Inhotim Brazil Slows Down for Art and Nature

2019 was the first year Slow Art Day came to Brazil’s largest foundation of contemporary art, Inhotim, which is also one of the largest outdoor art centers in Latin America. Located in Brumadinho (Minas Gerais), just 60 km (30 miles) away from Belo Horizonte, the Institute has a total area of 1942.25 acres in the biome of the Atlantic Forest.

Renan Zandomenico, educator and mediator, began the Slow Art Day experience in the central area of the Institute, where he says the memory of the past and the present combine in diverse species groups, and where the main tree, Enterolobium contortisiliquum, names the space.

After leaving the central area, the Slow Art Day visitors walked slowly over to their first artwork, Bisected triangle, Interior curve, 2002, by Dan Graham.

“Walking along the lakes slowly and seeing the integration of art and nature, we entered and stayed in Dan Graham’s Bisected triangle, Interior curve, 2002. Slowing down allowed us to experience how Graham’s distorted glass subverts the colors and shapes of the trees and buses and of the other artworks surrounding the area,” said Zandomenico (see photo below).

Slow Art Day 2019 participants looking out and through Dan Graham’s Bisected triangle, Interior curve, 2002 (photo by Daniela Paoliello)

The program continued by slowly entering nearby pavilions which house the works La intimidad de la luz en St Ives: Inhotim, 1997, by Argentine artist Victor Grippo, and Black ³, 2008, by North American artist Robert Irwin. In the pavilions, Zandomenico asked the participants to slow down and contemplate the nuances of light while also listening to the “breath of nature.”

They then went to their final artwork Im Here, But nothing, 2000, by Japanese artist Yayoi Kusama. Her work allowed them to “pause and search for details and memories through the ultra-violet and domestic atmosphere” created by Kusama’s art.

They finished Slow Art Day in the garden with conversation and a breathing exercise next to the blue palm (Bismarckia nobilis). The participants talked about how slowing down surprised them and allowed them to see and be inspired by art and nature (and art in nature) in new ways.

Inhotim was clearly able to provide Slow Art Day 2019 participants with a powerful meditative and multi-sensory experience. We look forward to their 2020 participation.

– Ashley

Magaliesburg’s Multi-sensory Slow Art Day 2019

Gallery owner Hannelie Hartman welcomed participants of all ages to the third Slow Art Day at MelonRouge in Magaliesburg, South Africa.

The event was facilitated by Dr. Sonja Brink, a Learning through Play Ambassador for the Lego Foundation, who, when not involved in Slow Art Day, teaches the Setswana language to South African children and adults through song and movement.

Working with MelonRouge, she came up with a creative multi-sensory design that started with a brief talk on the link between art and information through the ages. She discussed ways to use art to cultivate focus and presence when feeling overwhelmed by technology overload (Ed: this is one of the key reasons Slow Art Day was started a decade ago – to create an antidote to technology’s growing dominance).

After Dr. Brink’s talk, participants were then blindfolded and given a fragrant piece of clay to smell and touch in order to kickstart their senses for the multi-sensory slow looking program they were about to experience.

Blindfolds were then removed and participants starting looking at a painting titled “Injasuthi Valley,” by artist Frances Wedepohl (below). As they slowly gazed, viewers were encouraged to touch and smell a variety of natural materials, including grasses and branches.

“Injasuthi Valley,” by artist Frances Wedepohl

Next, Dr. Brink brought the participants to slowly experience artwork by artist trio Louisa Staude, Louel Staude, and Heinz Schnölzer, titled “An Ode to Fynbos” (below). Visitors were invited to immerse themselves in the essence of this art through exploring the textures, smells and music composed specifically for the installation.

“An Ode to Fynbos” by artist trio Louisa and Louel Staude, and Heinz Schnölzer

Then, during the third viewing, participants were encouraged to taste a range of sweet, sour, and salty candies while slowly savoring artist Trevor Rose’s tryptic titled, “Life’s Journey” (below).

“Life’s Journey” by artist Trevor Rose

With the level of detail, playfulness, and creative multi-sensory focus, this Slow Art Day 2019 was a “resounding success”, with Dr. Brink noting that for both her and the participants “it was amazing!”

We look forward to whatever creative designs MelonRouge and Dr. Brink come up with for Slow Art Day 2020.

– Ashley

Insightful Day at Columbia Museum of Art

Slow Art Day 2019 at the Columbia Museum of Art attracted a small but very invested group of participants. At each stop along the way they experienced the art from a different perspective, whether a deep visual dive, a multi-sensory experience, or a complex conversation about the details within a piece.

The participant conversations were fruitful, and resulted in insights that the docents used in later tours.

We look forward to Columbia Museum of Art’s participation in 2020!

– Ashley

Cincinnati Slow Art Day Engages All Senses

Cincinnati Art Museum’s 7th Slow Art Day engaged five senses as the museum staff creatively combined scents, food, music, touchable objects, and color filters to enhance the overall experience.

Visitors mimicking brushstrokes within the artwork

Sara Birkofer, Cincinnati Art Museum’s Manager of Accessibility & Gallery Programs, recently led a Slow Art Day webinar on designing multi-sensory visitor experiences

In the webinar, Sara spoke about how engaging all the senses helps participants look at art in a new way, and how it brings a pleasant and unexpected element to the visitor experience.

We look forward to Cincinnati Art Museum’s continued leadership and creative design for their Slow Art Day in 2020!

Ashley

Oceanside – Multi-Sensory Slow Art Day

The Oceanside Museum of Art in California reports that they had a “wonderful” multi-sensory Slow Art Day 2019.

The museum developed three self-guided stations aimed at slowly engaging multiple senses – designing multi-sensory experiences is a growing trend in the slow art movement (see the webinar we hosted in January 2019).

Slow looking and pairing music with painting

The three self-guided stations they created were:

  1. Partner blind-drawing station in their watercolor exhibition
  2. Storytelling station based around Matthew Barnes: Painter of the Night exhibition
  3. Pairing music with paintings in their surrealism exhibition (photo to the left).

They ran Slow Art Day through the weekend and had many more people participate as a result. In fact, Slow Art Day and the self-guided stations were so successful – led to so much visitor participation – that the curatorial staff has asked that stations remain up longer.

The variety of activities – and the multi-sensory element – really allowed visitors to participate in ways that worked for them and that also added a sense of fun.

Andrea Hart, Director of Education and Public Programs at the Oceanside Museum of Art

Phil

P.S. I’m particularly pleased with this report given that my mother lived in Oceanside for years and ran a clandestine Slow Art Day at this museum with a few friends when we launched a decade ago.