Cincinnati Slow Art Day Engages All Senses

Cincinnati Art Museum’s 7th Slow Art Day engaged five senses as the museum staff creatively combined scents, food, music, touchable objects, and color filters to enhance the overall experience.

Visitors mimicking brushstrokes within the artwork

Sara Birkofer, Cincinnati Art Museum’s Manager of Accessibility & Gallery Programs, recently led a Slow Art Day webinar on designing multi-sensory visitor experiences

In the webinar, Sara spoke about how engaging all the senses helps participants look at art in a new way, and how it brings a pleasant and unexpected element to the visitor experience.

We look forward to Cincinnati Art Museum’s continued leadership and creative design for their Slow Art Day in 2020!

Ashley

Oceanside – Multi-Sensory Slow Art Day

The Oceanside Museum of Art in California reports that they had a “wonderful” multi-sensory Slow Art Day 2019.

The museum developed three self-guided stations aimed at slowly engaging multiple senses – designing multi-sensory experiences is a growing trend in the slow art movement (see the webinar we hosted in January 2019).

Slow looking and pairing music with painting

The three self-guided stations they created were:

  1. Partner blind-drawing station in their watercolor exhibition
  2. Storytelling station based around Matthew Barnes: Painter of the Night exhibition
  3. Pairing music with paintings in their surrealism exhibition (photo to the left).

They ran Slow Art Day through the weekend and had many more people participate as a result. In fact, Slow Art Day and the self-guided stations were so successful – led to so much visitor participation – that the curatorial staff has asked that stations remain up longer.

The variety of activities – and the multi-sensory element – really allowed visitors to participate in ways that worked for them and that also added a sense of fun.

Andrea Hart, Director of Education and Public Programs at the Oceanside Museum of Art

Phil

P.S. I’m particularly pleased with this report given that my mother lived in Oceanside for years and ran a clandestine Slow Art Day at this museum with a few friends when we launched a decade ago.