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Slow Art Day across the U.S. East Coast

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Slow Art Day 2024 is coming up this Saturday, April 13 and yet again there are an amazing variety of museums, galleries, churches, cities, sculpture parks joining us from around the world (see the full list) – including across the East Coast of the United States.

To name just a few across the East Coast…

The Metropolitan Museum of Art’s Met Cloisters will be hosting again in New York City.

Mass MoCA will be hosting again in North Adams, MA while the Worcester Art Museum will yet again produce a Slow Art Day in that city. The beautiful and wonderful Athenaeum will be hosting in Boston. Connecticut and New Jersey supports several locations including the Grounds for Sculpture.

Philadelphia has a nascent citywide including The Barnes Foundation, Glenn Foerd, and the Magic Gardens.

In Washington D.C., the National Museum of Women in the Arts is hosting yet again (they are one the founding museums for Slow Art Day). Virginia and North Carolina have multiple locations across those states while Florida hosts *7* different venues including the Frost Art Museum and the Lowe Art Museum both in Miami.

Here are a few locations –

Mass MoCA

This year, Mass MoCA has created two ways to experience Slow Art Day:

  1. Slow Looking Tours
  2. A paired audiowalk they are calling “Where I End & You Begin,” which requires advance reservations.

The museum has had a close relationship with artist James Turrell and with the now-deceased Professor Arden Reed who wrote a terrific book, “Slow Art : The Experience of Looking, Sacred Images to James Turrell”, which talks about Slow Art Day (and for which I gave a blurb on the back cover).

James Turrell, “Once Around, Violet (Shallow Space),” 1971.

Barnes Foundation

The Barnes always produces a thoughtful and interesting Slow Art Day (and we are in conversations with them about a conference – stay tuned for more details).

This year, when participants arrive, they will receive a list of five paintings for self-guided slow looking. They will be encouraged to spend an hour or so looking, and then will be invited to a discussion in the Herbert and Joyce Kean Family Classroom. That discussion will be led by Barnes senior instructor Michael Williamson.

Pierre-Auguste Renoir. Before the Bath (detail), c. 1875. BF9. Public Domain.

National Museum of Women in the Arts

We love the National Museum of Women in the Arts – they are founders of the Slow Art Day movement and they have led the global re-awakening to the centuries-old role of women artists.

Their event this year is sold out. So, if you live in Washington, DC then plan ahead for their Slow Art Day 2025.

Deborah Butterfield, Big Horn, 2006; Cast bronze, 92 x 114 x 41 in.; National Museum of Women in the Arts, Gift of Jacqueline Badger Mars in honor of Wilhelmina Cole Holladay; © Deborah Butterfield; Image courtesy of L.A. Louver

Boston Athenaeum

The Boston Athenaeum, which combines a library, with a museum and cultural center, is hosting Slow Art Day in their landmark building.

They will be focusing on a single painting by Boston artist Allan Rohan Crite.

Worcester Art Museum

Our friends at Juniper Rag are co-sponsoring a Slow Art Day at the Worcester Art Museum. The WAM will be focusing their slow looking event on the new Terrain Exhibition, which features 21st-Century landscape photographers and how these contemporary artists use different photographic processes to explore the idea of landscape.

Frost Art Museum

For their *13th* Slow Art Day (Frost is one of the founding museums of this slow looking movement), Frost will feature performances by Miami-based artists Smita Sen (pictured on the right – below), who explores the relationship between the body and memory through sculpture and technology, and Agua Dulce (left – below), a Miami-based artist who uses organic materials to blur the line between the mystical and mundane.

These are just a few of the hundreds of places hosting events around the world this year.

And, of course, you can run your own personal Slow Art Day anywhere anytime. 

We hope you have a wonderful Slow Art Day 2024.

– Phyl 

P.S. If you have not yet registered your Slow Art Day with us, then go to this page.

P.P.S. Our 2023 Annual Report is out. Read it and get inspired!

Slow Art Day Comes to the ‘Heart of the World’

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Slow Art Day has come to the Sierra Nevada Santa Marta in Colombia, known as the ‘Heart of the World’ to the indigenous communities who inhabit the coastal mountains and valleys.

Photographer Natasha Johl organized this first Slow Art Day at Sonidoselva, a cultural center in Minca. After giving a short speech describing the simple methodology of slow looking, Johl invited participants to look slowly at her photography exhibition Dream Weaver, which presents a series of photographs taken over nine years that represent the ordinary, simple, and often overlooked moments of life.

In a world where images shout at the viewer, I believe there is a dignity in silence. 

Natasha Johl
Generous Dreamer Unframed Giclee. Natasha Johl.
As we Watch Unframed Giclee Print. Natasha Johl.

The main subject of her photos are the indigenous group of the Arhuacos, which descend from the Tairona, an ancient South American civilization that now reside in the Sierra Nevada de Santa Marta. The Arhuaco have developed an understanding of the earth, which gives equal measure to the human mind and spirit and the forces of nature.  

Natasha Johl (on the left) and members of the Arhuacos (on the right).
Slow Art Day visitors engaging in the exhibition (we love the light in these photos).

We at Slow Art Day HQ love that slow looking at art has made it to the ‘heart of the world’ and we look forward to seeing what Johl and her colleagues put together for Slow Art Day 2024.

– Jessica, Ashley, Johanna, and Phyl

Something Old, Something New at Angel Ambrose

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For their second Slow Art Day, Angel Ambrose Fine Art Studio in Bloomington, Illinois invited visitors to consider the well known wedding rhyme “Something Old, Something New, Something Borrowed, Something Blue” as part of the city-wide Slow Art Day in this famous Route 66 town.

Angel invited visitors to her studio to look slowly at a selection of works that corresponded with the rhyme:

– Something Old: an “old” painting from Angel’s BFA show at Illinois State University

– Something New: a selection of new artworks by Angel

– Something Borrowed: an Ansel Adams photo on loan from a private collection

– Something Blue: a painting titled “Magnificent Blues,” on loan from the private collection of Wendy Knight Ives (pictured below).

Something Blue: “Magnificent Blues,” on loan from the collection of Wendy Knight Ives.
Something New: Artwork by Angel Ambrose

Angel also shared a slow looking activity on Facebook for online participants.

Give yourself 3-5 minutes of silence to focus on one piece of art. Think about these prompts as you view the selected art, (and answer them for yourself afterwards if you wish):

For your head (objective thought/intellect) you can consider any of the following:

  • What did you see? What decisions did you notice that Angel made in her painting—line, color, texture, form, repetition, contrast, etc? Was there a color scheme/theme apparent? Notice the paint—can you see individual brushstrokes, or a smooth surface, or perhaps another tool was used to apply the paint? How was movement used in the artwork? Was the piece representational, abstracted, or somewhere between? Why do you think Angel chose this format?

For your heart (feelings/emotions), consider the following:

  • How did you feel when you looked at the work? Did the colors evoke any emotions? What did these feelings make you think about? Did your mood change after looking at the artwork? Did you experience any personal significance to the piece?”

Angel reported that the event was a success, with many new visitors and lots of great conversations.

At Slow Art Day HQ we love how this and the other galleries in Bloomington have been pioneering citywide events. (Note: rumors are that a state-wide Slow Art Day is now being considered in Illinois!)

Best,

– Johanna, Ashley, Jessica Jane, and Phyl

BYU Museum of Art Hosts Virtual Slow Art Week

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For their second year hosting a Slow Art Event, the Brigham Young University Museum of Art decided to host a week of virtual activities.

Led by Director of Education, Philipp Malzl along with student educators Joseph Rowley, Susannah Kearon, Sophie Houghton, Kate Daily, and Alexa Ginn, the social media-based event encouraged viewers to slow down the fast pace of internet/social meldia viewing and contemplate a work of art for 60 seconds or more.

YouTube videos were created highlighting works on display at the museum, and prizes were offered for commenting on each video. Each of the five videos is below:

Some of the comments received include:
“I definitely am the type to often rush through art museums and only stop to look at paintings that I have seen before. Once I stopped to look at this for longer I realized just how liminal the composition is, and how much darker it felt when I just spent time with it for a moment. Super cool!”

“I love this series of 60-second videos! It is meditative to watch. My daughters are watching them with me now. One daughter noticed the vertical lines of the figure and the basketball hoop, and how if you turned the painting upside down, those lines would still be in similar places. The other daughter noticed that the basketball hoop was a tin can with the bottom cut out.”

The Brigham Young University Museum of Art hosts slow looking tours on a quarterly basis, in addition to having a printed slow looking guide available year-round at the information desk.

We look forward to seeing what they come up with for Slow Art Day 2023.

– Robin, Ashley, Phyl, Johanna, and Jessica Jane

P.S. The museum can be found on Instagram, Facebook, YouTube, and Twitter.

Harn Museum Mixes Cookies and Tea with Slow Looking

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For their 7th Slow Art day, the Harn Museum of Art, located on the campus of The University of Florida in Gainsville, featured 5 artworks from their collection, including:

– Dogon Couple, by Kehinde Wiley
– Northeast Gorge at Appledore, by Childe Hassam
– Pli Selon Pli, by Akiyama Yo
– Waiting for the Signal, by Robert Fichter
– Horizontal Mask (korubla), by a Senufo artist

Host Allysa Peyton, Curator and Student Engagement Manager, and a group of University of Florida student ambassadors greeted participants with a flier that spelled out instructions, featured art works, and space to draw or take notes (see below).

Slow Art Day 2022 worksheet – Allysa Peyton
Harn Student Ambassadors welcome visitors.



The Harn instructed attendees to spend 10-12 minutes with each of the five featured artworks and encouraged them to not only draw or make notes, but also to reflect on the experience of looking slowly – and how what they see in the art may change over time.

After the slow looking session, everyone then gathered for tea, cookies, and discussion.

Educators and curators in the slow looking movement should take a look at their simple flyer (attached above) and consider copying elements of their approach for future sessions.

Akiyama Yo, Pli Selon Pli, 2002
Kehinde Wiley, Dogon Couple, 2008
Robert Fichter, Waiting for the Signal, 1981
Senufo Artist, Horizontal Mask (korubla), 20th century

The Harn Museum of Art has also launched a year-round program Art & Mindfulness, which incorporates slow looking and guided meditations in 40-minute workshops.

We at Slow Art Day HQ like the incorporation of drawing and notes – and especially appreciate the cookies and tea (yum, yum) at the end – and we look forward to seeing what they come up with for Slow Art Day 2023.

Best,

– Robin, Ashley, Phyl, Jessica Jane, and Johanna

P.S. The Harn Museum of Art can be found on Twitter, Instagram, YouTube, and Facebook.

Observation and Introspection at The Erie Art Museum

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For their third Slow Art Day, the Erie Art Museum partnered with the Edinboro University of Pennsylvania Art Therapy Program to host a very interesting art therapy hybrid event celebrating the importance of observation, introspection, and emotionality when looking slowly at art.

Beatrice, photo courtesy of Averie Shaughnessy-Comfort

Each in-person visitor was given a journal in which to record their thoughts, observations, and ideas with the following attached label:


Through guided observation, visitors were asked to think about the following:

  • Spend a few moments being present with this piece.
    Pay attention to thoughts/emotions.
    As you gaze at the piece, notice your breath and your body.
  • Describe: What do you see?
  • Analyze: Think of 4 emotions or words that you associate with this piece.
  • Inquire: What does this piece tell you about yourself?
  • As you reflect on these photos, jot down a memory in this shared journal that comes to mind.

Out of Many, photo courtesy of Averie Shaughnessy-Comfort

For visitors who couldn’t make it to the museum, art therapy students at the Edinboro University of Pennsylvania held a Virtual Open Studio. An aspiring art therapist guided visitors through slow looking techniques.

At Slow Art Day HQ we love seeing the use of art therapy techniques for Slow Art Day and look forward to what the Erie Art Museum comes up with, perhaps again in partnership with Edinboro, for their fourth Slow Art Day

– Phyl, Robin, Ashley, Johanna, Jessica Jane

P.S. The Erie Art Museum can be found on Instagram, Twitter, Facebook, and YouTube.

Holding Hands with St. Vincent de Paul in Melbourne, Australia

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For their first Slow Art Day, Monique Silk and her colleagues at St. Vincent’s Hospital in Melbourne, Australia, created a series of Slow Art Cards in sets of five so both patients and visitors could participate. The cards utilized three different art works from their art collection and a photo from their archives. On the back of the card, they included a series of instructions on ways to look at the art works slowly.

The prompts they used are:

  1. Look: Give yourself a few minutes to look all over the art work. Let your eyes wander to all corners of the image, top to bottom and left to right.
  2. Observe: Notice the colors, shapes, objects, textures and markings on the surface of the art work. Where do your eyes focus?
  3. Feel: What words come to mind about this art work? How do you feel looking at this art work? Does it remind you of anything?
  4. Share: Share your experience of looking at the artwork with someone and post an image of the work online with a word of reflection and hashtag #slowartday2022
Ben Quilty, Torana on Flinders, 2002, oil on canvas, photo courtesy of Monique Silk
St. Vincent’s Hospital Diet Kitchen c. 1952, Clinical Photography Department Collection, SVHM Archives, photo courtesy of Monique Silk
Sarah Metzner, Country Whispers to Us in Many Languages, 2021, oil paint and pastel on paper, photo courtesy of Monique Silk
Penny Long, Pathway, 2011, oil on canvas, photo courtesy of Monique Silk

Cards were distributed to various hospital departments to share with patients and visitors on Slow Art Day. The response from the staff to the cards was very positive.

Monique also a slow art activity in the hospital courtyard. This activity invited people to sit and slowly look at their statue of St Vincent de Paul. They even invited people to come and hold his hands and interact with the sculpture directly. While people were a bit shy when sitting with the sculpture, the hosts gave people space to interact without feeling as though they were being directly observed.

St. Vincent de Paul, by Australian sculptor Peter Corlett, photo courtesy of Monique Silk

One patient was wheeled out to the courtyard to be with the sculpture of St. Vincent and her caregiver said “this was the highlight of her day”. Another staff member said they had never noticed the sculpture before and thanked the hosts for giving them the opportunity to “feel” the presence of St. Vincent.

The pastoral care staff decided that the cards can be used on an ongoing basis and one chaplain said that:

“It’s a joy to offer the beautiful slow art cards to patients. There has been gratitude expressed from those who received your wonderful gifts. Such a great initiative!”

After the events, the hosts realized that they should have included a First Nations art work, which they plan to do for Slow Art Day 2023.

We at Slow Art Day are so happy that St. Vincent’s in Melbourne decided to celebrate Slow Art Day 2022 with patients and visitors. Perhaps, this is the beginning of a trend of many more hospitals around the world joining the slow looking movement, and bringing the power of learning to look at and love art to patients, visitors, and staff. This is a true Mitzvah.

– Robin, Ashley, Johanna, Jessica Jane, and Phyl

War and Peace at El Nido Art Space in Los Angeles

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On April 2, 2022, the El Nido Art Space presented by VC Projects in Los Angeles, CA hosted their first Slow Art Day, which focused on a two-person exhibition titled “War and Peace” (Ukrainian Voices) by Denys Kushnarov, a Kyiv-based filmmaker, and Yuri Boyko, an LA-based Ukranian-American photographer and artist.

The in-person event featured six short films about Ukraine, which Kushnarov is associated with:

  • “Make Music Not War!” (made after the Donbas region and Crimea Peninsula were annexed by Russia)
  • “Rocketman”
  • “United System”
  • “There is a Place” (dedicated to the Chernobyl tragedy)
  • “Annihilation”
  • Memorial Choir “Ukraina”

Kushnarov also wrote “A Message from Ukraine,” a letter to the world based on the current Russian invasion of Ukraine.

The exhibition also featured the photography series, “Departure and Arrival”, by Boyko, which presented written prose and a visual exploration of the LA-based Ukranian-American artist’s grandmother’s home in Ukraine. Boyko visited the home after 30 years of absence, and found that all family rituals and traditions were still intact. His photographs capture a past that has now been destroyed.

Yuri Boyko, “Departure and Arrival (X)”, photography, pigment print on canvas, 8.5 x 11 in. single edition
Yuri Boyko, “Departure and Arrival (I)”, photography, pigment print on canvas, 8.5 x 11 in. single edition
Yuri Boyko, “Departure and Arrival (IV)”, photography, pigment print on canvas, 8.5 x 11 in. single edition

Victoria Chapman, Founder and Director of VC Projects, curated the exhibition by contacting the two artists in the wake of the Russian invasion. She writes, “What could be more relevant for Slow Art Day … taking pause to reflect on art and humanity.”

The event was attended by 50 guests, and was promoted on their website, where you can find links to the videos and view more of the photography. You can also check out more from VC Projects and the El Nido Art Space on Instagram at VC Projects and El Nido Art Space. Below is a flyer used to promote the event:

We at Slow Art Day HQ are deeply saddened by the ongoing conflict in Ukraine, and are glad to see communities come together to reflect on art and humanity.

Ashley, Phyl, Jessica Jane, and Johanna

French Slow Art Day at the Arret sur l’Image Gallery

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On April 7th, Simone Raskin, Cultural Pedagog and Slow Looking veteran, designed a slow looking event together with the art gallery Arret sur l’Image in Bordeaux, France. Visitors to the gallery were invited to participate in workshops, slowing down during an hour and a half to observe a photography collection titled “D’ici ça ne paraît pas si loin”. 

Visitor at the Arret sur l’Image Gallery for the Slow Art event, 7th April 2023
Arret sur L’image Gallery
Visitor at the Arret sur l’Image Gallery for the Slow Art event, 7th April 2023

Most visitors to the gallery participated in the workshops. Using the VTS method (Visual Thinking Strategies), but also mindfulness and slow looking, Simone facilitated the event, encouraging the participants to first select two photographs and slowly view them individually. The group then discussed impressions from each photograph, and Simone rounded off the session with some information about the artists and their work. 

Simone wrote the following intro to the photography exhibition by the LesAssociés collective (translated and partly edited by Johanna Bokedal):

“The project by the LesAssociés collective uses photography, sound and video. Active for 4 years, from September 2015 to June 2019, the 5 photographers from the collective (Alexandre Dupeyron, Elie Monferier, Olivier Panier Des Touches, Joël Peyrou, Sébastien Sindeu) explored the borders of the Nouvelle Aquitaine region of France. The goal of this project was to ask the question: “What does it mean to be from here?” The project puts into perspective the challenges of a fragmented society faced with increasingly broad horizons – large regions, a European identity, and globalization.”

Simone Raskin

Below are five images from the collection with the name of each photographer underneath.

Alexandre Dupeyron
Sebastien Sindeu.
Olivier Panier des Touches
Joel Peyrou
Elie Monferier

The event was shared to Instagram and Facebook and to Simone’s website.

At Slow Art Day HQ we are delighted that Slow Art Day is gaining a foothold in France through Simone’s work. Earlier this year she spoke about slow looking as part of a TED x event in Bordeaux. You can view the video in French below:

We look forward to seeing more work from Simone Raskin and the Arret sur l’Image Gallery next year.

– Johanna, Jessica, Ashley, Robin and Phyl

PS: Slow Art Day was on Saturday, April 2, but the gallery hosted their event on the 7th since the exhibition was not yet open on the 2nd.

Gratitude and Mindfulness for FMoPA’s Slow Art Day

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For their first Slow Art Day the Florida Museum of Photographic Arts in Tampa, Florida, hosted an in-person event focused on mindfulness and gratitude.

Slow Art Day participants viewing the artwork by Paul Caponigro, Stream and Trees, Redding, Connecticut, 1967, Silver gelatin print, Collection of the Artist.

During the event, participants were taken through a step-by-step presentation by Zora Carrier, Executive Director of FMoPA, which we highly recommend curators and educators review and consider for inspiration for their own events.

Participants were first invited to do a body scan — noticing their sensations without judgement. We love this beginning. This is a great way to ground people in their body and senses.

Once they were tuned up, they were then invited to look slowly at two photographs by Paul Caponigro and David Dennard, and think about the following promts for each:

  • Look carefully at this artwork. What do you notice? Write down your observations. Be thorough.
  • Carefully review your observations.
  • Write down any inferences, opinions or conclusions formed because of known facts?
  • Are there any details that you want to know more about? Write 3-5 additional questions.
  • What is the context of the image?
  • What might the photographer be feeling?
  • Is the image positive, negative or neutral?
  • Is this image about an idea/concept that we can’t recognize with our five senses?

Paul Caponigro, American, b. 1932, Stream and Trees, Redding, Connecticut, 1967, Silver gelatin print, Collection of the Artist.
David Dennard, American, b. 1954, Paul Caponigro, A Desert Father, Death Valley, 2020, Platinum-palladium print, Collection of the Artist.

To finish the session, all participants were asked to do some breathing exercises and write a gratitude note to a person of their choice, guided by a three-step prompt:

  • Step 1: Focus on the recipient. Spend a few moments thinking about the note recipient—what they did for you; what they said; what it meant—focusing on the feel of the paper, colors, or what mental images come to mind when you think about the person.
  • Step 2: Be specific and personal. Think about the thing you’re most grateful for out of your relationship with the person.
  • Step 3: Think about how it made you feel—then and now. Don’t feel restricted by making it look ‘good’ as long as you can communicate your gratitude. Art is subjective, and this won’t be criticized.

In our own slow looking of these two photographs, we were particularly captured by the juxtaposition of the lush, first photograph with the spare moonscape-like second photograph. Then, after several minutes, we looked at the caption and realized that the artist of the first one is the subject of the second one. That brought added joy to the slow looking experience.

We recommend that all Slow Art Day educators and curators do as we did, and go through Carrier’s presentation. As much as possible, look with a child’s naive eye.

We are very happy to welcome FMoPA to the global Slow Art Day, and can’t wait to see what they come up with for Slow Art Day 2023.

Johanna, Jessica, Ashley and Phyl

PS. When we started Slow Art Day, almost no museums offered regular slow looking programming. We are happy to see that FMoPA not only participates in the global Slow Art Day, but also runs monthly slow looking events.