ikono TV Presents ‘Virtual Slow Art Day’

Our sponsor and partner, ikon TV, has created a 4 minute “virtual Slow Art Day” video that they are showing as part of their Slow Art Day programming in Germany and the Middle East.

Watch their “Virtual Slow Art Day” video here (note: there is *no* sound intentionally)

And here’s Ikono TV’s description of their video and their commitment to Slow Art Day:

“Let’s take a closer look – like all art, we can understand it better when we look more closely.” This love for detail and contemplative, decelerated experience of art is something we – ikono – stand for. Just like the Slow Art Day initiative, ikono invites people to experience art as a pure visual experience at home thanks to its two TV channels broadcasting now in 25 countries, spreading therefore the Slow Art Day mission to the largest possible audience – even outside of art institutions.

On the occasion of this year’s Slow Art Day on April 28th, ikono presents two themed programs: Miniature and Calligraphy in art. Both represent two classical forms or artistic practice in the Menasa region – the region ikono was launched in a few years ago. Both miniature and calligraphy require the viewer to slow down in order to discover details and to decipher.

The word “miniature” comes from the Latin word “miniare”, which means to color with red lead and was used for the capital letters. Miniatures were first used as decoration of hand-written books. We show a range of the traditional miniature paintings from the Ottoman, Persian, Asian and European heritage.

In addition, we present also the “conceptual idea of much-smaller-than-usual sizes” in painting, photography, sculpture, installation works and other forms of contemporary art.

A number of cultures throughout the world draw upon calligraphy as a prominent source of artistic practice from ancient times to most recent contemporary styles and movements. Calligraphy has also arguably become the most venerated form of Islamic art. Arabic, Persian and Ottoman Turkish calligraphy is associated with abstract arabesque motives on the walls and ceilings of mosques as well as on the page. Contemporary artists in the Islamic world draw on the heritage of calligraphy to use calligraphic inscriptions or abstractions in their work. The calligraphy special presents traditional and contemporary works of different artistic backgrounds.

ikonoTV is a new platform proposing an alternative to museums and galleries – as it goes beyond the limitations of space and time frames. In Berlin, a team consisting of artists, art historians, filmmakers, art critics and curators from over a dozen different nationalities, is working together to find new ways of showcasing visual arts.

In late 2010, ikono launched its art channel ikonoMenasa: the first TV channel solely devoted to art. ikonoMenasa runs 24 hours every day with no commercial breaks, no added sound or narrative in 24 countries throughout the Menasa region – the Middle East, North Africa and South Asia.

In December 2011, ikonoTV was launched in Germany as a second channel – bringing this unique, contemplative way of experiencing art to the German public.

For more information, please visit us at www.ikono.org

Carol Rossi: A Meditative Approach to Slow Art Day

Carol Rossi, running one of two Slow Art Day 2012 events at the Los Angeles County Museum of Art, is a museum-goer, yoga practitioner and teacher, observer of people, and meditator. In her professional life, she leads the research team at Edmunds, helping people find and get  good deals on their car purchases.  Read on to find out Carol’s approach for an inspiring yet meditative Slow Art Day this year.

Slow Art Day: Why are you hosting Slow Art Day? What drew you to it?

Carol: I’ve hosted Slow Art for the past three years—two previously at the Norton Simon Museum in Pasadena and this year at the Los Angeles County Museum of Art (LACMA). I love everything about Slow Art—looking at art in a meditative way appeals to me. Hosting gives me a chance to introduce people who otherwise wouldn’t “meditate” to a tangible method of slowing down, and I get to meet and spend time with people who also appreciate this approach.

Slow Art Day: What’s one artwork that has had a big impact on you?

Carol: Modigliani’s “Portrait of the Artist’s Wife: Jeanne Hebuterne” which is at the Norton Simon Museum. She’s just beautiful. It kind of became a joke among the participants at the last two Slow Art Day events because I kept including her in the collection, so they started doing a psychological evaluation on me (“why do you love that piece so much?”). I have no idea why it’s my favorite piece, but I’ve got a print of her in my office and a postcard on my fridge, so she’s with me in low resolution throughout the day.


Slow Art Day:
Tell us about your Slow Art Day event.

Carol: While I tend to gravitate towards modern (20th century) and contemporary art and I also love “church” art, for Slow Art Day this year, I’m sticking with more secular pieces. We’ll be viewing a Sam Francis piece called “Toward Disappearance,” a Rothko, a Matisse drawing, a Picasso classic, and a Modigliani because I can never resist Modigliani! LACMA is the largest museum in the Western United States. In the past few years they’ve opened two large new galleries, the Broad Contemporary Art Museum and the Resnick Pavillion, so there is even more viewing space than before. We’ll be looking at art for about an hour, then we’ll head over to a local restaurant to have lunch and discuss.

Join Carol for Slow Art Day at LACMA April 28, 2012, to “meditate” on inspiring art.

“The Marshes” by Willem de Kooning

Look. Slowly.

Berkeley Museum of Art is one of 90+ venues for Slow Art Day 2012- see more info

Image source: http://www.bampfa.berkeley.edu/

 

Maria Wegenke: Contemporary Works for Slow Art Day in Krakow, Poland

Maria Wegenke is an education specialist and the the coordinator for the first-ever Slow Art Day at the Museum of Contemporary Art (MOCAK) in Krakow, Poland. Open since February 2010, MOCAK’s exhibits focus on contemporary international art, and one of its most important objectives is to expose patrons to contemporary art in order to reduce prejudice.

Slow Art Day: Why are you hosting Slow Art Day?

Maria: This is our first time hosting Slow Art Day, and we’re doing so because it fits perfectly into our strategy to open Polish society to contemporary art. We want to create a new art audience.

Slow Art Day: Have you selected your artwork for Slow Art Day yet?
Maria: We’re presenting works from Maria Jarema, Agnieszka Piksa, Koji Kamoji, Stanisław Dróżdż and Jerzy Bereś. Four of these works belong to our permanent  collection and one is part of our “Urban legends” temporary exhibit. They include sculpture, drawing, and graphic installations.

Slow Art Day: What is your favorite piece of art – or what’s one artwork that has had a great effect on you?

Maria: While I don’t have favorite piece of art, I like Marlene Dumas, Georges Seurat, Józef Gielniak, and Stefan Żechowski (illustrations to “Motory” by Emil Zegadłowicz).

Slow Art Day: Tell us more about your first-ever Slow Art Day event.

Maria: Slow Art Day at MOCAK starts at 12. In the first part, we invite you to see the chosen artwork. Later on we invite you to the MOCAK Café to have a coffee and chat about the exhibition, museum or whatever you find interesting. See you at MOCAK!

Join Krakow’s first Slow Art Day with Maria this April 28, 2012!

“The Art Museum” by John Berninger

Look. Slowly.

The Allentown Art Museum is now participating in Slow Art Day 2012- see more info

Image Source:http://www.allentownartmuseum.org

“Strawberry” by Mark Bradford

Look. Slowly.

The Contemporary Art Museum of Chicago is participating in Slow Art Day 2012- see more info

Image Source: http://www.mcachicago.org

Rick Faulkner: Meander-thon Fun for Slow Art Day

Rick Faulkner is a first-time host for Slow Art Day 2012 at the Art Depot in Gargrave, United Kingdom. The artist/director and founder member of Chrysalis, Rick undertakes creative project development, management and consultation work for the company and is looking forward to expanding Chrysalis Arts’ slow art program by incorporating Slow Art Day.

Slow Art Day: Why are you hosting Slow Art Day?

Rick: While this is our first time hosting an event for Slow Art Day, we’ve been developing a programme of slow art activity since 2008.

Chrysalis Arts’ Slow Art programme is a creative development inspired by the Slow Food movement. It highlights current changes affecting sustainability, and the impact of climate change and peak oil, showing how the way we live affects our world. Slow Art works are of high quality and are created from low environmental impact materials, sustainable processes and simultaneously express and challenge perceptions about contemporary art making.

Slow Art Day: Have you selected your artwork for Slow Art Day yet?

Rick: Yes the work is Meander-thon. Dedicated and/or insomniac art lovers are needed to watch a 24-hour film of people walking, running and cycling through the Yorkshire Dales.
The day-long film is only an excerpt from Meander, a project by ADEPT (artists Shanaz Gulzar and Steve Manthorp) commissioned by Chrysalis Arts as part of their Slow Art programme. For the project, people walked, ran and cycled through the Yorkshire Dales while recording on headband-mounted video cameras. The recordings have been edited into a synchronised, split-screen film showing where they were looking and what engaged their interest at every moment.
The film will run from 7am on Saturday 28th to 7am on Sunday 29th April at Chrysalis Arts’ Art Depot in Gargrave (BD23 3SE).

Slow Art Day: What’s your favorite piece of art or one that’s had a great affect on you?

Rick: Faster than History by The Blue Noses Group.

Slow Art Day: What else should we know about your Slow Art Day plans?

Rick: Besides the film, visitors to the Meander-thon will be invited to help draw a giant Meander Map of the Imagination by adding their own imaginary building or feature of the landscape or even a whole town to the ever-growing map. Children and adults can take part in this 3D map-making activity which will be taking place throughout the afternoon. Participants can take their work away with them and we will photograph everyone’s 3D map square, creating the giant Meander Map of the Imagination.

Join Rick at the Meander-thon for Slow Art Day in Gargrave, U.K. for a moving experience.

“Abstraction: Windows” by Jeanne Rij-Rousseau

Look. Slowly.

Spencer Museum of Art is participating in Slow Art Day 2012- see more info

Image source: www.junglekey.fr

Michael Bowen: A Cinematic Experience for Slow Art Day

Michael Bowen is passionate about cinema and expanding people’s horizons beyond the regular commercial film-going experience. A motion picture historian currently finishing a PhD at New York University and teaching on the college level, he tells us more about his plans for a unique, film version of Slow Art Day in New York City.

Slow Art Day: Why are you hosting Slow Art Day?

Michael: I became aware of Slow Art Day through interests I also have in fine arts painting and very much wanted to expand the scope of the event to include film art. This will be my first time hosting a Slow Art Day event, and I am hoping it will inspire other film scholars to become involved.

Slow Art Day: Have you selected your artwork for Slow Art Day yet?

Michael: I have selected a body of short films by avant-garde filmmaker Robert Nelson (who coincidentally passed away this past January), with a focus on his film, Bleu Shut (1970). My principal reason for electing to share Nelson’s work has to do with his self-conscious interest in cinematic time. I am also thrilled to be inviting people to attend this screening at New York’s Anthology Film Archives, which continues to be the country’s principle repository of “avant-garde” cinema.

See a clip from Bleu Shot (1970) by filmmaker Robert Nelson

Slow Art Day: What is your favorite piece of art – or what’s one artwork that has had a great affect on you?

Michael: I am extremely interested in art-making of an intuitive, extremely personal nature. I privilege artists who are able to produce beauty in adversity and who force people to think hard about the art-making process.

Slow Art Day: Tell us more about your Slow Art Day event.

Michael: I hope people will seize this opportunity to become familiar with the great tradition of “avant-garde” cinema and to think about watching movies in a new and challenging way. I will say a few words before the screening to orient people to the “slow viewing” process and we will meet in a nearby space right after to share a drink or a bite to eat and talk about our experiences.

Enjoy a unique cinematic experience for Slow Art Day in The Big Apple with Michael this April 28, 2012.

 

“August ’81” by Biren De

Look. Slowly.

Peabody Essex Museum is participating in Slow Art Day 2012- see more info

Image Source: www.pem.org