalisa Banzi, Ph.D. (researcher in museum studies, psychology and neuroscience at CESPEB-Bicocca University) shares some ideas on “Wellness and Museums” with Elisabetta Roncati (art influencer), and focuses on Slow Art Day as a great example of programs that help with mental health.
Banzi and Roncati discuss the powerful effect of slow looking and how Slow Art Day is radically inclusive – i.e., allows people to include themselves in the art experience.
Moreover, Banzi argues that Slow Art Day has become a useful way to enhance people’s mental wellbeing during the pandemic *and* has given an important way for museums to interact with visitors all over the world.
