“August ’81” by Biren De

Look. Slowly.

Peabody Essex Museum is participating in Slow Art Day 2012- see more info

Image Source: www.pem.org

 

Michelle Fracaro: Matisse & More for Slow Art Day

Take a short walkabout to meet a Slow Art Day volunteer host from Down Under: Michelle Fracaro, the Program Coordinator in the Learning and Access section of the National Gallery of Australia.

Slow Art Day: Why are you hosting Slow Art Day?
Michelle: This is the National Gallery of Australia’s 3rd Slow Art Day event. We really feel that it is a fantastic program—it gives the public an opportunity to really look at art and then talk about it in their own words.

Slow Art Day: Have you selected your artwork for Slow Art Day yet?
Michelle: Yes! We’re looking at several pieces from artists of many nationalities from different periods. Read the full list on our website.

Jackson Pollack’s Blue poles (1952) is one of 7 pieces selectedfor the Slow Art Day 2012 event at the National Gallery of Australia

Slow Art Day: What is your favourite piece of art or one piece that has had a great affect on you?
Michelle: In the permanent collection here at the National Gallery of Australia, my favourite work is Mark Rothko’s 1957 # 20. I just find it so amazingly beautiful, calm, and  a bit sad all at once.

Mark Rothko’s 1957 #20

Slow Art Day: Tell us more about your Slow Art Day event.

Michelle:  Many of the programs we do centre on other people—academics, curators or other experts—in their respective fields discussing particular aspects of art. But Slow Art Day allows for everyone to have their own thoughts and ideas on art and to share them with others. We have selected 7 works for participants to look at this year. It’s up to the individual to decide on how many they want to look at in the time allocated, though we do have some common pieces we ask participants to view in order to have common pieces to discuss at lunch.

If you’re in the Canberra area, join Michelle and fellow art appreciators at the National Gallery of Australia on Slow Art Day, this April 28, 2012.

“Colorado Mural” by Herbert Bayer

 

Look. Slowly.

Denver Art Museum is participating in Slow Art Day 2012- see more info

Image source: http://www.denverartmuseum.org

Hedy Buzan: Focused on Diebenkorn for Slow Art Day

Hedy Buzan is the 2012 Slow Art Day host at the Orange County Museum of Art in Newport Beach, California. A veteran Slow Art Day host and advisory board member, Hedy is a painter, printmaker, and adjunct instructor at Saddleback Community College.

Slow Art Day: Why are you hosting Slow Art Day?

Hedy: Slow Art Day is all about the artwork and the viewer’s reaction to it. Being an artist myself, I like to bring an artist’s perspective to the process.

Slow Art Day: Have you selected your artwork for Slow Art Day yet?
Hedy: We will be visiting the Richard Diebenkorn show at Orange County Museum of Art in Newport Beach, California. The plan is to look at five pieces—two large Ocean Park paintings, a miniature painting on a cigar box lid, an etching, and a collage—to discover how Diebenkorn explored similar formal interests in different media.

Slow Art Day: What is your favorite piece of art or one piece that has had a great affect on you?
Hedy: My favorite piece of art is Bathers by the River by Matisse. This is a painting he worked on over an eight-year span from 1909-1917.  I love how he integrated the languages of Cubism, Abstraction, and non-Western art traditions with his unique sensibility.

Slow Art Day: Tell us more about your Slow Art Day event.
Hedy:  Our Slow Art Day event will be late in the day and a bit truncated (3-5 PM) as I teach that day; however, I didn’t want to skip it. This will be my fourth Slow Art Day and my third time hosting. Each time participants leave raving about the great time they had, saying that they can’t wait until next year!

If you can, join Hedy at the Orange County Museum of Art this April 28, 2012.

“Year of the Reef” by Wyland

Look. Slowly.

Boca Raton Museum of Art is participating in Slow Art Day 2012-  see more info

Image Source: www.bocamuseum.org

“Mountains” by Franz Marc

Look. Slowly.

San Francisco MOMA is participating in Slow Art Day 2012- see more info

Image source: http://www.sfmoma.org

“Cous Cous” by Joan Mitchell

Look. Slowly.
Currier Museum of Art in Manchester, NH, is participating in Slow Art Day 2012- see more info

Image Source: http://collections.currier.org

“Purple Poem” by Shanee Epstein

Look. Slowly.

440 Gallery in Brooklyn, NY is participating in Slow Art Day 2012- see more info
Image source: www.shaneeart.com

“Phantom Tattoo” by Gene Davis

Look. Slowly.

Image source: http://denverartmuseum.org
Denver Art Museum is participating in Slow Art Day 2012- see more info

Slow Art Day Logo Design, the back story

In early 2009, California-based designer Richard Kramer met Slow Art Day founder Phil Terry in New York while attending the Gel conference. Richard took an immediate interest in Slow Art Day and offered to join the volunteer effort to grow the movement. After the meteoric growth of Slow Art Day over the next two years, Phil knew it was time to create a new logo and website to facilitate and support the goal of growing to thousands of events around the world. Given Richard’s background in design and digital media, he was a perfect fit for the job.

The process of designing the logo was a truly collaborative effort between Phil and Richard. Phil wanted something that communicated the many facets of Slow Art Day: art, global, community, grassroots, and slowing down. He knew the logo needed to become an instantly recognizable mark that would translate across all types of media. But how do you capture the abstract concept of slowly looking at art in a single visual image?

Richard began by exploring a few concepts that centered on people looking at and engaging with art and the emotions that come with it. Here is a sample of first sketches:

After further discussion and collaboration, Richard took these initial sketches and created three distinct logos:

Immediately, the iconized turtle in the far right logo caught Phil’s attention. Not only was the turtle a unique and easily recognizable image, it held kinship with the Slow Food Movement, which uses a snail in their logo. Richard began to explore options with the turtle including the iconized and character sketches below:

Once they settled on the image, it was time to select a meaningful color palette. Phil solicited help from his wife, Lisa Dombrow, whose lifelong love of art and her slow-looking practice originally inspired him to start Slow Art Day. Together with Richard, they chose a palette from the Vincent Van Gogh painting, “Self-Portrait with Bandaged Ear and Pipe (1889).” They thought the color palette from Van Gogh counter-balanced the whimsy of the iconized turtle and brought more serious attention to the practice of looking at and loving art, while the shape of the turtle’s shell evoked the global nature of the movement.

The new logo was launched with the revised website and in time to support Slow Art Day 2012, on April 28th. We look forward to it becoming a recognized global image as the Slow Art Day movement continues to grow.