Clarkdale | Slow Art Day

The 15th Anniversary Slow Art Day is coming up Saturday, April 5, 2025 and I’m happy to announce today the publication of our 2024 Annual Report, which details many of the events held last year.

Read it and get inspired to plan your 15th Anniversary Slow Art Day 2025 events (register your museum, gallery, church, sculpture park or movie theater for 2025, if you have not yet done so).

More than 180 museums and galleries participated in 2024 (plus many more that ran Slow Art Day sessions but did not register with us). The Slow Art Day volunteer team spent hundreds of hours throughout 2024 and early 2025 researching, writing, and publishing individual reports from 45 of these museums and galleries, all so that curators and educators like you can take inspiration from each other.

Read the report and you will see the impressive citywide event held in Bloomington, Illinois (more than 20 galleries, museums, libraries and other sites participated in 2024). This is the same event that has now inspired Mexico City to host a 33-venue Slow Art Day in 2025.

You’ll see how The Metropolitan Museum of Art’s Met Cloisters hosted again while Mass MoCA in North Adams celebrated Slow Art Day for the 10th time or so. The beautiful and wonderful Athenaeum in Boston hosted for the first time while Philadelphia’s The Barnes Foundation, Glenn Foerd, and the Magic Gardens all hosted Slow Art Day events.

In Washington D.C., the National Museum of Women in the Arts hosted yet again (they are one the founding museums for Slow Art Day) while Florida hosted 7 different venues including the Frost Art Museum and the Lowe Art Museum both in Miami.

Antwerp’s church-based Slow Art movement grew to four churches – and we hope will grow into a global movement of churches, synagogues, mosques, and other religious organizations.

St. Vincent’s Hospital in Melbourne continued to innovate the art and patient experience (hint: they designed six “slow art cards” with photos of works from their St Vincent’s Art Collection) and in 2025 are reaching out to more hospitals to get them involved.

The Ur Mara Museo in Spain’s Basque country held its 9th Slow Art Day with another full day of slow looking, cooking, eating, and dancing (though we don’t have a report from them this year).

While Ur Mara Museo has been celebrating Slow Art Day for nine years in the Basque country, The Altes Museum (English: Old Museum), a UNESCO World Heritage Site in the heart of Berlin’s museum island, held their Slow Art Day. And check this – the “prerequisite” for participation in this workshop was “curiosity and goodwill towards yourself.”

The Goulandris Museum of Contemporary Art in Athens held the first Slow Art Day in the Greek capital (other Greek cities have hosted – but this year is a first for Athens) while The AGO in Toronto, one of the largest museums in North America, hosted their 9th Slow Art Day.

Europe held three citywide Slow Art Days – Antwerp, Belgium (8 locations), Reims, France (4 locations), Rome, Italy (3 museums).

Belgium hosted 11 locations, Sweden 8, Italy 7, England 6, Germany 5. Read on to get inspired about all the various events around the world.

I want to give special thanks to the Slow Art Day Annual Report team led by Ashley Moran, Editor, and writers Johanna Bokedal, and Jessica Jane Nocella. They work tirelessly to produce this Annual Report and volunteer weekends, mornings, evenings throughout the year.

They fit this in between their full-time job (Ashley Moran at Comcast in the United States), full-time job/PhD student (Johanna Bokedal in Norway), and full-time post-doc work (Jessica Jane in Italy).

And while we are at it, let’s celebrate volunteer Maggie Freeman who is the global director and registrar for Slow Art Day. Maggie started volunteering 10 years ago when she was a sophomore at Mills College. Today, she is finishing her PhD in Islamic Art and Architecture at MIT and somehow, like the others, still finds time to volunteer.

They all do this amazing work for one reason: to grow the Slow Art Day movement around the world so that more people can learn to look at and love art.

Please join me in giving thanks and appreciation to them. They deserve all the kudos we can give them and more.

And have a great 15th anniversary Slow Art Day coming up April 5.

Best,

Phyl and the Slow Art Day team

P.S. Again, if you have not yet registered your 2025 Slow Art Day with us, please do so.

For their first Slow Art Day, The Red Awl in Clarkdale, Arizona, featured four tiny ink-on-paper drawings by Karen McClanahan. The drawings were chosen because they align with the mission of The Red Awl to create, exhibit, and promote handcrafted, quirky, and often humorous artists’ books and fine art multiples.

The Red Awl is an artist-run project space located in a 100+ year old building in the small town of Clarkdale, Arizona. The building contains studios, a workshop, a copy room with a vintage Xerox machine, and a 242 square foot office lobby that serves as a project and exhibition space.

On Slow Art Day 2024, visitors were welcomed and asked to sign an antique ledger guestbook, then they were invited to read a short statement describing Slow Art Day along with an introduction to the drawings on view. Since this was the first time The Red Awl hosted Slow Art Day, they opted for a casual event instead of a formal program. The artist, Karen McClanahan, was on site to engage in discussions and answer questions throughout the day. An extra detail is that all visitors were asked to put away their cell phones and not take any photos or videos during their visit. This allowed them to stay present with the drawings and the artist.

Slow Art Day participants were encouraged to look at the tiny drawings – first with an unaided eye and then with a magnifying glass. This allowed them to see the details up close at a similar magnification as the artist had drawn them. The drawings by McClanahan are small – measuring at 1 in. by 1-5/8 in., or slightly larger than a postage stamp. The size of the works offer a unique way to look slowly, as the intimate scale of the artwork requires a close view, making slowing down imperative.

McClanahan meticulously drew the tiny abstract compositions using a Bic ballpoint pen, a Micron pen, a straight edge ruler, a steady hand, and high-powered reading glasses.

Magnifying glasses for literal close looking.

After viewing the works, visitors moved on to view a portfolio with the additional original book “plates” and the finished book titled “Ink vs. Ink.” Seeing the larger context of the four works showed visitors how the artist achieved a conceptual book narrative using pure abstraction.

Informal discussions focused on the various allusions to landscape, the human body, architecture, nature, and fabric. There were many questions regarding the drawing technique itself and how the miniature drawings were created using a humble Bic ballpoint pen.

At Slow Art Day HQ, we love this alignment of the small drawings with the mission of the exhibition space (and the magnifying glasses are cool).

We look forward to whatever The Red Awl comes up with for their second Slow Art Day in 2025.

-Johanna, Ashley, Jessica Jane, and Phyl

P.S. Slow Art Day 2025 is coming up on April 5. If you have not done so, please register your museum, gallery, church, sculpture park here: https://www.slowartday.com/be-a-host/

Slow Art Day

April 5, 2025

Tag Archives: Clarkdale

Slow Art Day Annual Report – 2024

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The Red Awl Hosts First Slow Art Day