Tag Archives: bipoc artist

Artist Talk and “Sweet and Sour Memories” at Art Gallery of St. Albert

Posted on by

On April 5, 2025, the Art Gallery of St. Albert in Alberta, Canada, welcomed a large audience (a small portion of which is shown below) for its Slow Art Day event, which featured an inspiring artist talk by Alberta’s Artist in Residence, Samantha Williams-Chapelsky alongside the exploration of a moving exhibition by Edmonton-based artist Edith Chu.

To start, artist Samantha Williams-Chapelsky shared her journey as a professional artist, offering insights into her creative process, the challenges she’s overcome, and her experiences representing Alberta’s vibrant arts community. She also reflected on the future of visual arts, addressing current trends, emerging opportunities, and the evolving role of artists in Alberta and beyond.

Artist Samantha Williams-Chapelsky and participants during the artist talk. Photo courtesy of Art Gallery of St. Albert.

Visitors were also invited to experience the exhibition “Sweet and Sour Memories” by Edmonton artist Edith Chu. In this exhibition, Chu looks back on her life growing up in her family’s restaurant Szechuen Cuisine. Her memories of this time form the foundation of her experience as a first-generation Canadian. Delicate watercolor paintings of restaurant life capture the day-to-day, family photos are drawn onto replica guest cheques, and Edith’s memories are captured in sculptural takeout boxes and narrative photographs.

The event also included a range of interactive activities: visitors created their own memorable buildings on envelopes in the Art Nook, completed a gallery-wide iSpy challenge, and engaged with an activity book designed for “Sweet and Sour Memories,” which encouraged participants to design their own takeout noodle boxes. Free refreshments added to the warm, welcoming atmosphere.

We at Slow Art Day HQ love to see such multifaceted events, and look forward to seeing what Leah Louden and the whole team at Art Gallery of St. Albert create for Slow Art Day 2026.

– Ashley, Johanna, Jessica Jane, and Phyl

P.S. Stay connected with the Art Gallery of St. Albert on Facebook and Instagram.

Deep Dives into Diverse Masterpieces at the Denver Art Museum

Posted on by

For its second Slow Art Day, the Denver Art Museum in Denver, Colorado, offered both self-guided viewing and structured, docent-led discussions, inviting guests to explore three artworks.

Featured Works:

Elaine de Kooning, Bullfight, 1959. Oil paint on canvas; 77 5/8 x 130 1/4 in.
El Anatsui, Ghanaian, Rain Has No Father?, 2008. Installation. Found bottle tops and copper wire.
Artist Unknown, Garden Party on the Terrace of a Country Home, about 1720-1730, Mexico. Folding screen, painted oil paint on canvas with gold.

Visitors were encouraged to spend 5–10 minutes individually observing each featured artwork, immersing themselves in a thoughtful, quiet exploration. Throughout the day, docents led engaging discussions every half hour, helping participants articulate their observations and uncover deeper meanings within the art.

The expressionism of Elaine de Kooning’s “Bullfight,” the textures of El Anatsui’s “Rain Has No Father,” and the narrative depicted in the 18th-century piece “Garden Party” sparked conversations and personal reflections among attendees. We recommend you check out the additional videos on the museum’s website showcasing El Anatsui’s installation and process.

You may view or download the handout for the event below:

Denver Slow Art Day Handout (PDF)Download

We thank Holly Harmon, Andy Brashear, and the entire Denver Art Museum team and look forward to what they come up with for Slow Art Day 2026.

– Ashley, Johanna, Jessica Jane, and Phyl

P.S. Stay connected with Denver Art Museum on Facebook and Instagram.

Slow Art Day at the Boston Athenaeum: Honoring Allan Rohan Crite and Polly Thayer Star

Posted on by

For their second year participating in Slow Art Day, the Boston Athenaeum hosted a full day of slow looking and community reflection centered around the works of Boston artists Allan Rohan Crite (1910 – 2007) and Polly Thayer Starr (1904 – 2006).

Visitors were invited to explore the Athenaeum’s first floor galleries freely throughout the day or join one of four scheduled guided sessions at 11 am, 1 pm, 2 pm (a family session), and 3 pm. Each session began with 10 minutes of slow, close looking at a selected work, followed by a docent-led conversation encouraging participants to share their observations and experiences.

Featured works included:

Visitors participating in a slow looking session inside the historic Boston Athenaeum during Slow Art Day 2025. (Photo courtesy of the Boston Athenaeum)

Self-guided visitors were encouraged to select their own piece of art and use a printed Slow Art Day handout (below) featuring guiding questions for deeper reflection.

Slow Art Day handout (3)Download
Screenshot of the Boston Athenaeum’s social media post for the event. (Photo courtesy of the Boston Athenaeum)

On the day, the United States witnessed the largest coordinated protest since President Trump’s return to office, and the Athenaeum provided a space for contemplation and connection. The choice to highlight the works of Crite, an African American artist, and Starr, a female artist, resonated deeply on a day when issues of representation, equity, and justice were at the forefront of national discourse.

We at Slow Art Day HQ extend our gratitude to the Boston Athenaeum, and to all Slow Art Day hosts, this year for providing a sanctuary for reflection and dialogue during a pivotal moment in the world’s political discourse.

We look forward to seeing what the Boston Athenaeum designs for 2026!

– Ashley, Johanna, Jessica Jane, and Phyl

P.S. You can follow the Boston Athenaeum on: