It’s going to be another great Slow Art Day – the 14th global event since we officially launched in 2010 – and I’m happy to report that we are nearing about 150 museums, galleries, and venues registered.
If you are participating but have *not* yet registered as a host, then please do.
When you register your plans with us, then we can include you on our site and, importantly, our volunteer team can follow-up after the event to write-up what you did, post it to our site, and add it to our 2023 Annual Report (see all of our past Annual Reports).
The Annual Report is a compendium of slow looking tools, designs, and approaches by talented educators and curators all over the world. Because we’ve seen how much our global community uses these reports, our volunteer team spends hundreds of hours each year compiling, editing, and publishing these write-ups.
P.S. If you need any of the host tools – logo for use in your print or digital efforts, and all of the past reports with their many tools, tips, and inspiring approaches – then go to the host tools section of our Slow Art Day website.
We have another wonderful Slow Art Day coming up April 15, 2023.
Hundreds of museums and galleries are participating (if you have not yet registered your museum, please do).
Here are some highlights:
Nationalmuseum of Sweden The Nationalmuseum is Sweden’s museum of art and design. The collections comprise painting, sculpture, drawings and prints from 1500-1900 and applied arts, design and portraits from early Middle Ages up until present day. Their plans for Slow Art Day: They are starting the day with slow yoga and then will follow up with different guided tours, and other slow programs.
As many of you get ready for Slow Art Day 2023, we wanted to share this exciting news: the Bloomington-Normal, Illinois art community currently has *15* locations signed up for their citywide Slow Art Day 2023.
Located on the historic Route 66, these Bloomington artists and galleries are banding together to make Slow Art Day a full citywide celebration of art (and they designed a great poster, as you can see below).
Pamala Eaton of Eaton Studio Gallery started Slow Art Day in Bloomington several years ago.
This year Pamala’s colleagues, photographer Santino Lamancusa, owner of the The Hangar Art Gallery, and Janean Baird from Art Vortex, have met regularly to encourage and include other artists and galleries to join the now 15-site citywide, including:
Registration will tell the world what you are doing – *and* make it easy for us to follow-up and write a detailed report about your event, which we’ll publish on SlowArtDay.com and in our 2023 annual report.
Excited to see what you come up with for Slow Art Day 2023.
P.S. To get inspiration for your event this year, browse our recent Annual Reports including: 2022, 2021, 2020, and 2019.
We are proud to publish our 2022 Annual Report, representing hundreds of hours of work by volunteers to research, compile, and write-up the creative work of educators and curators around the world.
More than 175 museums and galleries participated in 2022 (plus many more that ran Slow Art Day sessions but did not register with us).
And we researched, wrote, and published reports from 54 of these museums and galleries, which is what you will find in this report.
So, read this and get inspired by what a wide range of museums and galleries did last year including The Wallace Collection in London, the Art Gallery of Ontario, The Frederiksberg Museum in Copenhagen, the Khaneko Museum in Kyiv, MIT’s List Visual Arts in Cambrige, MA, the Tarra Warra Museum of Art in Melbourne, and many, many others.
And please join me in thanking the volunteer team who worked tirelessly all year long to produce this report: Ashley, Jessica Jane, Johanna, and our newest member, Robin.
As I reflect on the last year in art, I must first acknowledge that we at Slow Art Day operate in a different world than our peers at auction houses, art festivals, magazines, and large “money center” museums.
In that world, Christie’s just reported that it sold $8.4 billion in art in 2022 up 17% from 2021. Sotheby’s sold $7.7 billion, while Phillips sold $1.3 billion up from $1.2 billion the year before.
So the big three auction houses together moved $17.4 billion in art.
This is not the world of Slow Art Day.
It’s not that we oppose the money-driven art market.
We simply don’t interact with it much.
From time to time they have showed a distant curiosity in us – typically a side glance. And that’s understandable. We don’t create more art buyers.
Instead, we work to create more art lovers (and sure that might create more art buyers, but that would be at most a side effect).
We want to change the reality where, as surveys show, the majority of people do *not* visit an art museum in a given calendar year (with young people being the *least* likely to attend).
So here’s a thought experiment.
What if we took the $17.4 billion spent in the art market this year and applied it instead to buying art museum tickets for first-time visitors. If you assume the average price, when there is a fee, is around $15, then our network of educators and curators at museums all over the world could give those 1.1 billion new visitors a slow looking experience that could help them learn how to look at and love art.
How about that?
As the Washington Post so accurately wrote about us, our movement is radically inclusive. We don’t tell participating museums what to do (except to suggest broad guidelines) and they don’t tell visitors how to interpret what they are looking at (except to suggest guidelines about how to slow down).
We aim to get out of the way and allow the beautiful, emotional, visual, cognitive experience to occur directly between visitor and art.
One of my favorite examples of this comes from the Honolulu Museum of Art.
Watch this short video to see young people slow down and look – and discover the joy of seeing art.
At Slow Art Day, our strength comes from our independence.
We do not rely on funding or support from the established art world.
In fact, because we are volunteer-driven and open source, we have almost no budget and thus no need for dollars from anyone.
Instead, we rely on the hard work of our long-term volunteer team *and* thousands of educators and curators around the world.
And, as you can see in the video above, we, and the many millions of people who look at art, are not passive consumers of art, but active co-creator‘s of the art experience.
In other words, we believe in the radical notion first expressed by Duchamp — that the spectator completes what the artist began.
And we believe the art hanging in museum walls around the world is collectively owned by humanity and humanity can come claim that ownership through the simple act of looking.
More than 1500 museums have participated in our annual Slow Art Day and hundreds of thousands have learned to look at and love art.
Maybe we can make our goal for the 2020s to reach 1 billion new visitors with this radically inclusive program.
Just a thought.
Hope you have a wonderful, slow, and happy holiday season filled with art, the love of art, and the love of the best of who we all are as humans.
– Phyl, Ashley, Jessica Jane, Johanna, Maggie, and Robin
Inspired by the Downtown’s First Friday theme, visitors were invited to engage in an evening of egg hunting and art viewing at the Museum. Two posters were created for the event, including prompts for the attendees to consider, and small cards for each image were handed out. Literal and figurative Easter eggs were hidden in reproduction art works from the Museum’s collection for a Slow Art and egg hunt inspired seek-and-find.
We love the playful nature of their event design.
Below you can find examples of the various poster formats they used. Educators and curators around the world should feel free to copy elements of what they have done with their event (and posters).
Original works from the Museum’s collection complete with Slow Art appropriate prompts were on display the entire weekend, along with an annual installation of the Clothesline Project in partnership with YWCA McLean County Stepping Stones.
T-shirts decorated by local sexual assault survivors were also displayed as testimony to their survival and the chronic problem of violence against women in recognition of Sexual Assault Awareness Month.
The McLean County Museum of History traces its roots back to 1892, and is a nationally-accredited award-winning museum with five permanent exhibit galleries and two rotating galleries.
We look forward to what innovative approach McLean County Museum of History comes up with for next year’s Slow Art Day.
Ur Mara Museoa, located in Gipuzkoa, Spain, held its seventh Slow Art Day this year.
This Basque museum has been a real leader in the slow looking movement showing all of us how to celebrate via daylong events that combine art, food, music, and dance (below is a video from 2019 showing one of their events).
The Gregory Allicar Museum of Art (GAMA), located at Colorado State University in Fort Collins, held their first Slow Art Day this year, which was hosted by GAMA Administrative Staff Members Madeleine Boyson, Theresa McLaren, and Lynn Boland. They chose seven works by five artists exemplifying a range of styles and media.
Museum staff approached visitors with a short handout (see below) detailing instructions on how to find the works, prompts for slow looking, and an invitation to discuss amongst themselves, with a staff member, or in larger, more “formal” discussions at 11:30am & 3pm.
Note: Educators or curators might want to copy this simple flyer for their own slow looking events.
After participants finished their slow looking sessions, the museum provided bottled water and light refreshments in the lobby (nice touch!).
We look forward to seeing what they come up with for next year.
The Bowers Museum in Santa Ana, California ran their second Slow Art Day, where they invited museum visitors to join them in the galleries of California Bounty.
Opened in 2016, this permanent exhibit takes visitors through a “rambling journey” of California’s visual history – a “history shaped by a unique mixture of Mexican and Anglo traditions as well as the state’s position on the Pacific Rim.”
For Slow Art Day, The Bowers Museum replaced their normal public tours with two special Slow Art tours and advertised them as being held in conjunction with Slow Art Day; including links and an explanation about the day. Docents guided visitors in closer looking at select paintings from the historic California collection.
VP of External Affairs Kelly Bishop hosted Slow Art Day. We’ll note that Bishop previously worked at SF MoMA, which has been a longtime participant in Slow Art Day.
We can’t wait to see what Bishop and this important California museum come up with for Slow Art Day 2023.