The videos were accompanied by prompts, and viewers were invited to respond in the comments.
We have included the prompts below. Why not watch the videos and try some slow looking?
Prompt to the Vance Barry video:
Think about the landscape features you see. What colors and shapes do you notice? How would this landscape sound if you were there? What, if anything, is missing from the landscape?
Prompt to the Sally Veach video:
Think about the colors you see and the shapes you notice. Take a deep breath and look again. Do you notice a different shape or color this time?What time of year do you think the artist is trying to convey? Does this painting remind you of anything you’ve seen out in the world? How does it make you feel?
In total the videos reached 800+ people. Several participants left comments on Facebook, describing Sally Veach’s paintings as “breathtaking”. One viewer also noted that ‘Autumn Ascension’ made him think of the chill of fall before an incoming storm.
Thank you to Mary Ladrick, Director of Education, and her team for hosting a great first Slow Art Day event. The 2020 pandemic meant that museums and galleries had to host virtual events this year, but the Museum of the Shenandoah Valley really rose to the challenge.
We look forward to what they come up with for Slow Art Day 2021.
For their first Slow Art Day the IAACC Pablo Serrano in Zaragoza, Spain, highlighted four works by female photographers from the Museum’s archive:
Grete Stern, Sueño 39, 1949.
Cristina Martín Lara, “Si yo supiera a qué se debe…/ Wenn ich nur wüsste woran das liegt…(1) II”, 2004.
Mapi Rivera, “Estelación crepuscular”, 2004.
Liang Yuanwei, “S/T, Series: ‘Don’t forget to say you love me’, 2005.
The photos were part of the virtual project “Visiones transversales en torno a Circa XX. A través de mi cuerpo / A través de tu cuerpo” (“Transversal visions circa XX. Through my body / Through your body”) which explores women, their physical bodies, as well as their social and artistic agency.
For example, Stern’s “Sueño 39” denounces obstacles women faced in 1940s Argentina. Yuanwei’s self-portrait series “Don’t forget to say you love me” is a parody of erotic photographs of women which comments on the male gaze and the objectification of women.
On April 4th, 2020, the photos were shared on social media, accompanied by prompts and brief descriptions. Viewers were encouraged to look slowly at each photograph and then to share their reflections online. The Museum also produced a short video of the four works, which can be viewed below.
The photos were liked many times on social media and some participants, and even some artists, posted inspiring reflections. One of the photographers, Cristina Martín Lara, commented on Facebook:
What a joy to be part of this Slow Art Day initiative to show everyone the Cirka XX Collection in our confinement. Thank you for making it possible! (Translated from Spanish)
Cristina Martín Lara
Several participants also posted reflections in connection with individual photographs. For example:
Even in the most idyllic context we can find something that makes us stop suddenly, causing us pain that only time, and not the context, can mitigate. (Translated from Spanish)
Participant response to Grete Stern’s “Sueño 39”, Instagram.
At Slow Art Day HQ we are inspired by the depth of symbolism in these photographs. The works in the Cirka XX project are exciting to consider one-by-one and even more powerful when viewed in relation to each other. We recommend that all Slow Art Day readers look at the photos posted above as well as the video.
We want to also thank María Luisa Grau Tello, curator at IAACC Pablo Serrano, as well as Julio Ramón Sanz, Eva María Alquézar, Alba Rodrigo Urmente, Gloria Sánchez Martín, Silvia Abad Villarroya and Alfredo Blanco Morte for hosting the Museum’s innagural Slow Art Day event.
We look forward to what the IAACC comes up with for Slow Art Day in 2021!
For their first Slow Art Day, the Musée Stewart in Montréal, Canada, invited participants to watch slow-motion videos of two pieces in the NIGHTS exhibit (below).
After watching the videos, viewers were encouraged to close their eyes and describe or draw the artifacts from memory. They were asked, “What do you remember?” and “Why do you remember what you remember?”
At Slow Art Day HQ, we decided to participate ourselves. Watching the videos felt almost like traveling slowly through space. The experience demonstrates something most video artists know: just how powerful slow-motion videos can be.
We also found that the memory drawing exercise was a wonderful way to connect a physical activity to a memory. We recommend that other Slow Art Day hosts consider this simple but powerful memory drawing exercise.
The Slow Art Day team loved Musée Stewart’s first Slow Art Day and we are excited to see what creative initiatives they develop for 2021.
For their first Slow Art Day, Lehigh University Art Galleries (LUAG) in Bethlehem, PA, invited the public to learn more about artworks in the Gallery’s collection, such as Romare Bearden’s Firebirds, 1979.
On April 4, 2020, the event was promoted across social media, and also shared as an email invitation.
Participants were given access to a wide range of material on the Gallery’s Slow Art Day webpage, including prompts for ‘Firebirds’, short videos created by Lehigh students, and downloadable coloring pages.
The Gallery also hosted a series of “Art in Dialogue” presentations, featuring sessions such as ‘The Stories that Pictures Tell’ and ‘Visual Journaling’.
The event engaged 3,392 people in total through various channels. The email invitation was opened by 1110 people, and the Instagram and Facebook posts together reached 2,200+ people.
At Slow Art Day HQ, we love the range of activities organized for LUAG’s first Slow Art Day. We want to thank Stacie Bennan, Curator of Education, for creating such an innovative and involved set of activities.
We really look forward to what she and her team come up with for Slow Art Day 2021.
– Johanna and Ashley
P.S. You can check out more of the Lehigh digital art collection on their Artstor page.
For their first Slow Art Day, the Hafnarborg Art Museum in Hafnarfjörður, Iceland, shared a selection of sketches by artists Eiríkur Smith and Elías B. Halldórsson to Instagram between the 4th and 9th of April, 2020.
Their slow-looking event aimed to help participants ease pandemic stresses. Viewers were invited to look slowly at the monotone artworks, then were encouraged to create their own sketches as a way to ground themselves in the present.
The Museum’s thoughtful captions addressed the importance of talking about mental wellbeing:
Art mirrors our experience, helping us cope with our situation through the basic human emotions expressed in the artwork, whether that be happiness, sorrow, anxiety or loneliness.
Some may feel a sense of anxiety during this ban on public gatherings, as stress or pressure to act or do something productive can be felt in the air. Therefore, we urge you to take a moment to sit down and put a pencil to paper without worrying too much about the result, only focusing on the process itself and being in the now.
Captions to the The Hafnarborg Museum’s Slow Art Day Instagram Posts, April 2020.
The posts were liked 55+ times and the theme resonated with the viewers, with one participant commenting “Vel orðað” (“Well Said”).
At Slow Art Day HQ, we are impressed by the Hafnarborg Art Museum’s sensitivity in addressing the mental health issues affecting people during the pandemic. The power of art to both bring people together and help manage stress during uncertain times are themes that we have seen throughout Slow Art Day 2020 events.
We look forward to what the Hafnarborg Art Museum comes up with for Slow Art Day 2021.
For their first Slow Art Day The TarraWarra Museum of Art in Melbourne, Australia featured two very different artworks by Australian women artists: ‘Club Colours’ by Rosalie Gascoigne, and ‘He’ll Be My Mirror’ by Jenny Watson.
To promote the event, Elisabeth Alexander, Marketing and Events Coordinator, created a short teaser ‘slow zoom’ video of ‘He’ll Be My Mirror’, and posted image stories on Instagram and Facebook.
On April 4, participants were directed to a dedicated Slow Art Day page on the Museum’s website to look slowly at full-size images of the two paintings. Shannon Lyons, Education Coordinator, then led an online discussion via the Museum’s social media channels, where participants were encouraged to share thoughts about the artworks and their slow looking experience.
Shannon Lyons shared with us her surprise at how well it went:
From an educator’s perspective, it was interesting to see how willing people were to both delve deeper and give voice to their wonderings online. They actively questioned why aspects of the artworks appeared the way that they did, and why particular elements of the artworks seemed to dominate, hold or demand attention far more than others.
Their first Slow Art Day was a success, with over 5000 impressions and 100+ post engagements across Instagram and Facebook. Further, the average time spent on their dedicated webpage was 6 minutes – dramatically higher than the average time of under a minute for other pages on the site.
The TarraWarra Museum of Art had originally planned to host their first Slow Art Day in-person featuring their newly opened exhibition ‘Making Her Mark: Selected Works from the Collection‘, however Lyons and Alexander had to quickly re-imagine it as a virtual experience due to Covid19.
The whole Slow Art Day team has been impressed with what Elisabeth and Shannon were able to produce – given that it was not only their first Slow Art Day but, of course, also since the pandemic forced a last minute change of plans. We look forward to what they create for Slow Art Day 2021.
For their first Slow Art Day, The Gardiner Museum in Toronto, Canada, hosted an immersive virtual event with a multi-sensory focus.
On April 4, four photos of Linda Swanson’s TEMPLUM OF A PRECIOUS THING OF NO VALUE, A SHAPELESS THING OF MANY SHAPES, 2020, were shared to social media in intervals. An event outline was also available as a downloadable PDF, which can be viewed in full here. Because their session was so well designed, we have included more detail in the excerpted prompts below.
Participants were encouraged to spend 5-10 minutes with each photo, and consider the accompanying prompts and questions:
Imagine yourself seated on the bench next to the installation. Take in the full picture. Let your eyes move slowly around the image as you absorb what you’re seeing.
Focus on each individual element of the work. What kinds of lines and shapes do you notice?
Consider the areas of light and shadow. How does the lighting influence the mood or feel of the installation?
What do you think you’ll see as you move closer? What textures and patterns might appear?
Once again, take in the full picture. Let your eyes move slowly around the image as you grasp this new perspective and information.
What do you notice now that you may not have perceived in the first image? Does this change your impression or understanding of the work?
Shift your attention to the cables. What kinds of shapes and forms do you notice in the negative space around and between the cables?
Consider the weight of the water contained in each membrane. Close your eyes and imagine that your arms are the cables holding them above the ground. What do you experience?
Again, take in the full picture. Let your eyes move slowly around the image as you register the new details.
How does this perspective add to or change your interpretation of the artwork up to this point?
Close your eyes and picture yourself gently pressing a finger against the nylon membrane. Feel the weight of the water shifting. Does it remind you of a sensation you’ve experienced before?
Narrow in on the water droplets that are gathered on the membrane. Imagine poking them with your finger. How would the water feel running down your hand?
For the last time, let your eyes move slowly around the image as you take it in.
What would it feel like to run your fingers through the clay? To pick up a handful.
Close your eyes and imagine the smell of the clay, both dry and wet. What does it smell like? Is it earthy? Musty? Chalky?
Now consider the work as its own ecosystem or world. How would you describe it to a friend? How would you articulate its look, feel, and smell?
This was such a well-designed slow looking session that we hope more people who are reading this on the Slow Art Day website will take the time to go through this event themselves.
The Gardiner Museum is one of many museums that had to quickly re-think how to keep the public engaged with art during the Covid19 pandemic. By using photos and descriptive prompts of the installation from their special exhibition RAW, they successfully produced an imaginative multi-sensory experience – even with the added element of being virtual.
At Slow Art Day HQ, we absolutely love how immersive this event was. It reminded us how powerfully our minds can conjure up the real-life experiences of textures, shapes, weight, and scents.
We very much hope that The Gardiner Museum will continue hosting Slow Art Day events – and in their actual museum space in 2021.
Note: The listed prompts were selected from the original, full list of prompts provided by The Gardiner Museum.
The virtual session was attended by a select group of MART members who discussed 4 artworks from the museum’s permanent collection, including Osvaldo Licini’s Bilico (1933) and Fortunato Depero’s Chiesa di Lizzana (1923).
Five days before the session, Denise Bernabe, Membership Coordinator at MART, emailed participants images of the artworks along with a brief explanation of slow looking (without disclosing the artists or the titles of the works).
During the hour and a half session, Bernabe facilitated a relaxed discussion in which participants made personal and emotional remarks about the artworks based solely on their immediate slow-looking responses. All participants loved the experience and, as a direct result of this session, the MART is planning to continue integrating slow-looking with future events.
The event was instigated by local art enthusiast Piero Consolati, who has been a MART member for several years and frequently participates in museum events. The session was made possible through his interest in slow looking, which prompted him to approach the staff at MART about hosting an event.
Public engagement with both art and museums is something that Slow Art Day strongly promotes, and the MART event is a beautiful example of the important role art enthusiasts can play in initiating events and furthering the slow art movement throughout the community. At Slow Art Day HQ, we are very excited to hear about the MART’s slow-looking Zoom session, and are thankful to Consolati for reaching out to us with the details.
We look forward to hearing about future slow looking events hosted by MART — hopefully also for Slow Art Day 2021.
For its 1st Slow Art Day, The Eaton Gallery in Bloomington, IL, organized a creative drive-by exhibition of “The Illuminated Pages of Ours.”
Due to Covid19, gallery owner Pamala Eaton moved the scheduled exhibition to the gallery’s window display so that it could be seen by pedestrians, cyclists, and anyone happening to drive by without violating social distancing measures.
Featuring contemporary works by 11 local artists, the exhibition was themed around references to the history of manuscript illumination. Strongly inspired by the illuminations in The Book of Kells (c. 800 C.E.), Eaton invited local artists to creatively use medieval manuscripts as inspiration for their own work in the exhibition.
Featured artists: Mary Jo Adam, Angel Ambrose, Janean Baird, Jeannie Breitweiser, Doug DeLong/Veronica Strotzka, Herb Eaton, Joann Goetzinger, Rick Harney, Jane Osborn, Melanie Shellito, and Brian Simpson/Rachel Cofer.
Although originally planned as an in-gallery event, Eaton was delighted that the exhibition was still able to take place through the window-display; which enabled even more people to see it. The gallery also recently hosted another drive-by exhibition due to continued lockdown measures.
“We have so many talented artists in this community. We need to celebrate what those gifts are and be willing to share them. Even in this time of stress, it’s a good way to take your mind off of something and try to find some hope and faith and move forward.”
The Slow Art Day HQ team has loved reading about the Eaton Gallery event. I especially appreciate the strong emphasis on the local artist community. It reminds us how important art can be in fostering connection, perhaps especially during times such as the present.
We look forward to Slow Art Day 2021, when we hope The Eaton Gallery will participate with another wonderful event.
The Google Arts platform allowed participants to zoom in on the 5 selected artworks to closely study brushstrokes and textures. Participants were then encouraged to consider the wider social context of each work and provide their commentary via the museum’s Facebook and Twitter accounts — which reached more than 4000 people during the event. The museum produced a video (in Latvian) about Google Arts and slow looking that is still available to download.
Sandra Kempele, Curator of Education at Riga Bourse, reflected on how “encouraging [it is] to be part of this global community” of Slow Art Day especially now in the face of changing and trying circumstances.
At Slow Art Day HQ, we heartily echo this sentiment. Despite still advocating for the special experience of viewing art in museums, we are continually encouraged by the creativity and adaptability showcased by art institutions such as the Riga Bourse during this pandemic.
We look forward to the Riga Bourse’s continued participation in 2021 –hopefully in their actual museum.