Slow Art Day 2019 Annual Report

As we prepare for Slow Art Day 2020, we have finished our 2019 report with host summaries from around the world.

If you would like to review the full report, you can
download it here (PDF – 14MB).

Highlights 

  • SFMOMA hosted a ticketed lunch and slow viewing session, which sold out 
  • Chicago Art Institute trained young people to be docents for Slow Art Day engaging young people in a new way that gives them ownership over the experience 
  • Brazil’s largest foundation of contemporary art, Inhotim, hosted its first Slow Art Day 
  • Toronto hosted more Slow Art Day events than any city around the world 
  • Many venues held daylong events with food, music, dancing, and lots of slow viewing (check out this video from Ur Mara Museoa in the Basque country
  • Multi-sensory sessions took off around the world (close to 25% of reporting museums did some multi-sensory work, as you can see below) 
  • Phil Terry, Founder, delivered a keynote about Slow Art Day at a Toronto inclusive design conference  
  • Phil and the team started visiting cities (Toronto and Philadelphia to begin with) to bring together educators and curators to strengthen the community and share best practices 

We also continued to receive great press attention including from The BBCThe Art NewspaperSmithsonian Magazine, and many local and regional offline and online newspapers, radio, and television. 

Again, to read the full report including summaries from around the world, download our 2019 Annual Report here (PDF-14MB).

We look forward to celebrating our 10th anniversary with you in 2020. Thank you for all you have done to make possible the 1,500 total Slow Art Day events over the years on every continent and land mass except for Greenland (who is up for Greenland this year?). 

Best,  

Phil, Ashley, Maggie, Johanna and the whole Slow Art Day central volunteer team 

PS –

If you haven’t already, you can register for 2020 participation via this link: https://www.slowartday.com/be-a-host

Today’s Twitter Topic

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Join the conversation happening all day today on our twitter – get involved by tweeting @SlowArtDay or using the hashtag #TwitterTopicTuesday!

Our focus this week is the news that several Andy Warhol prints, previously declared fake, are now considered authentic. Do you think this is a good move? Read more about this on The Art Newspaper and respond to us on twitter!

– Karen

“Slow Looking” for all Media

Helen Stoilas writes in The Art Newspaper how more and more museums are focusing on performance, particularly dance, in their programming to revitalize the experience of their visitors.

Stoilas quotes PS1 associate curator Jenny Schlenzka on the significance of this trend: “We’re living in times when the object is less important. The museum is a place where these changes are being negotiated. The ephemeral is becoming much more important.”

What do you think about this trend? How do the principles of slow looking relate to art that is time-based or performed live? We would love to hear your thoughts.

– Naomi Kuo, Slow Art Day Intern