Glen Foerd Hosts 4th Slow Art Day

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For Slow Art Day 2024, Glen Foerd in Philadelphia, Pennsylvania invited participants to look slowly at four selected works of art, led by Executive Director Ross Mitchell.

Glen Foerd itself is a beautiful mansion and grounds on the banks of the Delaware River (learn more about the venue and its history on their website).

Their collection is an eclectic mix of works from the Renaissance to the twentieth century, where Italian masterpieces sit next to works by local Philadelphia artists. The beauty of slow-looking is that it brings deep observation and appreciation to all works of art no matter the provenance.

Exterior of Glen Foerd. Photo by Ashley Moran.

For the event, participants were invited to spend at least 10 minutes with each
of the following selected pieces:

  • Luigi Setanni (American, 1908–1984). Village and Calvary, c. mid-1930s. Oil on canvas
  • Thomas Sully (Attributed) (American, 1783 – 1872). Head of a Young woman in a Black Feathered Hat. Oil on Panel
  • Edith Emerson (American, 1888–1981). A Florentine Garden. Oil on canvas
  • Talia Eve Greene (American, 1976). Threadbare and Tarnished: Tales from a Gilded Age, 2017. Mixed Media
Luigi Setanni (American, 1908–1984). Village and Calvary, c. mid-1930s. Oil on canvas
Thomas Sully (Attributed) (American, 1783 – 1872). Head of a Young woman in a Black Feathered Hat. Oil on Panel
Edith Emerson (American, 1888–1981). A Florentine Garden. Oil on canvas
Talia Eve Greene (American, 1976). Threadbare and Tarnished: Tales from a Gilded Age, 2017. Mixed Media

Afterwards, Ross led the group through a discussion about each work.

Executive Director Ross Mitchell leading the discussion in front of three of the works.
Participants looking slowly at the selected works.
Participants looking slowly at the selected works.
Participant taking in the mixed media work in a separate room, by Talia Eve Greene – Threadbare and Tarnished: Tales from a Gilded Age.

Participants were also given a flyer with a series of prompts (download the flier).

Flyer of the eventDownload

Ashley Moran, volunteer at Slow Art Day HQ, visited Glen Foerd for their fourth Slow Art Day in 2024, and very much appreciated their selection of art and the lively discussion facilitated by Executive Director Ross Mitchell.

We are excited to see what they come up with for Slow Art Day 2025.

– Ashley, Jessica Jane, Johanna, and Phyl

P.S. Slow Art Day 2025 is coming up on April 5. If you have not done so, please register your museum, gallery, church, hospital, sculpture park or movie theater here: https://www.slowartday.com/be-a-host/

MelonRouge and Artichoke Gallery in South Africa Hosts 7th Slow Art Day

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For their Slow Art Day 2024, the MelonRouge and Artichoke Gallery in Magaliesburg, South Africa, invited visitors to slowly experience the exhibition ‘POP Art – is it ISM or is it ART?’, listen to music, and eat food.

Slow Art Day poster for the event

Richard Scott, ‘Candy. Touch Me.’ (unknown date). Photo by Hannelie Sanders

Lighters with pop-art prints on display for Slow Art Day

Slow Art Day participants (and a dog vistor!) and Hannelie Sanders. Photo by Hannelie Sanders

Food served as part of the event. Photo by Hannelie Sanders

On Slow Art Day, visitors gathered at the Gallery to explore the art of Richard Scott and listen to the
music of Niki Daly. The gallery also displayed various practical items adorned with Pop Art, such as lighters, vinyl covers, and magazines, integrating art into everyday life.

Hannelie Sanders, the event host, led a lively and informative discussion. The central question during the event was whether Pop Art qualifies as an art form or merely an “ism.” The conversation was inspired by Niki Daly’s song, whose lyrics playfully questioned the distinction between artistic movements and true art:

Lyrics Excerpt:
Maholy-Nagy, Maholy-Nagy
I love his ism, but is it art?
Tell me my Bauhaus baby
Is it art?
Is it an ism or is it an art?
…

The song set the tone for the day’s theme, blending humor with a critical examination of art
history and theory.

Richard Scott, a prominent British artist based in Cape Town, was a key feature of the event. Scott’s art often combines vivid Pop Art elements with everyday objects, making his work accessible and engaging. His art was displayed alongside practical items, emphasizing Pop Art’s integration into daily life.

As most readers know, Pop Art emerged in the mid-20th century, characterized by its use of popular culture imagery and mass media techniques. Artists like Andy Warhol and Roy Lichtenstein drew inspiration from advertising, comic books, and consumer products, challenging traditional notions of art. This movement blurred the lines between high art and mass culture, making art more accessible to the general public.

At Slow Art Day HQ we are looking forward to whatever MelonRouge Artichoke Gallery designs for Slow Art Day 2025.

-Johanna, Ashley, Jessica Jane, and Phyl

P.S. Stay up to date with events at the MelonRouge Artichoke Gallery via their Facebook

Here you can also see some videos produced in connection with the Slow Art Day event and shared to Facebook: