“Beyond slow looking we had no rules. We weren’t looking for anything, we didn’t have to like what we saw, there would be no wrong way to look or right way either.“
See video coverage of founder Phil Terry’s 2013 Slow Art Day event embedded above from Raw Footage Films. Phil’s event took place at the Brooklyn Museum with each participant viewing five works. Each viewer was eager to view these hand-selected works and discuss the experience afterwards.
The group felt gratified knowing that “while our conversation was specific and personal,” 270+ venues across the world were having their own “attentive and unmediated” conversations about art. As the fast-paced antics of New York City beckoned at the close of the event, the participants left gratified with a new awakening to the benefits of slow looking.
Was your Slow Art Day event similarly invigorating? Share your experiences below in the comments!
[In this series, we will be posting reports from Slow Art Day hosts around the world who held Slow Art Day events on April 27, 2013. This week, we are featuring the Slow Art Day event run by Susan Way, held at the Art Gallery of Western Australia in Perth, Australia]
Slow Art Day was celebrated at the Art Gallery of Western Australia by featuring four photographs from the Picturing New York: Photographs from the Museum of Modern Art exhibition. The day was a great success and started with 15 participants. As our Voluntary Gallery Guide, Alan Ruda, ushered visitors slowly around the exhibition more and more people gathered. By the second set of photographs there were easily 40 people participating. By the end of the tour there were between 60 and 70 people crowded around Michael Wesely’s 7 August 2001-7 June 2004 The Museum of Modern Art, New York and Henri Cartier-Bresson’s An Eye at The Museum of Modern Art, New York. The group had high energy and were very interested. In the end, Alan suggested the group break into smaller groups and go back to the photos that really interested them. Everyone was very happy with this and Alan spent another hour answering specific questions and listening to the keen observations visitors made about the artwork.
We had organised to take photographs as a small group retired to coffee and conversation in our Manhattan Lounge. However the sheer number of participants prevented this from happening – which is a positive in our eyes. Our day may not have gone exactly as we imagined it, nevertheless to quote Alan, “It was a heck of a lot of fun!”
[In this series, we will be posting reports from Slow Art Day hosts around the world who held Slow Art Day events on April 27, 2013. This week, we are featuring the Slow Art Day event run by Karen Barrett-Wilt, held at the Chazen Museum of Art in Madison, Wisconsin]
Hello from Madison WI!
Highlights of our first Slow Art Day included eating lunch outside (Spring is here!), 15 participants, and a great conversation. The conversation required very little facilitating from me. A couple of people had never been to the Chazen Museum of Art, but all were still very willing to talk about their experiences. We had a spirited conversation with a lot of respectful disagreement, which is one thing that I love about art – no one is wrong! I’d like to add my thanks to the organizers – you were incredibly efficient and responsive, and made it all so easy. Thank you!
Karen also included a couple of photographs of one of the pieces they viewed at their Slow Art Day, Beth Cavener Stichter’s L’Amante, 2012.