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“Tell Me Stories”: Slow Art Day at Angel Ambrose Fine Art Studio

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This year the city-wide Slow Art Day phenomenon continued in Bloomington, Illinois, with 20(!) participating museums and art galleries. And, for the third year running, Angel Ambrose Fine Art Studio participated.

For their contribution to the citywide Slow Art Day, Angel Ambrose featured “Tell Me Stories”, a painting that had been on long-term loan at Illinois State University’s Alumni Center on Michigan Avenue in Downtown Chicago.

Angel Ambrose, “Tell Me Stories”. Over 3 1/2’ x 4 1/2’.

On Slow Art Day, Angel invited visitors of all ages to the studio gallery to take a slow look and hear about the stories behind the painting between 10 AM – 2 PM.

Angel welcomed all participants and asked them to take 3-5 minutes or more to contemplate “Tell Me Stories” or another artwork using some of the following prompts for slow looking.

She came up with some good prompts, as you see below.

—- Prompts

For your head (objective thought/intellect) you can consider any of the following:

  • What did you see?
  • What decisions did you notice that Angel made in her painting—line, color, texture, form, repetition, contrast, etc?
  • Was there a color scheme/theme apparent?
  • Notice the paint—can you see individual brushstrokes, or a smooth surface, or perhaps another tool was used to apply the paint?
  • How was movement used in the artwork?
  • Was the piece representational, abstracted, or somewhere between? Why do you think Angel chose this format?

For your heart (feelings/emotions), consider the following:

  • How did you feel when you looked at the work?
  • Did the colors evoke any emotions?
  • What did these feelings make you think about?
  • Did your mood change after looking at the artwork?
  • Did you experience any personal significance to the piece?

Artist Angel Ambrose and her “Management of Time” triptych at Angel Ambrose Fine Art Studio.

During the day, visitors could also visit any of the 20 Bloomington Slow Art Day locations free of charge. The day concluded with a closing reception at The Hangar Art Co. from 2 – 4 PM for participants from all venues.

The Eaton Gallery was the first to host a Slow Art Day in Bloomington. In 2020 at the height of the pandemic, they organized a walk up/drive by exhibition. Then in 2022 Eaton and other Bloomington galleries pioneered hosting a city-wide Slow Art Day – and Angel Ambrose was in that original group.

At Slow Art Day HQ we have eagerly followed the growth of Slow Art Day in Bloomington along Route 66. We (unsurprisingly) like to take things slow, but the fast spread of the citywide movement in Bloomington (and now around the world) both calms and excites us.

We can’t wait to see what Angel Ambrose Fine Art Studio comes up with for Bloomington’s citywide Slow Art Day in 2025.

-Johanna, Ashley, Jessica Jane, and Phyl

P.S. Stay up to date with events at Angel Ambrose Fine Art Studio via their Facebook page.

P.P.S. We are hearing rumors that the state of Illinois might host a *statewide* Slow Art Day in 2025. Stay tuned.

Boston Athenaeum Hosts First Slow Art Day

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For their first Slow Art Day, Boston Athenaeum in Massachusetts invited participants to join one of four 30-minute slow looking and discussion sessions. (Note: As well as being a museum and cultural center, the Athenaeum is also one of America’s oldest member supported libraries.)

Slow Art Day participants being led in discussion by a docent. Photo by Fritz Holznagel.

The slow looking sessions were led by volunteer docents as well as the children’s librarian. The docents selected the works of art for slow looking, including works by Bradley Phillips, Allan Rohan Crite, and Polly (Ethel) Thayer.

The Empire City, 1987. Bradley Phillips (American, 1929–1991).

Marble Players, 1938. Allan Rohan Crite (American, 1910–2007).

Self Portrait, 1943. Polly (Ethel) Thayer (1904–2006).
Donald Starr, 1935. Polly (Ethel) Thayer (1904–2006).

Visitors to the Athenaeum who didn’t participate in the scheduled slow looking sessions were offered a slow looking hand-out (attached below), and were invited to select a piece of art for their own slow looking. They also received a blank piece of paper, clipboard and pencil to help them sketch and/or list what they were noticing.

Slow-Art-Day-handoutDownload

We are so glad to welcome the Boston Athenaeum to the global slow looking movement and are eager to see what design they come up with for Slow Art Day 2025.

– Johanna, Ashley, Jessica Jane, and Phyl.

PS. You can find details of other events at the Boston Athenaeum via their Instagram or Facebook page.

First Turkish Slow Art Day at Ayzeradant Art Gallery

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Ayzeradant Gallery in the city of Izmir hosted Slow Art Day in April of 2023 bringing the slow art movement to Turkey for the first time.

Performance artist and medical doctor Pınar Derin Gençer, based in Istanbul and Stockholm, was invited to perform her work “Watching the Waves”.

Slow Art Day poster for the event. Shared to Instagram.

Derin works mainly on performance art, visual arts, installation, writing and objects. According to Performance Art Weekly, her art “studies the relationship between the physical, psychological, historical field of the life, of the nature, of the city and the human.”

Derin is the founder/creative director of Istanbul Performance Art, Stockholm Performance Art and 24 Hours Art, and chief curator of Open Performance Space.

In “Watching the Waves”, the viewer experiences ways of thinking about the times between self and world, sensitive knowledge, and the space between object and world. 

After the performance, the art director of the gallery, Nihat Özdal, hosted a conversation with the gallery visitors on “Slow Art”, in which participants also got the opportunity to reflect together on the performance.

Below are photos showing some of the stages in the performance by Pınar Derin Gençer. Although seemingly simple, the process of actively following the artist drawing lines on the wall becomes an immersive experience.

Stage in the performance “Watching the Waves” by Pınar Derin Gençer for Slow Art Day 2023
Stage in the performance “Watching the Waves” by Pınar Derin Gençer for Slow Art Day 2023
Stage in the performance “Watching the Waves” by Pınar Derin Gençer for Slow Art Day 2023

The name of the gallery, “Ayzeradant”, comes from the “temple of wisdom” sign that the Armenian poet Tıngır hung at the entrance of his house in Buca in the 1800s. Tıngır was found dead in the grave he dug himself in 1881.

At Slow Art Day HQ, we are excited to see Slow Art Day gaining a foothold in Turkey. We look forward to future events from Ayzeradant Gallery, and hope that they will host a Slow Art Day also in 2024.

-Johanna, Jessica Jane, Phyl and Ashley

PS. Stay updated with events at Ayzeradant Gallery via their Instagram page.

Beauty from Brokenness: Slow Art Day in Ljubljana, Slovenia

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For their third Slow Art Day, Galleria l’arte di seta in Ljubljana, Slovenia, partnered with Elnovaspace Education Center to host three events in the period between April 13th – 18th, 2023 on the theme ‘Beauty from Brokenness.’

Artwork by artist Ruth Korthof
Slow Art Day participant, 2023, viewing artwork by artist Ruth Korthof
Slow Art Day participants, 2023, viewing artwork by artist Ruth Korthof

All events took place at the premises of Elnovaspace, Cigaletova 5, Ljubljana, Slovenia.

There were 3 main events:

  • April 13th opening
  • April 14 and 15 slow art looking (in person, individual guests)
  • April 18 conversation with the artist


Each event started with slow looking for 10 -15 minutes. They followed that by asking each participant to share their thoughts and reflections, and then concluded by talking about the ‘beauty of brokenness.’

Gallery founder, Lidija Drobež, said that “the common experience of looking slowly and the intriguing topic of beauty from brokenness jointly led to honest, meaningful and open discussion.”

Artist Ruth Korthof had no active role during slow art looking, but on April 18th she was actively involved as a participant. Later she said the following about the event:

We really like the way Galleria l’arte di seta approached this Slow Art Day and their three-day design with a focus on a single artist could be a good model for how other galleries might want to approach designing their own slow looking events.

Here at Slow Art Day HQ we were ourselves quite taken by the theme, and find Ruth Korthof’s art captivating. Porcelain is fragile, breakable, and beautiful, just like much of our world (and, of course, note the proximity of the Ukraine War and the threats Latvia is itself experiencing).

We look forward to whatever Galleria l’arte di seta and Elnovaspace come up with for their next Slow Art Day.

-Johanna, Phyl, Ashley, and Jessica Jane

PS. Stay up to date with Ruth Korthof and Galleria l’arte di seta through their Instagram.

6th Slow Art Day at The White Room Gallery in Worcester, MA

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Payal Thiffault and Michelle May, founders of Juniper Rag magazine and Slow Art Day pioneers going back to the founding, held their 2023 Slow Art Day at The White Room Gallery in Worcester, MA. They invited both the public and the following New England-based artists whose work was on exhibition at the gallery:

  • Curtis Speer, Newport, RI
  • Scott Boilard, Worcester, MA
  • Howard Johnson, Jr., Worcester, MA
  • John Pagano, Paxton, MA
  • Sue Swinand, Worcester, MA
  • Tara Sellios, Boston, MA

Slow Art Day 2023 Poster by The White Room, Presented by Juniper Rag

Participants arrived for the event and began slowly looking at the artwork, with questions and discussions organically began as everyone looked at the artwork. Having the artists present created a lot of additional excitement.

John Pagano’s artwork featured at The White Room Slow Art Day 2023


Viewing began with a look at Scott Boilard’s surrealist painting, ‘Nightmares of Time’, which incorporates figurative imagery and appears to illustrate tension, passion and an emotional journey that the viewer can piece together in many different ways. Attendees were intrigued by the subject matter, the techniques used and the feeling of motion in the piece. Uniquely, the artist had the opportunity to talk about his concept in painting the work and how it related to self-expression and the feelings that come from societal pressure. Discussing his art so intimately was a great kick-off to the day.

Visitors also viewed work by Howard B. Johnson, Jr. who creates landscapes of symbolic references and double entendres that keep the viewer’s eye moving all over the art. Humor, visual taunts and esoterica left many viewers with endless questions.

They then moved on to fine art photographs by Tara Sellios and Curtis Speer and ended the viewing with paintings by Susan Swinand and John Pagano.

Viewers reported leaving with in-depth insights and reflections on all of the work. The hosts said that they found it rewarding to see the different perspectives, from art educators, conservators, engineers and doctors.

Food served at the event (slow looking pairs well with snacks)
Scott Boilard’s painting ‘Nightmares of Time’, featured at The White Room Slow Art Day 2023
Slow Art Day participants at The White Room. 2023.
Slow Art Day participants at The White Room. 2023. Here viewing Scott Boilards painting.
Slow Art Day participants at The White Room. 2023.

We love the way Michelle May and Payal Thiffault continue to lead the Slow Art Day movement – and continue to keep their own minds open to constant and ongoing learning. We look forward to seeing what they come up with for Slow Art Day 2024!

Best,

– Ashley, Johanna, Jessica Jane, and Phyl

Slow Art Day Comes to the ‘Heart of the World’

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Slow Art Day has come to the Sierra Nevada Santa Marta in Colombia, known as the ‘Heart of the World’ to the indigenous communities who inhabit the coastal mountains and valleys.

Photographer Natasha Johl organized this first Slow Art Day at Sonidoselva, a cultural center in Minca. After giving a short speech describing the simple methodology of slow looking, Johl invited participants to look slowly at her photography exhibition Dream Weaver, which presents a series of photographs taken over nine years that represent the ordinary, simple, and often overlooked moments of life.

In a world where images shout at the viewer, I believe there is a dignity in silence. 

Natasha Johl
Generous Dreamer Unframed Giclee. Natasha Johl.
As we Watch Unframed Giclee Print. Natasha Johl.

The main subject of her photos are the indigenous group of the Arhuacos, which descend from the Tairona, an ancient South American civilization that now reside in the Sierra Nevada de Santa Marta. The Arhuaco have developed an understanding of the earth, which gives equal measure to the human mind and spirit and the forces of nature.  

Natasha Johl (on the left) and members of the Arhuacos (on the right).
Slow Art Day visitors engaging in the exhibition (we love the light in these photos).

We at Slow Art Day HQ love that slow looking at art has made it to the ‘heart of the world’ and we look forward to seeing what Johl and her colleagues put together for Slow Art Day 2024.

– Jessica, Ashley, Johanna, and Phyl

Slow Art Week at the National Museum of Women in the Arts

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For its 10th Slow Art Day, the National Museum of Women in the Arts (NMWA) in Washington DC celebrated a week of events. And because the museum’s historic building was closed for a major renovation until October 2023, the April 2023 events were hosted virtually.

Alison Saar, Scorch Song, 2022; Wood, found mini skillets, nails, and tar, 34 x 11 x 9 in.; National Museum of Women in the Arts; Museum Purchase: Funds provided by Steven Scott, Baltimore, in honor of the artist and the 35th Anniversary of the National Museum of Women in the Arts; © Alison Saar; Courtesy of L.A. Louver, Venice, CA; Photo by Jeff McLane

For Slow Looking Week, the NMWA published a PDF with slow looking prompts and instructions, which is viewable below.

Slow-Art-Day-2023-instructions.final_Download

The theme for this year’s events was “A Growing Collection,” featuring recent acquisitions by the NMWA from 2021 and 2022. For the week, a selection of the artworks were uploaded to the NMWA’s Lightbox: 2023 Slow Art Day virtual art gallery. These could be viewed by participants in the week leading up to the 15th, when the NMWA hosted a Zoom meeting where all artworks could be discussed live.

Ahead of the Zoom meeting, all participants were encouraged to consider questions about the role of the art museum, including:

  • Which museum collection has spoken most to you? What about it resonated with you? Whose faces and voices were represented?
  • What should an art museum’s collection look like?
  • What do you want to see more of in art museums? Less of?

During the Zoom meeting, the group was divided into breakout rooms, in which each person was invited to select an image from the Lightbox options, and the whole group was asked to discuss using the Harvard Project Zero prompts See/Think/Wonder.

Following this, all groups came back together to share experiences of and reflect on process of looking together. Attendees called in from Canada, the United Kingdom, DC, FL, IL, MD, NJ, and NY. For 60% of the attendees, 2023 was their first Slow Art Day experience.

At the end of the Zoom event, participants were asked what they enjoyed the most about the slow looking experience. Here’s a selection of their answers:

  • “Hearing other people’s experiences and seeing more through their eyes.”
  • “Talking with just a few people at a time. I could talk a bit more than normal.”
  • “The shared experience; the opportunity to give over to LOOKING, observing, talking, and reflecting.”
  • “Breakout session, taking the time to understood what and why each of us chose specific artworks & how we all came with different background and observations.”

Everyone said that they would love to attend another Slow Art Day.

We at Slow Art Day are big fans of the NMWA – for many reasons including that they are real leaders in the global Slow Art Day movement. We hope more museums imitate their weeklong activities. And now that the NMWA has reopened, we look forward to what they come up with for Slow Art Day Week 2024.

– Johanna, Ashley, Jessica Jane, and Phyl

Miniature Art Captivates at the Gardiner Museum

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People often ask us: what’s the best kind of art for people to look at slowly? And before we answer, they often offer what they think must be true – i.e., that only *large* scale art can maintain the attention of slow lookers. Our answer, however, (based on experience) has been that everything works *including* small-scale art.

We are glad to say that The Gardiner Museum in Toronto, Canada proved once again that tiny art captivates.

For their fourth Slow Art Day, The Gardiner featured Montreal-based self-taught artist Karine Giboulo’s “immersive reimagining” of her home, with over 500 *miniature* polymer clay figures arranged throughout the tiny rooms. The small figures are intended to invite viewers to reflect on societal challenges, such as connectedness and isolation during the recent pandemic, the impact of aging, the climate crisis, food insecurity, housing instability, and consumerism. And they are indeed captivating.

Karine Giboulo: Housewarming, Installation view, 2022, Gardiner Museum, Toronto.

On Slow Art Day itself, participants were given a worksheet with questions that lead them through the process of slow looking, and included a space to sketch. They were then encouraged to speak with two members of the Gardiner Museum team: Sofia Flores-Ledesma, Programs and Education Assistant, and Emma Wan, Victoria College, Material Culture Intern.

We invite you to discover the power of slow looking at miniature art by downloading their worksheet below, then lazily gazing at the images from their exhibition that follow (and maybe trying a few sketches).

Worksheet-Karine-Giboulo-Slow-Art-Day-2023Download
Karine Giboulo: Housewarming, Installation view, 2022, Gardiner Museum, Toronto.
Karine Giboulo: Housewarming, Installation view, 2022, Gardiner Museum, Toronto.
Karine Giboulo: Housewarming, Installation view, 2022, Gardiner Museum, Toronto.
Karine Giboulo: Housewarming, Installation view, 2022, Gardiner Museum, Toronto.

Sofia Flores-Ledesma wrote to us and said that not only did the miniatures dazzle, but that the conversations on the day of the event were so engaging that they did not take any photos as planned. They were just too busy listening to the captivated participants talk about their experience.

Every year, The Gardiner does something interesting for Slow Art Day, and we love what they did for 2023: i.e, featuring Giboulo’s miniature scenes of ordinary life, which offer hidden surprises (this is another pitch for you to download their worksheet and do some slow looking yourself).

We can’t wait to see what the Gardiner Museum comes up with for Slow Art Day 2024.

-Johanna, Ashley, Jessica Jane, and Phyl.

PS. Stay updated with events at the Gardiner Museum on Instagram, Twitter, or Facebook.

Toronto’s Gardiner Museum Explores Social, Political, & Environmental Themes

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Earlier this year, the Gardiner Museum, Canada’s ceramics museum, hosted a Slow Art Day event focusing on the social, political, and environmental themes explored in the exhibition Shary Boyle: Outside the Palace of Me. Education Manager, Farrukh Rafiq, guided attendees in slow looking activities and engaged them in a discussion about the works on display.

Shary Boyle: Outside the Palace of Me

As a multi-sensory installation, Shary Boyle: Outside the Palace of Me explores how we see ourselves and each other through drawings, ceramic sculpture, life-sized automatons, two-way mirrors, coin-operated sculpture, and an interactive score.

More information about the exhibit and the Gardiner Museum can be found on the links above and via their social media pages: Facebook, Twitter, and Instagram.

This is the third year that Toronto’s Gardiner Museum has held a slow art event and we can’t wait to see what they come up with next year.

– Robin, Ashley, Phyl, Jessica Jane, and Johanna

Glen Foerd’s 2nd Slow Art Day

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For their second Slow Art Day, Glen Foerd in Philadelphia, Pennsylvania, selected the following four works from their collection for participants to enjoy in-person over the course of 2 hours.

Manifestation with Wings (1958) by Benton Murdoch Spruance (1904-1967. Oil on canvas. Collection of Glen Foerd.

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Flowers in Gold Vase by (Mary) Elizabeth Price (American, 1875-1960). Oil on panel. Collection of Glen Foerd.

Lady Trimleston by Sir Thomas Lawrence (British 1769 – 1830). Oil on canvas. Collection of Glen Foerd.

An Archive of Desire (2020) by Jennifer Johnson (American). Mixed Media, Porcelain. Archive of Desire Installation, property of Jennifer Johnson.

Participants were provided with a flyer that included images of the pieces, and the following prompts:

  • Look not only at what is pictured, but how it is pictured.
  • What kind of colors has the artist used? Are they bright, muted, or somewhere in between?
  • Can you see how the color has been applied or is the color smooth and blended?
  • Is there a sense of deep, moderate, shallow, or indeterminate space? Is that space consistent throughout the picture?
  • Is space clear and well defined or atmospheric? What about how the picture was painted gives it that quality?
  • Is there the suggestion of a directional light source, of light coming from a one side or the other?
  • Can you see lines anywhere, whether painted lines or strong edges created by color-to-color areas? Where are lines used and how? 
  • What other observations can you make?
  • How is the installation piece different from the paintings?
  • What is the unifying theme of the installation?

Afterwards, Director Ross Mitchell invited participants to the art gallery where he led a discussion on the aesthetic qualities of the pieces. The event was promoted on Glen Foerd’s website and their Instagram page a month in advance.

An Impromptu Slow Looking Session

As we at Slow Art Day HQ started to write this report, we also decided to take few moments to look slowly at all of the works and have our own discussion about them – and we encourage you all to do the same.

Before reading further, scroll back up and look… slowly. Then come back here to read a little about our thoughts.

….

We were immediately drawn to this work and to its great sense of movement. We debated whether we thought the two winged figures (angels, birds?) were drawn to the light or coming from the light. And we all enjoyed one of the rewards of slow looking at this painting – the eventual realization that there is a third figure. Overall, slowing down with this painting left us with a feeling of hope.

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We debated the flatness of this painting, and whether it’s a painting of a painting. We also were drawn to, and discussed, the richness of the table – the wood is like droplets of water falling into a stream. One of us pointed out that the closely-cropped borders give a sense of tightness. And, in a lighter moment, we all agreed that we wanted to move the lit candlesticks away from the flowers. Ultimately, this work brought us feelings of autumn and a sense of sadness.

This several hundred year old painting brought up the most debate. Some of us do not like portraits of the elite, but the power of slowing down is that everyone gets to go beyond the superficial binary of “like / don’t like” – and discovers a new relationship to the artwork. As we looked and then talked, we noticed and discussed a number of things. Several of us were drawn to her facial expression. Is she smirking? We noticed her white dress, shoes, translucent sleeves, and colorful shawl (is that an LGBTQ flag?) and parasol – and also noticed how her ring is displayed prominently. Is the artist making a proto modern-day statement about gender, sexual orientation, marriage? Unlikely. We don’t know, but we are free to see what we see.

We were all immediately drawn to this piece, yet it took us to very different places. For some, this felt like a city at night, with the reflections in the table like lights in a river. For others, this was a library of mid-century modern shelves – the doors opening to reveal mirrors asking us to look deeply within ourselves. For yet others, each of these tiles represented the infinity of possibilities, including the unlimited number of genders.

….

We at Slow Art Day HQ are happy to see Glen Foerd’s participation for a second year, and look forward to whatever they come up with for Slow Art Day 2023.

Johanna, Jessica, Ashley, and Phyl

P.S. – The Slow Art Day HQ team is getting together this summer in the United States and we are planning to visit Glen Foerd in addition to other NY and Philadelphia museums.