Slow Art Day across the U.S. East Coast

Slow Art Day 2024 is coming up this Saturday, April 13 and yet again there are an amazing variety of museums, galleries, churches, cities, sculpture parks joining us from around the world (see the full list) – including across the East Coast of the United States.

To name just a few across the East Coast…

The Metropolitan Museum of Art’s Met Cloisters will be hosting again in New York City.

Mass MoCA will be hosting again in North Adams, MA while the Worcester Art Museum will yet again produce a Slow Art Day in that city. The beautiful and wonderful Athenaeum will be hosting in Boston. Connecticut and New Jersey supports several locations including the Grounds for Sculpture.

Philadelphia has a nascent citywide including The Barnes Foundation, Glenn Foerd, and the Magic Gardens.

In Washington D.C., the National Museum of Women in the Arts is hosting yet again (they are one the founding museums for Slow Art Day). Virginia and North Carolina have multiple locations across those states while Florida hosts *7* different venues including the Frost Art Museum and the Lowe Art Museum both in Miami.

Here are a few locations –

Mass MoCA

This year, Mass MoCA has created two ways to experience Slow Art Day:

  1. Slow Looking Tours
  2. A paired audiowalk they are calling “Where I End & You Begin,” which requires advance reservations.

The museum has had a close relationship with artist James Turrell and with the now-deceased Professor Arden Reed who wrote a terrific book, “Slow Art : The Experience of Looking, Sacred Images to James Turrell”, which talks about Slow Art Day (and for which I gave a blurb on the back cover).

James Turrell, “Once Around, Violet (Shallow Space),” 1971.

Barnes Foundation

The Barnes always produces a thoughtful and interesting Slow Art Day (and we are in conversations with them about a conference – stay tuned for more details).

This year, when participants arrive, they will receive a list of five paintings for self-guided slow looking. They will be encouraged to spend an hour or so looking, and then will be invited to a discussion in the Herbert and Joyce Kean Family Classroom. That discussion will be led by Barnes senior instructor Michael Williamson.

Pierre-Auguste Renoir. Before the Bath (detail), c. 1875. BF9. Public Domain.

National Museum of Women in the Arts

We love the National Museum of Women in the Arts – they are founders of the Slow Art Day movement and they have led the global re-awakening to the centuries-old role of women artists.

Their event this year is sold out. So, if you live in Washington, DC then plan ahead for their Slow Art Day 2025.

Deborah Butterfield, Big Horn, 2006; Cast bronze, 92 x 114 x 41 in.; National Museum of Women in the Arts, Gift of Jacqueline Badger Mars in honor of Wilhelmina Cole Holladay; © Deborah Butterfield; Image courtesy of L.A. Louver

Boston Athenaeum

The Boston Athenaeum, which combines a library, with a museum and cultural center, is hosting Slow Art Day in their landmark building.

They will be focusing on a single painting by Boston artist Allan Rohan Crite.

Worcester Art Museum

Our friends at Juniper Rag are co-sponsoring a Slow Art Day at the Worcester Art Museum. The WAM will be focusing their slow looking event on the new Terrain Exhibition, which features 21st-Century landscape photographers and how these contemporary artists use different photographic processes to explore the idea of landscape.

Frost Art Museum

For their *13th* Slow Art Day (Frost is one of the founding museums of this slow looking movement), Frost will feature performances by Miami-based artists Smita Sen (pictured on the right – below), who explores the relationship between the body and memory through sculpture and technology, and Agua Dulce (left – below), a Miami-based artist who uses organic materials to blur the line between the mystical and mundane.

These are just a few of the hundreds of places hosting events around the world this year.

And, of course, you can run your own personal Slow Art Day anywhere anytime. 

We hope you have a wonderful Slow Art Day 2024.

– Phyl 

P.S. If you have not yet registered your Slow Art Day with us, then go to this page.

P.P.S. Our 2023 Annual Report is out. Read it and get inspired!

Inaugural podcast with Prof. Arden Reed

Listen to the inaugural Slow Art Day live podcast recorded Tuesday, June 13, 2017 with Slow Art Day hosts around the world and our special guest Professor Arden Reed discussing his forthcoming book, Slow Art: The Experience of Looking, Sacred Images to James Turrell.
You can download the podcast or listen to it below.

View Dr. Reed’s slides simultaneously while listening to the podcast by downloading his powerpoint here.

About Professor Reed
Professor Arden Reed is the Arthur and Fanny Dole Professor of English at Pomona College. Recipient of fellowships from the Guggenheim Foundation, the Rockefeller Foundation, and the Clark Art Institute, he writes on the visual arts and literature, including Manet, Flaubert and the Emergence of Modernism and the prize-winning Romantic Weather: the Climates of Coleridge and Baudelaire.

He was one of Jacques Derrida’s first American graduate students. Trained in comparative literature, Reed authored a prize-winning study of Coleridge and Baudelaire (mentioned above). His career as a scholar of literature was interrupted in 1984, when he experienced a conversion. An encounter with Max Beckmann’s triptych The Actors at the Fogg Museum pivoted Reed’s field of study to the visual arts. His Manet book mentioned above has been translated into French and Spanish.

His forthcoming book 
Professor Reed’s latest book Slow Art: The Experience of Looking, Sacred Images to James Turrell (University of California Press, to be published late June 2017) is about attending to visual images in a culture of distraction, specifically extending the six to 10 seconds that Americans, on average, spend looking at individual works on museums walls and why that matters.

The research and writing of his latest book was supported by a Guggenheim Fellowship, and residencies at the Rockefeller Foundation Study Center at Bellagio, the Clark Art Institute, and the American Academy in Rome. Reed has given presentations on slow art, among other venues, at the Russian Academy of Sciences in St. Petersburg, the Metropolitan Museum of Art, King’s College Cambridge University, the Chicago Humanities Festival, and the École normale supérieure in Paris.

Buy and read his book
Professor Reed’s newest book is a foundational book for the slow art movement and we highly recommend that all Slow Art Day hosts read it.

Listeners to the podcast can receive a 30% discount to the book if they order from the University of California press. To get the discount, order online via www.ucpress.edu. Just enter code 16V6526 at checkout.

Inaugural Slow Art Day webinar with special guest Dr. Arden Reed

Slow Art Day is hosting a webinar on Tuesday, June 13 at 11 AM EST for the slow art community and other interested participants featuring special guest Arden Reed.

Dr. Reed is a professor of English and Art History at Pomona College. His latest book Slow Art: The Experience of Looking, Sacred Images to James Turrell (University of California Press, French translation Editions Hermann) is about attending to visual images in a culture of distraction, specifically extending the six to 10 seconds that Americans, on average, spend looking at individual works on museums walls and why that matters.

Dr. Reed will discuss his new book (which will be published on the date of the webinar – June 13) and answer questions from participants.

More info and registration here: bit.ly/2p5TSvr