Earlier this year, the Gardiner Museum, Canada’s ceramics museum, hosted a Slow Art Day event focusing on the social, political, and environmental themes explored in the exhibition Shary Boyle: Outside the Palace of Me. Education Manager, Farrukh Rafiq, guided attendees in slow looking activities and engaged them in a discussion about the works on display.
As a multi-sensory installation, Shary Boyle: Outside the Palace of Me explores how we see ourselves and each other through drawings, ceramic sculpture, life-sized automatons, two-way mirrors, coin-operated sculpture, and an interactive score.
More information about the exhibit and the Gardiner Museum can be found on the links above and via their social media pages: Facebook, Twitter, and Instagram.
This is the third year that Toronto’s Gardiner Museum has held a slow art event and we can’t wait to see what they come up with next year.
For their 7th Slow Art Day on April 10th, the Art Gallery of Ontario (AGO) in Toronto, one of Canada’s largest art museums, shared a video and five artworks from their collection to their social media platforms, Facebook, Instagram, and Twitter.
A couple of days before the event, AGO uploaded a slow looking video featuring Clarence Alphonse Gagnon’s ‘Study of a Hare in Winter’ (1922), with a slow looking and mindfulness exercise guided by Melissa Smith, Assistant Curator of Community Programs.
On the actual day of the event, participants were then invited to focus on each of these five artworks for 10 minutes:
Kazuo Nakamura, Blue Reflections, 1962
Abraham Anghik Ruben, Sedna, c.1990
Vilhelm Hammershøi, Interior with Four Etchings, 1904
Julie Mehretu, Algorithms, Apparitions and Translations, 2013
Christi Belcourt, Wisdom of the Universe. 2014
They were also encouraged to leave comments under each image.
Below are images of the artworks, which we encourage you to experience slowly using the AGO’s prompts that follow.
Prompts for Kazuo Nakamura
For this Kazuo Nakamura piece don’t just look slowly, look closely. See how subtly the colours change. Pay attention to how the gradual shifts in brushstrokes give a sense of movement to the landscape. What do you notice about how the brushstrokes are applied? Each and every brushstroke is calculated and purposefully applied. Nakamura is best known for this analytical approach in his paintings, and in his later works, he was influenced by mathematics and scientific theories. He sought to discover a universal pattern in art and nature. What do you think this universal pattern would look like? Do you prefer an analytical approach or a more gestural one?
Prompts for Abraham Anghik Ruben
Abraham Anghik Ruben is a storyteller and tells his stories through the medium of sculpture. His sculptures often tell the legends, myths, and spiritual traditions of the Inuit people and the Arctic land. A recurring figure in Ruben’s works is the Inuit Sea Goddess, Sedna. Look at how her hair dramatically but gracefully arches up behind her like it is flowing with the movement of water. Notice how her eyes stand out from the rest of the sculpture, and how she clutches her hands close to her torso. What do her expression and her posture suggest? What is the message Ruben is trying to share?
Prompts for Vilhelm Hammershøi
Looking for a little calm and quiet? Come and join us in Vilhelm Hammershøi’s “Interior with Four Etchings”. A muted scene in both colour and sound, we invite you to hush the world around you as you spend some time with this piece. The female figure is the artist’s wife, Ida. Since she has her back to us, we cannot read her expression. But because she is turned away, we can enter and explore this private space freely. Take a look around. Notice how the light softly enters from the left, creating reflections on surfaces and depth in the space. Where do your eyes go? To the items on the table? To the etchings on the wall? What are the etchings of? Look closely because there are details here that could have easily escaped you before.
Prompts for Julie Mehretu
There’s no piece quite like this Julie Mehretu that demonstrates the importance of an unhurried and patient approach to art. Mehretu is inspired by landscapes, cities, and human activity within nature. Particularly interested in layered imagery, Mehretu’s printmaking technique requires her to slow down as she layers line upon line to create this surreal landscape. Take a look, what do you see? Now, look closer. Even closer. The closer you look the more details you’ll see. The larger narrative will begin to fall apart, revealing various smaller narratives beneath. Just as the piece evolves with each of Mehretu’s lines, your experience of this work will also evolve over time. So, go on. Look again.
Prompts for Christi Belcourt
Ten minutes is hardly enough time to contemplate the wisdom of the universe, both the concept and this piece by Metis artist Christi Belcourt. Take your time to really explore this piece. What type of birds do you see? What type of flowers and vegetation can you recognize? Imagine yourself in this space. Move through the branches and notice the balance and harmony. Can you hear the sounds of the animals? Can you smell the flowers around you? See how everything is connected. This great network of life. Belcourt’s piece asks us to reflect upon the well-being of all living species on this earth, as the current climate crisis affects us all. Take a deep breath, and surround yourself with the wisdom of the universe.
The event was well received, with 10,000+ likes and views on the AGO’s social media platforms.
Below are some great quotes form participants:
This is my favourite painting at the AGO! I always spend a long time in front of it and always pick up something new each visit.
Participant’s comment under Nakamura’s painting – Instagram
Love this idea!!
Participant’s comment on Instagram
We appreciate the Art Gallery of Ontario’s thoughtful design for this multi-day virtual event, and look forward to what they come up with for Slow Art Day in 2022.
On April 10, the museum invited participants to watch the below video showcasing the sculptures.
We recommend that museum educators and Slow Art Day fans around the world watch this simple and lovely slow looking video. The video is also accessible through the Museum’s website and social media channels: Facebook, Instagram and Twitter.
Laura Demers, TD Curator of Education and Outreach Fellow, wrote a series of prompts that were posted online, alongside close-up photos highlighting specific details in the four artworks. Viewers across the globe were invited to respond to these prompts, either by sharing their impressions in writing (stories, lists, poems, short paragraphs, or social media comments) or by engaging in small multi-sensory activities at home.
The downloadable PDF from the event is permanently posted on their website for participants to continue to use at their own pace.
Laura mentioned that the event was so well received that it produced over 350 new Instagram followers, and thousands of likes from the community across all of their social media accounts.
Josh Heuman, Curator of Education & Public Programs at The Power Plant, writes that:
“In little ways, this COVID-19 pandemic is pushing us to re-think how we might use online platforms to think beyond the four walls of The Power Plant.”
We are encouraged by the creative responses to the challenge of hosting virtual events during these difficult times, and look forward to The Power Plant’s continued participation in 2021.
We look forward to celebrating our 10th anniversary with you in 2020. Thank you for all you have done to make possible the 1,500 total Slow Art Day events over the years on every continent and land mass except for Greenland (who is up for Greenland this year?).
Phil, Ashley, Maggie, Johanna and the whole Slow Art Day central volunteer team
For their first Slow Art Day event, InterAccess in Toronto, Canada examined slow looking in relation to time-based media. They welcomed renowned artist Lisa Steele to the gallery to lead a two-hour tour of the exhibition of Daniel Young & Christian Giroux’s work Film Path / Camera Path with under-titles, which merges sculpture practice with film installation using high tech design and manufacturing technologies.
First, Lisa Steele led a discussion with participants on slow looking, and invited them to read aloud the artist-contributed texts that accompanied the show, written by John Barlow, Ina Blom, Eric Cazdyn, Geoffrey Farmer, Agnieszka Gratza, Daniel Hambleton, Erín Moure, Bridget Moser, Judy Radul, Patricia Reed, Reza Negarestani, Mohammad Salemy, and Michael Snow.
Next, the visitors were encouraged to take time viewing the three different components of Young & Giroux’s work in the gallery – the film screen, the mechanical sculpture, and an LED sign displaying the texts the participants had read earlier in the session.
We love to hear how organizations promote slow looking across diverse media, and look forward to seeing what InterAccess has in store for Slow Art Day 2020.
She then led a group discussion about the participants’ perceptions of slow looking. They discussed their personal connections with the artworks, which revealed startling similarities.
On Wednesday, July 3, 2019, The Power Plant also hosted Phil Terry, the founder of Slow Art Day, for a roundtable discussion with Toronto-area organizations that have hosted, or aspire to host, their own Slow Art Day. Each of the educators and curators talked about their designs for Slow Art Day, and what worked and what did not.
The Power Plant’s new TD Fellow, Laura Demers, will be ready to guide the next Slow Art Day on Saturday 4, April 2020, and we look forward to seeing what she has in store for the event.