Inaugural Slow Art Day webinar with special guest Dr. Arden Reed

May 9th, 2017

Slow Art Day is hosting a webinar on Tuesday, June 13 at 11 AM EST for the slow art community and other interested participants featuring special guest Arden Reed.

Dr. Reed is a professor of English and Art History at Pomona College. His latest book Slow Art: The Experience of Looking, Sacred Images to James Turrell (University of California Press, French translation Editions Hermann) is about attending to visual images in a culture of distraction, specifically extending the six to 10 seconds that Americans, on average, spend looking at individual works on museums walls and why that matters.

Dr. Reed will discuss his new book (which will be published on the date of the webinar – June 13) and answer questions from participants.

More info and registration here: bit.ly/2p5TSvr

Slow Art Day 2017 in Cologne, Germany

May 4th, 2017

Slow lookers at Jorn Keseberg’s studio in Cologne.

Host Sabine Klement writes,

Slow Art Day 2017 in Cologne took place at Jörn Keseberg’s studio in Köln-Ehrenfeld, one of the city’s most vibrant and trendiest districts, home to many artists’ studios and creative entrepreneurs.

There was a tough competition going on between beautiful, sunshine, the local soccer club having a derby and our quite avantgarde, subcultural, non-profit art event – yay! But it still worked out fabulously with about a dozen curious participants, willing to communicate on art with each other.

Instead of looking eight seconds at each artwork – the average museumvisitors’ attentionspan – we donated ten minutes to six (oops, one plus…) pre-selected art objects. As a result of hosting Slow Art Day for several years, I decided to give a signal every ten minutes to let the visitors know when to change their site. In the beginning most find it challenging to fix their attention for “such a long time” at one item. But the ability (or willingness?) to concentrate and to get involved more deeply grows swiftly.

As an artist, Jörn Keseberg is engaging with the connections between technology, nature, art and man – topics that concern every modern human being. He composes objects that captivate every viewer’s interest instantaneously with an unique mixture of beauty and weirdness, even horror. He frequently combines natural materials like time-worn rare timbers, small animal-bones or leaves with electronic components as parts of hard disks and draws on unlimited resources of aesthetically appealing bits and pieces. Accordingly there was an abundant supply of inspiring details to detect and ideas to discuss for the participants –
we couldn’t manage to wait until the obligatory “after-show-meeting!” Very happy visitors and promoter had coffee and cake afterwards at the café around the corner!

A huge THANKYOU♥ to the artist for inviting us to his studio! Looking forward to do it again next year, April 14 ;).

The Museo de Eduardo Carrillo’s Virtual Slow Art Day event

May 4th, 2017

The Museo de Eduardo Carrillo is a virtual museum with a web-only presence, but they didn’t let that stop them from participating in Slow Art Day 2017! On April 8, they encouraged their audience to engage in a virtual slow looking and discussion session.

Their instructions to their followers were:

Starting at 7AM, use your cell phone to visit Museo Eduardo Carrillo’s online gallery, presenting art by painter Frank Galuszka with an essay by Christina Waters.

Richly textured paintings and narrative complement each other. As does the exploration of the central theme in many of the paintings highlighted here “On View.”

On Slow Art Day choose one of Galuszka’s paintings, spend at least five minutes looking slowly at it and then post a comment on Museo’s ON VIEW page.

Comments from participants included:

I’ll tell you what I see in Frank’s beautiful works of art. I see various demonstrations of how the our quantum universe works shown in a painting. As important to me is what isn’t the focus of the paintings (the background) and its relationship to the focus or central theme. They are great demonstrations of the “particle-wave” theory of quantum physics. Out of a background of uncertainty or potential (waves) is contrasted a central character or theme (particles). But the painting shows the visual and the non visual world it is all “one.” What materializes out of a field of unlimited potential is what the observer (artist) wants to see.

 

I had already viewed Frank’s paintings. The one that I liked the most was “The Threshold.” I interpret that as 2 individuals on different journeys, about to step over the threshold from their journey to the journey the other has taken. Neither journey is better than the other person has endured. Each one trying to leave pain and sorrow behind,
i.e. the broken glass, the dead rabbit, the sharp saw blades, the broken/leaking pipe, the rough road – all obstacles along their way.

Slow Art Day 2017 at the deCordova Sculpture Park & Museum

May 4th, 2017

Host Rachael Nease at the deCordova Sculpture Park and Museum in Lincoln, MA, writes of their Slow Art Day 2017 experience:

This was the first year that deCordova Sculpture Park and Museum decided to take part in the event, but it will not be our last!
Our museum guide, Judith Scott, led some close-looking of both painted and sculptural artworks featured in our Expanding Abstraction: New England Women Painters, 1950 to Now exhibition and our permanent sculpture park collection. The sculptural piece was a brave choice – a male nude formed in cast iron that has been intentionally allowed to age over the years with a rust patina. One of our Slow Art participants admitted he had been coming to the museum and avoiding this sculpture for years, but the opportunity to look closely and discuss the object had given him a new appreciation for the sculpture.
The photo is of part of the group with Maud Morgan’s Gold Coast II. Taking time to really look at this seemingly simple painting, our visitors were surprised at the details they were able to pick out and discuss – we actually had to pull them away to move on to the sculpture!
At the conclusion of the event, one of our participants summed up her experience, telling us that she had never thought to slow down to appreciate the art that she loved and often visited. The experience, she said, will change the way she looks and experiences artworks.

Slow looking with Maud Morgan’s Gold Coast II at the deCordova Sculpture Park & Museum