5-in-1 at Albany Institute’s First Slow Art Day

For their first Slow Art Day, the Albany Institute of History and Art in Albany, NY, hosted five interconnected virtual events:

  • Social media slow looking activity
  • Word clouds from the virtual activity
  • Slow panning video
  • Wellness workshop
  • A “look & learn” for families

On April 10, the museum started their Slow Art Day by sharing three artworks to Instagram.

Viewers were asked to respond with one-word descriptions of the images, which the museum turned into word clouds to illustrate the feelings evoked. “Breezy”, “depth” and “freedom” were frequent responses.

The museum also produced a slow looking video that features the sculpture “The Fist” by Alice Morgan Wright. Viewers were encouraged to find a quiet space, silence their technology, take a few deep breaths, and observe the sculpture for one minute in silence. The video slowly circles the sculpture, allowing viewers to see it from every angle. At the end of the minute, the video moderator guides participants through thought provoking questions about the sculpture. View the video below and try this slow-looking activity for yourself.

Slow looking video of Alice Morgan Wright, ‘The Fist’, 1921. Video produced by The Albany Insitute of History and Art.

For the Zoom-based wellness workshop ‘Making Meaning: Meditating on Artwork as Wellness’, participants were guided through an hour of exploring, viewing, and discussing works of art with licensed art therapist Chloe Hayward. They were also invited to share an object from their personal space as a vehicle for connecting to the artworks. The session ended with a guided meditation.

People responded positively to the digital events hosted by the Albany Institute, with one participant calling them “invaluable at this time”. Victoria Waldron, Education Assistant at the Albany Institute, said the Albany Institute’s first Slow Art Day program was a success, with 60+ combined participant and social media interactions.

At Slow Art Day HQ, we love that the Albany Institute of History and Art chose to host five connected events for their first Slow Art Day, and are already excited to see what they plan for Slow Art Day 2022.

– Johanna, Jessica, Ashley

A Slow Look at Landscapes with the MSV

For their first Slow Art Day, the Museum of the Shenandoah Valley (MSV) in Winchester, Virginia, shared slow-panning videos of two artworks to Facebook.

Click on the paintings below to watch the videos.

Vance Barry, ‘Cocktail Hour, Star Gables Motor Court’, 22.5 x 24″, 2016-2017. Oil on panel.
The Museum of the Shenandoah Valley. Click on the painting to watch the video.

Sally Veach, ‘Autumn Ascension’, 48 x 48″, 2018. Oil on canvas in silver leaf frame.
Shown at the Museum of the Shenandoah Valley as part of the 2019 Exhibition: ‘Ghosts of a Forgotten Landscape: Paintings by Sally Veach‘. Click on the painting to watch the video.

The videos were accompanied by prompts, and viewers were invited to respond in the comments.

We have included the prompts below. Why not watch the videos and try some slow looking?

Prompt to the Vance Barry video:

Think about the landscape features you see. What colors and shapes do you notice? How would this landscape sound if you were there? What, if anything, is missing from the landscape?

Prompt to the Sally Veach video:

Think about the colors you see and the shapes you notice. Take a deep breath and look again. Do you notice a different shape or color this time?What time of year do you think the artist is trying to convey? Does this painting remind you of anything you’ve seen out in the world? How does it make you feel?

In total the videos reached 800+ people. Several participants left comments on Facebook, describing Sally Veach’s paintings as “breathtaking”. One viewer also noted that ‘Autumn Ascension’ made him think of the chill of fall before an incoming storm.

Thank you to Mary Ladrick, Director of Education, and her team for hosting a great first Slow Art Day event. The 2020 pandemic meant that museums and galleries had to host virtual events this year, but the Museum of the Shenandoah Valley really rose to the challenge.

We look forward to what they come up with for Slow Art Day 2021.

– Johanna and Ashley

Rubens for Lent at Sint-Pauluskerk

For their third Slow Art Day, the Sint-Pauluskerk in Antwerp, Belgium, produced a slow-panning video of Peter Paul Rubens’ painting ‘The Flagellation of Christ’.

Narrated by Wilfried Van den Brande, with text by Rudi Mannaerts, the video features the stunning inside of the church and a commentary on Rubens’ artwork (click on the photo below to watch).

The nave, or central part, of Sint-Pauluskerk

Previously on loan to the Doge’s palace in Venice, the painting returned to Antwerp in time for the Slow Art Day event. Since Easter fell on the week following Slow Art Day this year, the painting’s theme of Christ’s suffering fit in well with the pre-Easter church calendar.

Peter Paul Rubens, The Flagellation of Christ, 17th century. Sint-Pauluskerk, Antwerp.

Many thanked the church for sharing the video, and several explicitly talked about how much they missed visiting the actual church. The Facebook video was viewed 2,535 times.

At Slow Art Day HQ, we are delighted that the thoughtful connection between the event hosted by Sint-Pauluskerk and the Easter holiday was so well received.

We hope that Sint-Pauluskerk will be able to open its doors for Slow Art Day 2021.

– Johanna and Ashley

Van Gogh in Mississippi for Slow Art Day 2020

For their second Slow Art Day, the Mississippi Museum of Art shared a slow-panning video of Vincent van Gogh’s “Daisies, Arles” (1888).

The video featured close-ups of the painting alongside commentary by Victoria Meek, Associate Curator for Family and Studio Programs. The painting is her favorite artwork from the Mississippi Museum of Art exhibition “Van Gogh, Monet, Degas and Their Times,” which was postponed due to the pandemic.

Title: Art Moment | Vincent van Gogh’s “Daisies, Arles,” 1888.
Artwork: Oil on canvas, 13 x 16 1/2 in. Virginia Museum of Fine Arts, Richmond, Collection of Mr. and Mrs. Paul Mellon, 2014.207. Copyright Virginia Museum of Fine Arts. Photo: Travis Fullerton

McKenzie Drake, Assistant Curator of Public Programs and Community Engagement, said that the video was well-received across social media, with 830+ views and likes on Instagram and Facebook.

One person posted a picture of roses as a thematic connection, and others praised our education staff for providing insightful interpretation of the work. We were pleased to have produced something that could allow our audience to take a closer look at one of the iconic works on view.

McKenzie Drake, Assistant Curator of Public Programs and Community Engagement

Following the positive feedback on the video, the Museum created a new “Mindful Art Moment” video series on their Facebook page, encouraging viewers to think differently about what they see in works of art.

At Slow Art Day HQ, we are excited to see the Museum build new programs based on the success of its Slow Art Day initiative. This is core to our mission: use the annual event to encourage museums to adopt year-round programming.

We look forward to seeing what the Mississippi Museum of Art has in store for Slow Art Day 2021.

– Johanna and Ashley

‘The Approaching Storm’ with The Norton Simon

For their fifth Slow Art Day, The Norton Simon Museum in Pasadena, CA, invited the public via Instagram to look slowly at Narcisse-Virgile Diaz de la Peña’s ‘The Approaching Storm.’

The event was inspired by the Norton Simon’s regular Mindful Looking sessions, where visitors focus on looking at one artwork for one hour.

Narcisse-Virgile Diaz de la Peña (French, 1807-1876), The Approaching Storm, 1870, oil on canvas, The Norton Simon Foundation, Gift of Mr. Norton Simon.

Viewers were guided by two prompts:

  • Step inside this scene and sit under the light.
  • How does it feel? In times of uneasiness, where do you find light⁣⁣?

We’d also like to note that the museum provided an unusually good description of the artwork – not filled with jargon but instead with accessible, compelling, and even poetic words.

⁣”In the midst of an approaching storm, a beacon of light shines down through a gunmetal sky onto a rocky landscape. A lone woman by the rocks nestled in the middle of the scene reminds us that we are part of this earth. At right, a tree is bent and blasted but does not break.”⁣⁣

Description of ‘The Approaching Storm’, The Norton Simon Museum, Slow Art Day 2020.

Mariko Tu, Manager of Youth and Family Programs at the Norton Simon Museum, said that slow-looking visitors loved the experience and the post was liked 600+ times.

The Slow Art Day HQ team also participated. We imagined ourselves in this scene; felt the soft warmth of the light, and really immersed ourselves in the calm before the storm. Although the lone woman in the painting seemed small, we came to believe that she is filled with strength and courage from the light despite the dark skies.

We look forward to whatever The Norton Simon Museum comes up with for Slow Art Day 2021.

– Johanna and Ashley

Female Photographers at the IAACC Pablo Serrano

For their first Slow Art Day the IAACC Pablo Serrano in Zaragoza, Spain, highlighted four works by female photographers from the Museum’s archive:

  • Grete Stern, Sueño 39, 1949.
  • Cristina Martín Lara, “Si yo supiera a qué se debe…/ Wenn ich nur wüsste woran das liegt…(1) II”, 2004.
  • Mapi Rivera, “Estelación crepuscular”, 2004.
  • Liang Yuanwei, “S/T, Series: ‘Don’t forget to say you love me’, 2005.
Grete Stern (Wuppertal, Germany, 1904 – Buenos Aires, Argentina, 1999), Sueño 39, 1949. Photomontage.
Cristina Martín Lara (Málaga, 1972), “Si yo supiera a qué se debe…/ Wenn ich nur wüsste woran das liegt…(1) II”, 2004. Polyptych, photography on aluminum.
Mapi Rivera (Huesca, 1976), “Estelación crepuscular”, 2004. Analog Photography and Chemical Printing.
Liang Yuanwei (Xi’an, China, 1977), “S/T, Series: Don’t forget to say you love me”, 2005. Photograph on paper.

The photos were part of the virtual project “Visiones transversales en torno a Circa XX. A través de mi cuerpo / A través de tu cuerpo” (“Transversal visions circa XX. Through my body / Through your body”) which explores women, their physical bodies, as well as their social and artistic agency.

For example, Stern’s “Sueño 39” denounces obstacles women faced in 1940s Argentina. Yuanwei’s self-portrait series “Don’t forget to say you love me” is a parody of erotic photographs of women which comments on the male gaze and the objectification of women.

On April 4th, 2020, the photos were shared on social media, accompanied by prompts and brief descriptions. Viewers were encouraged to look slowly at each photograph and then to share their reflections online. The Museum also produced a short video of the four works, which can be viewed below.

The photos were liked many times on social media and some participants, and even some artists, posted inspiring reflections. One of the photographers, Cristina Martín Lara, commented on Facebook:

What a joy to be part of this Slow Art Day initiative to show everyone the Cirka XX Collection in our confinement. Thank you for making it possible! (Translated from Spanish)

Cristina Martín Lara

Several participants also posted reflections in connection with individual photographs. For example:

Even in the most idyllic context we can find something that makes us stop suddenly, causing us pain that only time, and not the context, can mitigate. (Translated from Spanish)

Participant response to Grete Stern’s “Sueño 39”, Instagram.

At Slow Art Day HQ we are inspired by the depth of symbolism in these photographs. The works in the Cirka XX project are exciting to consider one-by-one and even more powerful when viewed in relation to each other. We recommend that all Slow Art Day readers look at the photos posted above as well as the video.

We want to also thank María Luisa Grau Tello, curator at IAACC Pablo Serrano, as well as Julio Ramón Sanz, Eva María Alquézar, Alba Rodrigo Urmente, Gloria Sánchez Martín, Silvia Abad Villarroya and Alfredo Blanco Morte for hosting the Museum’s innagural Slow Art Day event.

We look forward to what the IAACC comes up with for Slow Art Day in 2021!

– Johanna and Ashley



Telescopes and Celestial Maps with Musée Stewart

For their first Slow Art Day, the Musée Stewart in Montréal, Canada, invited participants to watch slow-motion videos of two pieces in the NIGHTS exhibit (below).

Cassegrain Telescope, France, 1750. 1979.51.14 © Stewart Museum
Celestial map, Andreas Cellarius, Scenographia systematis Copernicani, 1660.  1985.34.2 © Stewart Museum

After watching the videos, viewers were encouraged to close their eyes and describe or draw the artifacts from memory. They were asked, “What do you remember?” and “Why do you remember what you remember?”

At Slow Art Day HQ, we decided to participate ourselves. Watching the videos felt almost like traveling slowly through space. The experience demonstrates something most video artists know: just how powerful slow-motion videos can be.

We also found that the memory drawing exercise was a wonderful way to connect a physical activity to a memory. We recommend that other Slow Art Day hosts consider this simple but powerful memory drawing exercise.

The Slow Art Day team loved Musée Stewart’s first Slow Art Day and we are excited to see what creative initiatives they develop for 2021.

-Johanna and Ashley

Slow Art with LUAG in Bethlehem, PA

For their first Slow Art Day, Lehigh University Art Galleries (LUAG) in Bethlehem, PA, invited the public to learn more about artworks in the Gallery’s collection, such as Romare Bearden’s Firebirds, 1979.

Romare Bearden, American (1914-1988), ‘Firebirds,’ 1979.
Lithograph on paper, 66/300. Gift of George P. Kramer. LUG 83 1021

On April 4, 2020, the event was promoted across social media, and also shared as an email invitation.

Participants were given access to a wide range of material on the Gallery’s Slow Art Day webpage, including prompts for ‘Firebirds’, short videos created by Lehigh students, and downloadable coloring pages.

The Gallery also hosted a series of “Art in Dialogue” presentations, featuring sessions such as ‘The Stories that Pictures Tell’ and ‘Visual Journaling’.

Slow Art Day “Art in Dialogue” presentations hosted by Lehigh University Art Gallery, 2020.

The event engaged 3,392 people in total through various channels. The email invitation was opened by 1110 people, and the Instagram and Facebook posts together reached 2,200+ people. 

At Slow Art Day HQ, we love the range of activities organized for LUAG’s first Slow Art Day. We want to thank Stacie Bennan, Curator of Education, for creating such an innovative and involved set of activities.

We really look forward to what she and her team come up with for Slow Art Day 2021.

– Johanna and Ashley

P.S. You can check out more of the Lehigh digital art collection on their Artstor page.

Fossil Interpretations at the RPM in Hildesheim

For their second Slow Art Day, the Roemer and Pelizaeus Museum (RPM) in Hildesheim, Germany, produced short videos about three objects by artist Gerd Hjort Petersen that were part of the exhibit “Begegnung mit Gerd Hiort Petersen und Hans Munck Andersen” [Encounter with Gerd Hiort Petersen and Hans Munck Andersen].

Gerd Hjort Petersen,”Sea Urchin Fossil 1″, 2015. Photo: Sh. Shalchi.
Denmark, Bornholm, stoneware, owned by the artist. (Click here to see this and the other videos.)
Gerd Hiort Petersen, “Sea Urchin Fossil 2”, 2011. Photo: Sh. Shalchi.
Denmark, Bornholm, stoneware, owned by the artist. (Click here to see this and the other videos.)
Gerd Hiort Petersen, “Rock Shell”, 1993.  Photo: Sh. 
Shalchi. Denmark, Bornholm, stoneware, collection Claßen. (Click here to see this and the other videos.)

Short texts promoting the objects and Slow Art Day were shared before the videos went live. Then, on April 4, the three videos were shared to Facebook and the Museum’s website, featuring brief commentary by Dr. Andrea Nicklish, Curator of the Ethnological Collection. They received 350+ views, and are still available to watch on the Museum’s website.

At Slow Art Day HQ, we love the focus on shapes, materials and textures in this event. The videos recreated the experience of viewing the objects in the actual museum space, and gave a sense of their sizes, intentionally exaggerated by the artist.

We look forward to what the Roemer and Pelizaeus Museum come up with for Slow Art Day 2021.

– Johanna and Ashley

Slow Looking Eases Pandemic Stress in Iceland

For their first Slow Art Day, the Hafnarborg Art Museum in Hafnarfjörður, Iceland, shared a selection of sketches by artists Eiríkur Smith and Elías B. Halldórsson to Instagram between the 4th and 9th of April, 2020.

Their slow-looking event aimed to help participants ease pandemic stresses. Viewers were invited to look slowly at the monotone artworks, then were encouraged to create their own sketches as a way to ground themselves in the present.

Eiríkur Smith, Untitled Sketch. The Hafnarborg Art Museum Collection.
Elías B. Halldórsson, Pesky Saint. The Hafnarborg Art Museum Collection.
Elías B. Halldórsson, Fragmented Self. The Hafnarborg Art Museum Collection.

The Museum’s thoughtful captions addressed the importance of talking about mental wellbeing:

Art mirrors our experience, helping us cope with our situation through the basic human emotions expressed in the artwork, whether that be happiness, sorrow, anxiety or loneliness.

Some may feel a sense of anxiety during this ban on public gatherings, as stress or pressure to act or do something productive can be felt in the air. Therefore, we urge you to take a moment to sit down and put a pencil to paper without worrying too much about the result, only focusing on the process itself and being in the now.

Captions to the The Hafnarborg Museum’s Slow Art Day Instagram Posts, April 2020.

The posts were liked 55+ times and the theme resonated with the viewers, with one participant commenting “Vel orðað” (“Well Said”).

At Slow Art Day HQ, we are impressed by the Hafnarborg Art Museum’s sensitivity in addressing the mental health issues affecting people during the pandemic. The power of art to both bring people together and help manage stress during uncertain times are themes that we have seen throughout Slow Art Day 2020 events.

We look forward to what the Hafnarborg Art Museum comes up with for Slow Art Day 2021.

– Johanna and Ashley