Meditation and Slow Art at Moderna Museet Malmö

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For their second year participating in Slow Art Day, Moderna Museet Malmö once again hosted a deeply reflective and engaging event that beautifully combined meditation with slow looking.

In the vibrant exhibition Vivian Suter – I Am Godzilla, participants gathered for a guided meditation session led by Ana María Bermeo, an artist, museologist, and certified meditation teacher. Through simple breathing and mindfulness exercises, Bermeo encouraged participants to slow their pace, immerse themselves in Suter’s rich visual world, and reconnect with their own inner experiences.

Slow looking and meditation surrounded by expressive, immersive works in the Vivian Suter exhibition.
(Photo: Susanne Lindblad/Moderna Museet Malmö)

No prior experience with meditation was required — only a willingness to pause, breathe, and look slowly.

Attendees reported embracing the moment of silence and reflection, letting go of performance and expectation, and allowing themselves to experience both the art and their sensory impressions in a deeper, more contemplative way.

Participants meditating amidst the colorful canvases of the Vivian Suter exhibition at Moderna Museet Malmö. (Photo: Susanne Lindblad/Moderna Museet Malmö)

The bold, colorful canvases of Vivian Suter’s exhibition created a powerful backdrop for the session. For us at Slow Art Day HQ, it is particularly striking to witness participants seated quietly in a circle around these vibrant works, each deeply absorbed in silent meditation and reflection.

We are so grateful to Moderna Museet Malmö and to host Susanne Lindblad for continuing to be a valued part of the Slow Art Day movement. We can’t wait to see what they create for Slow Art Day 2026!

– Ashley, Johanna, Jessica Jane, and Phyl

P.S. You can follow Moderna Museet Malmö on:

Slow Art Day at the Boston Athenaeum: Honoring Allan Rohan Crite and Polly Thayer Star

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For their second year participating in Slow Art Day, the Boston Athenaeum hosted a full day of slow looking and community reflection centered around the works of Boston artists Allan Rohan Crite (1910 – 2007) and Polly Thayer Starr (1904 – 2006).

Visitors were invited to explore the Athenaeum’s first floor galleries freely throughout the day or join one of four scheduled guided sessions at 11 am, 1 pm, 2 pm (a family session), and 3 pm. Each session began with 10 minutes of slow, close looking at a selected work, followed by a docent-led conversation encouraging participants to share their observations and experiences.

Featured works included:

Visitors participating in a slow looking session inside the historic Boston Athenaeum during Slow Art Day 2025. (Photo courtesy of the Boston Athenaeum)

Self-guided visitors were encouraged to select their own piece of art and use a printed Slow Art Day handout (below) featuring guiding questions for deeper reflection.

Slow Art Day handout (3)Download
Screenshot of the Boston Athenaeum’s social media post for the event. (Photo courtesy of the Boston Athenaeum)

On the day, the United States witnessed the largest coordinated protest since President Trump’s return to office, and the Athenaeum provided a space for contemplation and connection. The choice to highlight the works of Crite, an African American artist, and Starr, a female artist, resonated deeply on a day when issues of representation, equity, and justice were at the forefront of national discourse.

We at Slow Art Day HQ extend our gratitude to the Boston Athenaeum, and to all Slow Art Day hosts, this year for providing a sanctuary for reflection and dialogue during a pivotal moment in the world’s political discourse.

We look forward to seeing what the Boston Athenaeum designs for 2026!

– Ashley, Johanna, Jessica Jane, and Phyl

P.S. You can follow the Boston Athenaeum on:

ArtWrite on Slow Art

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I’m always looking for thoughtful, interesting, accessible and jargon-free writing about art and the power of slow art.

Thus, when Maggie Levine, who runs the ArtWrite Substack, published a lovely essay on slow art and Slow Art Day, I wanted to bring it to the Slow Art Day community.

Take a moment and enjoy her writing (and photography). I particularly like her description of her trip to Naoshima, an “art island” in the Seto Inland Sea.

ARTWRITE #26: SLOW ART

Yayoi Kusama Pumpkin, 2022

Maggie is a teacher and writer who works at the intersection of writing, art, and the creative process. She studied English and art history at Barnard and received her MFA in Fiction from the University of Arizona.

– Phyl

P.S. We are beginning to write up the reports from Slow Art Day 2025. More soon!