Tate Modern Slow Art Day 2019: ‘Fantastic’

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According to the visitor experience team at Tate Modern, Slow Art Day 2019 was “fantastic.”

Participants slowly looking at The Snail by Henri Matisse

They organized two one-hour slow looking sessions split between two artworks and, then, after the sessions, the team invited the visitors to come together for tea, coffee, biscuits, and a discussion about the whole experience.

Here’s what some of the participants said:

“A really interesting session. I’m more mindful of how to observe art in the future.”

“What a wonderful idea!

“I understand now how you can spend so much time in a gallery looking at art!”

“The combination of looking at art slowly and with other people is a real eye opener.”

“Really like the concept. As someone who can feel a bit intimidated by the art world this felt like a really nice way in and gives me more confidence to engage with art in the future.”

“A brilliant concept, lovely to think that this is going on all around the world.”

“I will definitely bring friends next time. Do it again!”

“I felt like a part of a group/community and was an hour well spent.”

“We can’t wait for next year to do it again,” said Adriana Oliveira, Visitor Experience Manager there at Tate Modern.

Phil

Lisa Jameson on art education, Henri Matisse, and discovering Slow Art Day through google

[In this series, we interview hosts for Slow Art Day and get their thoughts on hosting, the art of looking, and the slow art community.]

Lisa Jameson, an Associate Professor of Art Education in the Department of Visual Arts at Northern Kentucky University, recently signed up to host a Slow Art Day event at the Cincinnati Art Museum in Cincinnati, Ohio. After she sent a great introductory note to the host community, we got in touch to find out more about her thoughts on art, art education and of course, Slow Art Day.

Slow Art Day: First, tell us a little more about what you do – how are you involved in the arts?

Lisa: I teach Art Education at Northern Kentucky University, near Cincinnati, OH. There I train future art educators and teach classes in art integration to Elementary Education majors who will be general classroom teachers. I am also a visual artist with an MFA in Drawing as well as a Certified Zentangle Teacher.

I taught children’s art classes for many years and continue to do so. It intrigues me that children are naturally curious and eager to delve into art making at least until they reach about 11. At that point they stop, either because their interests turn to other things, or because they become self critical.

Many of my Elementary Education students have not taken art since that age. And it has been through these non-art majors that I have learned how satisfying it is to enable adults who think they “can’t” make art re-discover the joys of the creative process. I hope in turn they will give their students the same opportunities.

Slow Art Day: What is one of your favorite artworks? What do you enjoy about it?

Lisa: One of my all-time favorites works of art is “The Red Studio” by Henri Matisse. There is something so engaging about how he plays with space, line and color-all enveloped in that gorgeous red.

Henri Matisse, The Red Studio, 1911. Oil on canvas, 71 1/4″ x 7′ 2 1/4″ (181 x 219.1 cm). Mrs. Simon Guggenheim Fund. © 2013 Succession H. Matisse, Paris / Artists Rights Society (ARS), New York. Image courtesy of the Museum of Modern Art, New York.

Slow Art Day: How did you first hear of Slow Art Day?

Lisa: I found out about Slow Art Day by chance. I was thinking one day, out of the blue,  that there must be a “slow art” movement akin to the slow food movement. I did a Google search for “slow art” and found Slow Art Day! Very exciting!

Slow Art Day: Why did you decide to become a host?

Lisa: Cincinnati did not have anyone hosting, which surprised me. I signed up immediately. Who wouldn’t want to be a part of an international art event that encourages taking one’s time while viewing works of art and shares my passion for helping adults discover that they can relate to and understand (and make) art.

How often do we really get to be part of something like that?

Slow Art Day: Have you started thinking yet about the design of your Slow Art Day event?

Lisa: I have been thinking about it but have not yet made my choices. They will likely be some of the “hidden gems” vs. the “greatest hits” of the collection.

Slow Art Day: Thank you, Lisa, for taking the time out of your busy schedule to talk to us – and for being one of 150+ volunteer hosts around the world.

If you’re in the Cincinnati area, make sure to check out her Slow Art Day event at the Cincinnati Art Museum.