For their third Slow Art Day, the Sint-Pauluskerk in Antwerp, Belgium, produced a slow-panning video of Peter Paul Rubens’ painting ‘The Flagellation of Christ’.
Narrated by Wilfried Van den Brande, with text by Rudi Mannaerts, the video features the stunning inside of the church and a commentary on Rubens’ artwork (click on the photo below to watch).
Previously on loan to the Doge’s palace in Venice, the painting returned to Antwerp in time for the Slow Art Day event. Since Easter fell on the week following Slow Art Day this year, the painting’s theme of Christ’s suffering fit in well with the pre-Easter church calendar.
Many thanked the church for sharing the video, and several explicitly talked about how much they missed visiting the actual church. The Facebook video was viewed 2,535 times.
At Slow Art Day HQ, we are delighted that the thoughtful connection between the event hosted by Sint-Pauluskerk and the Easter holiday was so well received.
We hope that Sint-Pauluskerk will be able to open its doors for Slow Art Day 2021.
For their second Slow Art Day, the Roemer and Pelizaeus Museum (RPM) in Hildesheim, Germany, produced short videos about three objects by artist Gerd Hjort Petersen that were part of the exhibit “Begegnung mit Gerd Hiort Petersen und Hans Munck Andersen” [Encounter with Gerd Hiort Petersen and Hans Munck Andersen].
Short texts promoting the objects and Slow Art Day were shared before the videos went live. Then, on April 4, the three videos were shared to Facebook and the Museum’s website, featuring brief commentary by Dr. Andrea Nicklish, Curator of the Ethnological Collection. They received 350+ views, and are still available to watch on the Museum’s website.
At Slow Art Day HQ, we love the focus on shapes, materials and textures in this event. The videos recreated the experience of viewing the objects in the actual museum space, and gave a sense of their sizes, intentionally exaggerated by the artist.
We look forward to what the Roemer and Pelizaeus Museum come up with for Slow Art Day 2021.
The STEM acronym has become familiar to many since its introduction in 2001. Now, it is evolving, with the most recent term, ‘STEAM’, also incorporating art. In this post, we profile Dr. Koshi Dhingra, a forefront pioneer in linking STEM subjects with art, and her non-profit:talkSTEM.
With over 30 years of experience in STEM research and education, Dhingra is passionate about letting every child — especially girls and underrepresented youth — access STEM resources. This directly inspired her to found talkSTEM in 2015, which has since become a powerhouse of free material for educators.
As part of talkSTEM, children and students get the chance to have “outside the textbook” STEM mindset experiences with the walkSTEM project, often in connection with art.
Developed by Dr. Dhingra and her partner Dr. Glen Whitney, founder of the National Museum of Mathematics, walkSTEM is a framework for place- or concept-based tours with the aim of seeing the world through the lens of STEM. The talkSTEM and walkSTEM resources are easily accessible and adaptable for a range of ages, places and interests.
In the following video, Dr. Dhingra introduces the talkSTEM YouTube channel, where participants can find hundreds of videos focused on STEM topics.
In the video below, you can view the introduction to a walkSTEM tour by Dr. Whitney in the Dallas Arts District.
The inclusion of art with science, technology, engineering, and math is an exciting development, evident across talkSTEM resources such as:
This page containing the Create Your Own walkSTEM framework (click on the appropriate colorful tile for museums).
At Slow Art Day HQ we recently took part in a video call together with Drs. Koshi Dhingra and Paul Fishwick, Distinguished University Chair of Arts, Technology, and Emerging Communication; Professor of Computer Science at the University of Texas at Dallas, both of whom have great STEAM projects in store for the Dallas area. We are excited to be in discussion with these great minds on the connection between STEM and art, and see clear links to the Slow Art Day aim of getting more people discover the joy of looking at art in new ways.
We have loved learning more about art through a STEM lens, and will keep following talkSTEM’s development.
For their third Slow Art Day the Frye Art Museum, Seattle, WA, shared slow-panning videos of two artworks from the Museum’s Founding Collection:
Friedrich August von Kaulbach (German, 1850-1920), ‘Rosario Guerrero,’ ca. 1908
In the manner of Edouard Manet, ‘Landscape with Figures,’ not dated.
Slow looking prompts were included in the video descriptions and on the Frye Slow Art Day website. After viewing the artworks, participants were encouraged to share their thoughts by commenting on the posts.
The event was promoted via social media posts and stories on Facebook, Instagram and Twitter. Compared to other posts by the Museum, the Slow Art Day event had a higher than average reach on Facebook and more engagement across all social media platforms.
Feedback from participants was also positive and showed that the Slow Art Day ethos was passed on. One viewer even wanted to use the exercise in their teaching:
“Thank you! You gave me an assignment for my students to do in our new online art class.”
At Slow Art Day HQ we loved the Frye’s art choices. The panning in ‘Landscape with Figures‘, which integrated movement in different directions, was especially innovative. We also extend special thanks to Caroline Byrd, Education Coordinator, for sharing details about the Frye’s event with us.
We look forward to what the Frye Art Museum comes up with for Slow Art Day 2021.
Art by Australian Impressionist Bessie Davidson was at the heart of the third Slow Art Day hosted this year by The Bendigo Art Gallery in Victoria, Australia.
On April 4, slow-panned videos of three paintings from the exhibition ‘Bessie Davidson & Sally Smart – Two artists and the Parisian avant-garde’ were shared on the gallery’s website (still images below):
Lecture au jardin (reading in the garden), 1930s.
Fillette au perrouquet (Little girl with parrot), 1913.
An interior, c. 1920.
Staggered images of the paintings were also shared on the gallery’s Facebook page via three posts before, during and after April 4th. Participants were invited to respond by posting comments, thoughts and images of their own works inspired by the slow-looking.
Each Facebook post got more likes than the previous, with the last post receiving 1.2k likes. Several people also sent in beautiful paintings of their own children and interiors.
Suzie Luke, Public Programs and Learning Officer at the Bendigo Art Gallery, said that many participants had “tremendously positive feedback” about the artist, artworks and the gallery itself:
Love that you’re doing this. This is the sort of thing I need to lift my spirits, just like every visit to your gallery has always done. Thank you!
This idea is so great, please keep doing it even when the emergency is over.
Jan Deane; Papageno Ragdoll
Slow Art Day at Bendigo Art Gallery usually consists of slow-looking guided tours by their wonderful volunteers, followed by discussions of the paintings and afternoon tea. This year, it has been inspiring to see the gallery make such a beautiful transition to virtual platforms.
We hope that The Bendigo Art Gallery will host another innovative Slow Art Day in 2021.