Slow Art for a Rainy Day with the Georgia Museum of Art

For their sixth Slow Art Day, the Georgia Museum of Art in Athens, GA, hosted an in-person slow looking and drawing session.

The session was originally planned as an outdoor sculpture viewing, but the rain had other plans and the event was hosted inside the museum. The program was created by Sage Kincaid, Associate Curator of Education, who has a strong passion for all things Slow Art.

On April 10, participants were invited to look slowly at three works of art at the museum:

  • Steinunn Thorarinsdottir’s sculpture ‘Tide’ (2012)
  • Nick Cave’s sculpture “Soundsuit” (2017)
  • Joan Mitchell’s painting “Close” (1972)

New Installment Added to Jane and Harry Willson Sculpture Garden | Georgia  Museum of Art at the University of Georgia - Georgia Museum of Art at the  University of Georgia
Steinunn Thorarinsdottir, ‘Tide’, 2012. Cast iron and glass. 70 7/8 × 27 9/16 × 13 3/4 in. (180 × 70 × 35 cm)
Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by Judith Ellis
Participants doing line-drawings of Nick Cave’s Soundsuit Sculpture for Slow Art Day 2021. Photo courtsey of the Georgia Museum of Art.
two men looking at Joan Mitchell's large abstract painting "Close"
Visitors in front of Joan Mitchell’s painting “Close” (1972) during a previous Slow Art Day event. Photo courtesy of the Georgia Museum of Art.

After looking at the art pieces, Katie Landers, an Education Department Intern at the museum, led separate slow looking and drawing activities.

Participants were first encouraged to think about their physical relationship to the sculpture by Steinunn Thorarinsdottir. Next, they investigated color and color palettes by looking at Joan Mitchell’s painting. Finally, they made a blind contour and continuous line drawing of Nick Cave’s sculpture. To end the day, all participants made abstract color collages together. The event was well received by a dedicated group of 10, who spent several hours together for an immersive experience on Slow Art Day.

At Slow Art Day HQ, we love the integrated multi-sensory approach that the Georgia Museum of Art took to designing this year’s event. While looking at something closely lets us see in new ways, slow drawing takes that process even further and allows attendees to connect looking, talking and making. And that creates the possibility to be present — with art, with ourselves, and with others.

We look forwad to what the Georgia Museum of Art comes up with for their 7th Slow Art Day in 2022.

-Johanna, Jessica, Ashley and Phyl

Meditation on Color: Slow Art Day in Dubai

For their second Slow Art Day, the Jameel Arts Centre, in Dubai, United Arab Emirates, hosted an in-person slow looking and meditation event dedicated to Hiwa K’s work ‘My Father’s Colour Period.’

In April, (pre-registered) participants were invited to the centre for a free slow looking meditation event, led by Palestinian artist and designer Faissal El-Malak. The session focused on ‘My Father’s Colour Period‘, an instillation by Hiwa K, which is currently on display at Jameel Arts Centre as part of the solo exhibition: ‘Hiwa K: Do you remember what you are burning?

Hiwa K. ‘My Father’s Colour Period’, from the solo exhibition by Hiwa K. ‘Do you remember what you are burning?’ 11000×500.
Courtesy of Jameel Arts Centre. Photo by Daniella Baptista.

The instillation is based on the artist’s memories:

“A rumor spread in 1979 that the state-owned television station would show a film in color despite the fact that most televisions were black and white. Unlike in cities with Arab inhabitants, the majority of the people in the Kurdish area of Iraq still didn’t have color TV sets.

So my father decided to cut a sheet of colored cellophane and stick it on the screen of our TV at home. It stayed a whole week until he switched it to another color […] After a while, I realized that my father was not the only one making his own color TV. Many other people in the Kurdish area had devised their own unique filters.”

Hiwa K. Quote taken from the artist’s website.
Hiwa K. My Father’s Colour Period’ from the solo exhibition ‘Do you remember what you are burning?’ 11000×500.
Courtesy of Jameel Arts Centre. Photo by Daniella Baptista.

On April 10, participants were encouraged to wear comfortable clothing and bring yoga mats or blankets to sit on. They first looked slowly at the installation, then closed their eyes and participated in a meditation on color. Participants were guided through various steps to explore the idea of shades and nuances in color. After the meditation, participants had the opportunity to discuss their emotions and reflections on the experience.

Visitors watching the installation by Hiwa K. ‘Do you remember what you are burning?’
Courtesy of Jameel Arts Centre. Photo by Daniella Baptista.

Following the meditation, participants were given a guided tour of the current exhibitions at the Centre, including the remainder of the solo exhibition.

The event was part of an ongoing series at the Centre, which focuses on promoting engagement with art as a wellness practice. The Centre had a similar theme for their first Slow Art Day in 2020, which was a virtual and guided meditation. It can still be experienced here.

If you would like to know more about events at Jameel Art Centre, you can follow them on Facebook, Instagram, and Twitter.

At Slow Art Day HQ, we love the way Faissal El-Malak and the team at Jameel Art Center designed their 2021 Slow Art Day. The photos of visitors watching the installation and the inclusion of meditation and yoga mats makes us wish we could have been there.

And as we look slowly at this installation, we find ourselves eagerly anticipating how future artists will help us see the Covid-19 pandemic in new ways.

We look forward to whatever the Jameel Art Centre comes up with for their third Slow Art Day in 2022.

Johanna, Jessica, Ashley, and Phyl

Albrecht-Kemper Museum of Art Hosts First Slow Art Day

For their first Slow Art Day, the Albrecht-Kemper Museum of Art (AKMA), in St Joseph, Missouri, invited visitors to slowly look at three works of art:

  • Frederick Judd Waugh, “Ladies Having Tea,” 1890. Oil on canvas.
  • Emily Dubowski, “Sunday Visit,” 1972. Acrylic on panel.
  • Luis Jimenez, “Eagle and Snake II,” 2008. Lintograph.

The museum had planned for participants to look at these three works of art for 10 minutes each, then meet to discuss the experience for 45 minutes together with a docent. However, circumstances caused them to quickly change their strategy.

First, many of the volunteer docents decided to self-isolate due to the pandemic, so at the last minute Jill Carlson, Marketing & Communications Manager, and her partner decided to lead the event. Fortunately, Carlson had previously participated in a Slow Art Day at BOZAR in Brussels a few years ago. That experience had inspired her to design the event at AKMA and made it easier for her to jump in and host the day.

It also likely made it easier for her to contend with the second change: a group of prom-going teenagers and their families showed up. For this tuxedo- and ballgown-clad audience, Carlson redesigned Slow Art Day on the fly and ended up giving brief information and suggestions for slow looking in front of each artwork. And the teenagers loved it (and we know how hard it can be to engage teenagers).

We’ll also note that Carlson and her team did a good job marketing Slow Art Day. In addition to the museum’s calendar of events, they advertised on their Facebook and Instagram pages and generated coverage in two local news outlets – The Savannah Reporter and Flatland (perhaps this is how the prom goers ended up coming).

They also created a simple brochure directing participants to the three artworks (see below).

AKMA’s advertisment of the Slow Art Day event


At Slow Art Day HQ we are really impressed with Carlson and her team’s commitment to Slow Art Day and to pivoting quickly at the last moment.

We look forward to what they come up with for Slow Art Day in 2022.

– Johanna, Jessica, Ashley and Phyl

Northern Lights Gallery Hosts First Slow Art Day

For their first Slow Art Day, the Northern Lights Gallery (located in Melfort, Canada, which is north-east Saskatchewan), invited visitors to try slow looking with artworks by five local artists: Linsey Levendal, Monica Daschuk, Al Jardine, Beth Bentz and Jim Mason.

Below are several photos of the artworks, plus information on their slow looking prompts and brochure.

Linsey Levendal, Carla. 2021.
11.5 x 15.5 cm. Pencil on Paper.
Jim Mason, Jade. 2021. Mixed Media-Wood, metal, Acrylic.

Visitors were given a brochure with some information about the five artworks, and prompts to use for observation and discussion:

  • Which artist captured your attention first and why?
  • How does _____ (your choice) piece compare with your preferred style of art?
  • If you could bring one piece from today home with you, which one would it be and why?
  • What medium do you prefer – acrylic, watercolor, ink, pencil…Something else?
  • Do you like 2-dimensional or 3-dimensional pieces better?
  • When you stop and look at a piece for 5-10 minutes do you think you see things in it you otherwise might not have?
  • How much art do you have in your home? What pieces have special meaning?

Families who attended were especially encouraged to discuss how art is an important part of everyday life with their children.

Below is the brochure that the Gallery created:

Northern Lights Gallery’s Slow Art Day brochure

The event was well received, and there was a steady stream of people during the day. Two of the artists, Al Jardine and Jim Mason, also attended and engaged in discussions with participants.

To view all the art on display at the Gallery, visit their website or Facebook Page.

Sandra Dancey, owner of the Northern Lights Gallery, said that Slow Art Day was really well received, especially now during the pandemic.

“Given the current state of the world I think most people need to know they aren’t alone, and they appreciate the opportunity to look at art and talk with each other”.

Sandra Dancey

At Slow Art Day HQ, we couldn’t agree more.

We believe slow looking provides a great opportunity for people to enjoy art and each other on a deeper level — and experience that we are not alone.

We look forward to seeing what Northern Lights Gallery prepare for their second Slow Art Day in 2022.

Johanna, Jessica, Ashley and Phyl


Marionettes and More at Ur Mara Museoa

For their 7th annual event, Ur Mara Museoa in Alkiza, Spain — which always creates one of the most innovative Slow Art Day extravaganzas in the world — invited local and international artists and performers to present art on the theme of nature and sustainability.

Ur Mara Museoa. Courtesy of the museum

Their 2021 Slow Art Day featured performances and presentations by:

  • Painters Idoia Iturri, Diana Vasina and Bea Gonzalez Rojo,
  • Maria Giró Coll, a Catalan artist and cultural mediator, presented a sculpture by Jose Perez Ocaña, a Spanish artist who visited Alkiza in 1983
  • Marionette artist Corrado Massaci (watch some of it in the video below)

The artists observed each other’s work, and shared opinions and reflections with the participants.

Below we provide photographs, details and videos about each of the performances, starting with the painter Idoia Iturri.

Idoia Iturri presented four art works, all created in 2021. Three of them form a trilogy named Pandemiaren Trilogia (Pandemic Trilogy). Haurtzaroa (Childhood), Maskara (Mask) and Duintasuna (Dignity). The fourth artwork is named Bizipoza (Joy of Life).

Idoia Iturri, (Pandemic Trilogy). Haurtzaroa (Childhood), Maskara (Mask) and Duintasuna (Dignity), 2021.
Participant viewing Idoia Iturri’s Duintasuna (Dignity), 2021.

Diana Vasina presented four artworks created during the pandemic year, 2020-2021:

  • Mirate Ojo (pantalla)
  • MOVIMIENTO INTERMINABLE
  • Densidad
  • BIDEAN DENEAN BIDAIA
Diana Vasina, Mirate Ojo.
Diana Vasina, MOVIMIENTO INTERMINABLE
Diana Vasina, Desidad.

Beatriz González presented three art works from her TFG (final master’s thesis):

  • ‘Abuhero’
  • ‘Ehpurriajas’
  • ‘Lombo’
Beatriz González, Lombo, 2017.

Maria Giró Coll, a Catalan artist and cultural mediator, presented a sculpture by Jose Perez Ocaña, a Spanish artist who visited Alkiza in 1983.

Jose Perez Ocaña, Luna, 1984, presented by Maria Giró Coll during the Slow Art Day event at Ur Mara Museoa.

Following the event, Ur Mara Museoa created a 50-second video showing sequences of art pieces and marionettes, as well as museum curators, artists, performers, and visitors interacting with one another (all at a safe distance and wearing face masks). We love the spirit and warmth that Ur Mara Museoa always brings to their daylong Slow Art Day festival.

Video “Ur Mara Museoa 2021 Slow Art Day” 10 april, 2021.

35 people attended the event, which was promoted both on the museum’s Facebook and Instagram accounts. They received many likes on their IG posts. Read (in Basque) a great article about the event by the local newspaper.

Again, we at Slow Art Day HQ always look forward to what Ur Mara Museoa produces, and we hope to finally visit the museum next year, when we plan a European summer tour of Slow Art Day sites.

And we can’t wait to see what Ur Mara Museoa comes up with for 2022.

Johanna, Jessica, Ashley and Phyl

BYU’s First Slow Art Day

On April 10, the Brigham Young University Museum of Art (BYU) in Provo, Utah, welcomed visitors to their first Slow Art Day event, which was in-person. Visitors were welcomed by a student educator at the front desk, who invited them to try the four slow looking strategies outlined in the below brochure. Participants were given suggestions for art to use for the exercise, but were free to apply the strategies to any work of art on display.

Brigham Young University Museum of Art Slow Art Day brochure.

Below we have summarized their four key instructions (to see the full details, look at the picture of the brochure above):

  1. Look BIG: casting a wide net can yield a range of observations and reveal the complexity of things. How? Explore and discover everything, everywhere in any given work of art!
  2. Narrow your focus: organizing your viewing strategy gives structure to the museum experience and helps you focus on something specific. How? Select an artwork and focus on certain types of things, such as colors, shapes, lines, faces, hands, trees, or anything that interests you.
  3. Change your perspective: this technique can lead the discovery of small details and large patterns. How? Alter your physical distance to the artwork, as well as your angle and perspective.
  4. Contrast & Compare: noticing similarities and differences (some of which may be intended by curators) can enrich your insights. How? Compare and contrast two neighboring artworks and describe your observations.

The event was advertised via an in-house digital banner, printed signage, social media coverage on Facebook and Instagram, and a feature in the on-campus digital newsletter. A total of 116 visitors participated in the activity throughout the day.

The Museum already has a Slow Looking Gallery Guide based on Shari Tishman’s 2018 book “Slow Looking”, which features Slow Art Day and inspired BYU’s event brochure (Note: we are planning a webinar with Shari Tischman for the fall of 2021).

Below are several photos from their event.

Participants engaging with art following the four slow looking strategies.

Visitors arriving at the front desk of the Museum

Philipp Malzl, Museum Educator, said that many visitors later shared their experience and insights with Museum staff. As a “thank you” gesture for sharing their feedback, the Museum gave participants a small gift (either a magnifying glass, art print, or museum pin).

Student educator at the front desk of the Museum hands a Slow Art Day participant a gift

They received a lot of great feedback (below are some highlights):

“I had no idea there was so much to see!”

Participant’s quote

“That was awesome! A whole new perspective.”

Participant’s quote

“I have [one of these paintings] hanging in my office, but I’ve never taken the time to really look at the details. I’m an art guy… this was different, and I loved it.”

Participant’s quote

“Usually we try to see everything in a museum, but today we didn’t. We really loved slowing down and paying more attention to the details.”

Participant’s quote

“We’ve been participating in this for years…we love slow art!”

Participant’s quote

At Slow Art HQ, we are excited that more than 100 participants took part in Brigham Young University Museum’s inaugural Slow Art Day. We loved their detailed four-step brochure, and their *thank-you* gifts. They did an amazing job of creating a welcoming environment.

We look forward to seeing their plans for Slow Art Day 2022.

Johanna, Jessica, and Ashley

Meditative Slow Art Day at Grounds For Sculpture

For Slow Art Day, Grounds For Sculpture (GFS) in Hamilton, New Jersey, hosted nearly 1,000 participants and provided them with meditative prompts to use while slow-viewing the sculptures.

Picture of visitors engaging with different sculptures at Grounds.

On April 10, all visitors were encouraged to do a slow looking activity using the following instructions created by Libby Vieira da Cunha, Manager of Group Visit and School Programs at Grounds For Sculpture:

1) Pick any sculpture on the grounds that interests you

2) Challenge yourself to look at the sculpture for 5 minutes – set a timer and allow yourself to slow down

3) While taking a slow look, ask yourself the following questions:

Observe

  • Take a deep breath. Walk around the sculpture and let your eyes move slowly around the artwork – from where it touches the ground all the way up to the sky.
  • What do you notice? Make three observations based on what you noticed.

Share

  • Think of a story or experience this sculpture reminds you of – anything that comes to mind.
  • Think of a friend that you want to share this sculpture with, why does this person come to mind?

Reflect

  • What do you notice about the sculpture now that you did not see at first glance? How does this change your impression of the sculpture?
  • If you’re with others share your responses with each other. Did they have similar or different thoughts on the sculpture?

Repeat

  • If you’re up for the Slow Art Day challenge, then repeat this exercise with two other sculptures
  • What new question might you pose for slow looking? Add it to your next slow look.

Slow Art Day at Grounds for Sculpture Poster

Throughout the day, facilitators also walked between different groups, inviting them to discuss the artwork ‘Dorian’ by artist Bruce Beasley (pictured below).

Bruce Beasley, Dorian (1986). Welded stainless steel, burnished surface.
240 in x 360 in x 120 in. Courtesy of Grounds for Sculpture

Ahead of the event, it was advertised on Facebook and Instagram, receiving more than 600 likes from the public. The in-person activity was very well received, and experienced by a total of 952 visitors from across the country – from Arizona, California, Minnesota, and many states along the east coast.

Participants shared that they found the experience fun, stimulating, reflective, special, interesting, insightful, and meditative:

“The fact that you can see it (the artwork) from so many different perspectives makes it more beautiful.”

Slow Art Day Participant

“I felt a closer bond to my friend doing it as we expressed our experiences”

Slow Art Day Participant’s quote

“Allows for seeing hidden beauty”

Participant’s quote

“I was able to reflect and learn something new”

Slow Art Day Participant’s quote

At Slow Art Day HQ, we were excited to see Grounds for Sculpture bring out nearly 1,000 people for their first annual event. We also appreciated GFS’ enthusiasm, creativity and attention to detail. And their poster (pictured above) is terrific.

We can’t wait to see what they come up with for their second Slow Art Day in 2022.

Johanna, Jessica, and Ashley