Slow Art Day 2017, Kunsthalle Hamburg, Friederike Redlbacher
Host Friederike Redlbacher of Kunsthalle Hamburg, Germany writes of their Slow Art Day 2017 experience:
“We looked at three different works of art by Lorrain, Chagall and Böcklin. To connect deeper with the artwork and ourselves I guided the group with reflective questions like ‘What in the artwork is drawing your attention?’ or ‘How did this situation came about and how could it develop?’. This encouraged the participants to deeply engage with what they saw. After a silent period of looking we shared our thoughts and perceptions. Listening to what the others saw, opened a whole new perspective to the artwork but also to the way of looking at art. To look slowly and engage oneself with the art is a truly inspiring experience.”
Slow lookers at Jorn Keseberg’s studio in Cologne.
Host Sabine Klement writes,
Slow Art Day 2017 in Cologne took place at Jörn Keseberg’s studio in Köln-Ehrenfeld, one of the city’s most vibrant and trendiest districts, home to many artists’ studios and creative entrepreneurs. There was a tough competition going on between beautiful, sunshine, the local soccer club having a derby and our quite avantgarde, subcultural, non-profit art event – yay! But it still worked out fabulously with about a dozen curious participants, willing to communicate on art with each other. Instead of looking eight seconds at each artwork – the average museumvisitors’ attentionspan – we donated ten minutes to six (oops, one plus…) pre-selected art objects. As a result of hosting Slow Art Day for several years, I decided to give a signal every ten minutes to let the visitors know when to change their site. In the beginning most find it challenging to fix their attention for “such a long time” at one item. But the ability (or willingness?) to concentrate and to get involved more deeply grows swiftly. As an artist, Jörn Keseberg is engaging with the connections between technology, nature, art and man – topics that concern every modern human being. He composes objects that captivate every viewer’s interest instantaneously with an unique mixture of beauty and weirdness, even horror. He frequently combines natural materials like time-worn rare timbers, small animal-bones or leaves with electronic components as parts of hard disks and draws on unlimited resources of aesthetically appealing bits and pieces. Accordingly there was an abundant supply of inspiring details to detect and ideas to discuss for the participants – we couldn’t manage to wait until the obligatory “after-show-meeting!” Very happy visitors and promoter had coffee and cake afterwards at the café around the corner! A huge THANKYOU♥ to the artist for inviting us to his studio! Looking forward to do it again next year, April 14 ;).