Bloomington Plans *20* Citywide Venues

For the 15th annual Slow Art Day coming up in less than two weeks, Bloomington, Illinois, the State of Illinois Department of Commerce and Economic Opportunity, the Illinois Route 66 Commission and others (see poster below) have organized under the leadership of gallerist Pamala Eaton and others, more than 20 – that’s right, 20! – participating galleries and museums.

Pamala and her husband Herb launched the first Slow Art Day in Bloomington in the spring of 2020, at the height of the pandemic with a “Window Walk-By.” They placed art in their gallery window and asked people to walk, cycle, or drive slowly by and look. That initial creative effort during Covid has bloomed into what is now the largest citywide Slow Art Day in the world.

When I asked Pamala Eaton why she has put so much energy into spearheading the growth of Slow Art Day, she talked about her passion for art, which has taken root since her retirement from her first career as a teacher and physical education instructor. She now strongly believes that experiencing art, especially slowly, can be very powerful for everyone including the uninitiated. In other words, Eaton shares both the love of art *and* the spirit of radical inclusivity that guides so many of us.

That passion has also driven Eaton to build and extend the artist community in Bloomington as a way to grow Slow Art Day. In the early years of hosting, Eaton connected with artist Janean Baird, who hosted and then brought together the growing Slow Art Day movement with the historic Route 66 commission, which took up the effort and promoted it wider. Then another artist and gallerist, Santino Lamancusa, began to design the terrific posters (see above) and host after-events with artists and others thereby further growing the community.

Bit by bit, brick by brick, show by show, Eaton, Baird, Lamancusa and others grew Slow Art Day in Bloomington from one gallery in 2021, to nine in 2022, to 15 in 2023, and now 20 in 2024.

But there’s more.

Eaton and her colleagues in Bloomington have inspired other cities around the world, including much bigger cities (we were just contacted by one of Europe’s grandest cities about a coordinated citywide – more about that in the next week or so).

We hope you have a wonderful and slow 2024 art day wherever you are in the world – and that you take inspiration from how Eaton and the 20 galleries and museums in Bloomington have turned Slow Art Day into a citywide celebration.

– Phyl

P.S. If you have not yet registered your Slow Art Day with us, then go to this page.

P.P.S. Our Annual Report is out. Read it and get inspired!

Something Old, Something New at Angel Ambrose

For their second Slow Art Day, Angel Ambrose Fine Art Studio in Bloomington, Illinois invited visitors to consider the well known wedding rhyme “Something Old, Something New, Something Borrowed, Something Blue” as part of the city-wide Slow Art Day in this famous Route 66 town.

Angel invited visitors to her studio to look slowly at a selection of works that corresponded with the rhyme:

Something Old: an “old” painting from Angel’s BFA show at Illinois State University

Something New: a selection of new artworks by Angel

Something Borrowed: an Ansel Adams photo on loan from a private collection

Something Blue: a painting titled “Magnificent Blues,” on loan from the private collection of Wendy Knight Ives (pictured below).

Something Blue: “Magnificent Blues,” on loan from the collection of Wendy Knight Ives.
Something New: Artwork by Angel Ambrose

Angel also shared a slow looking activity on Facebook for online participants.

Give yourself 3-5 minutes of silence to focus on one piece of art. Think about these prompts as you view the selected art, (and answer them for yourself afterwards if you wish):

For your head (objective thought/intellect) you can consider any of the following:

  • What did you see? What decisions did you notice that Angel made in her painting—line, color, texture, form, repetition, contrast, etc? Was there a color scheme/theme apparent? Notice the paint—can you see individual brushstrokes, or a smooth surface, or perhaps another tool was used to apply the paint? How was movement used in the artwork? Was the piece representational, abstracted, or somewhere between? Why do you think Angel chose this format?

For your heart (feelings/emotions), consider the following:

  • How did you feel when you looked at the work? Did the colors evoke any emotions? What did these feelings make you think about? Did your mood change after looking at the artwork? Did you experience any personal significance to the piece?”

Angel reported that the event was a success, with many new visitors and lots of great conversations.

At Slow Art Day HQ we love how this and the other galleries in Bloomington have been pioneering citywide events. (Note: rumors are that a state-wide Slow Art Day is now being considered in Illinois!)

Best,

– Johanna, Ashley, Jessica Jane, and Phyl