For their 7th Slow Art Day held April of 2022, Hofstra University Museum of Art in Hempstead, New York held an in-person event focused on works of art in their “Drawing Matters” exhibition, which included works from the museum’s collection of botanical and scientific illustrations, as well as engineering and architectural drawings.
Museum Director Karen Albert led slow looking and drawing exercises throughout the 2-hour event, which was limited to 15 attendees.
Below is the flyer used to promote the event:
Hofstra, which uses slow-looking techniques throughout the year during their classes, brought a light touch to the program (i.e., less lecture and more looking), which is what we love to see.
You can visit them on Facebook, Twitter, Instagram, and Linkedin, and learn more about their classes, which are provided to elementary, secondary, and university students, as well as teachers and others.
We look forward to what the Hofstra Museum of Art comes up with for their 8th Slow Art Day in 2023.
For their sixth Slow Art Day, the Georgia Museum of Art in Athens, GA, hosted an in-person slow looking and drawing session.
The session was originally planned as an outdoor sculpture viewing, but the rain had other plans and the event was hosted inside the museum. The program was created by Sage Kincaid, Associate Curator of Education, who has a strong passion for all things Slow Art.
On April 10, participants were invited to look slowly at three works of art at the museum:
After looking at the art pieces, Katie Landers, an Education Department Intern at the museum, led separate slow looking and drawing activities.
Participants were first encouraged to think about their physical relationship to the sculpture by Steinunn Thorarinsdottir. Next, they investigated color and color palettes by looking at Joan Mitchell’s painting. Finally, they made a blind contour and continuous line drawing of Nick Cave’s sculpture. To end the day, all participants made abstract color collages together. The event was well received by a dedicated group of 10, who spent several hours together for an immersive experience on Slow Art Day.
At Slow Art Day HQ, we love the integrated multi-sensory approach that the Georgia Museum of Art took to designing this year’s event. While looking at something closely lets us see in new ways, slow drawing takes that process even further and allows attendees to connect looking, talking and making. And that creates the possibility to be present — with art, with ourselves, and with others.
We look forwad to what the Georgia Museum of Art comes up with for their 7th Slow Art Day in 2022.
For their first Slow Art Day on April 10, 2021, Open to Being, a community-building organization based in Arlington, Virginia, hosted a virtual slow looking event and set of interactive exercises.
Theresa Esterlund, the founder of Open to Being, led a 45-minute session focused on artist Foon Sham’s outdoor sculpture ‘Ridge’ (2018), and participants were invited to join via Zoom or Facebook Live.
After looking slowly at the sculpture for 7-10 minutes, participants were invited to share and discuss their observations using the following questions and creative prompts:
What did the experience feel like to you?
What surprised you?
What inspired you?
What sparked your curiosity?
What do you remember the most?
Write a 6 word story or Haiku
Use scraps of paper or other materials to build something
Take a photo
Design a symbol
The event was well received, and participants felt that the program was very accessible:
“I really appreciated the way your program unfolded. I did feel like I was transported to the park in a way, it was engaging in that we could almost compare notes with each other as guests on Zoom.”
With 25 years of experience in science, history, and art museum education, Esterlund is also an artist who now teaches yoga and meditation alongside her work with Open to Being. She sees a clear connection between slow looking at art and mindfulness:
“Looking at art slowly is an opportunity to practice mindfulness – being with everything that’s going on at any given moment and experiencing everything without judging or getting caught up in it. That kind of experience can lead to openings, which might be experienced long after the program. The emphasis was on the experience, with the artwork as a pathway and essential element of that experience, rather than on the art itself.”
At Slow Art Day HQ, we love it when hosts integrate slow looking, mindfulness and play. We can’t wait to see what creative design Esterlund comes up with for Slow Art Day 2022.
For their first Slow Art Day, the Musée Stewart in Montréal, Canada, invited participants to watch slow-motion videos of two pieces in the NIGHTS exhibit (below).
After watching the videos, viewers were encouraged to close their eyes and describe or draw the artifacts from memory. They were asked, “What do you remember?” and “Why do you remember what you remember?”
At Slow Art Day HQ, we decided to participate ourselves. Watching the videos felt almost like traveling slowly through space. The experience demonstrates something most video artists know: just how powerful slow-motion videos can be.
We also found that the memory drawing exercise was a wonderful way to connect a physical activity to a memory. We recommend that other Slow Art Day hosts consider this simple but powerful memory drawing exercise.
The Slow Art Day team loved Musée Stewart’s first Slow Art Day and we are excited to see what creative initiatives they develop for 2021.
In April of 2020, Slow Art Day veteran Hedy Buzan co-ordinated an event inspired by Wayne Thiebaud’s edible-looking paintings of food.
Sent out as a ‘Super Challenge’ via Mailchimp, Hedy asked participants to make their own sketch of Thiebaud’s ‘Jolly Cones’ with colored or standard pencils. She also provided hints and step-by-step pictures of her own process, which we include below following Thiebaud’s original:
After they completed the challenge, participants were invited by Hedy to send images of their work alongside three observations from the exercise. Following the instructions, Hedy also included this helpful reminder:
“Remember, we are not trying to make a perfect drawing but are using sketching to S L O W down and learn to look.“
The event had several asynchronous participants. One of them, Ellen Brundige, even captured a time-lapse video of her digital drawing, viewable here, the final result of which can be seen below:
Hedy, who helped launch Slow Art Day in 2010, has previously collaborated with the Laguna Art Museum, where the original ‘Jolly Cones’ is exhibited. The Laguna Art Museum had to close this year due to the pandemic but Hedy hopes for further slow looking collaborations.
At Slow Art Day HQ, we have been impressed with the resourcefulness of all the hosts this year as they have found ways to connect people through art across virtual platforms. We love the fun spirit of Hedy Buzan’s challenge and look forward to more innovative Slow Art Day events from this pioneering artist in the future.
For their 5th Slow Art Day, the Georgia Museum of Art in Athens, Georgia, combined two meditative art techniques by artist Anna Bogatin Ott: Slow Looking and Slow Drawing.
For the slow looking activity, participants were invited to look closely at the painting Aurora by Anna Bogatin Ott, and were guided by prompts via a PDF file, such as:
“How do the repetitive marks guide your gaze around the painting?”
“Imagine the painting so far away it becomes a speck, then zoom in so close that it’s touching your nose.”
Since Ott’s art is inspired by nature, participants were also encouraged to reflect on similarities between the colors of the painting and nature.
“I engage all my senses, dissolve into surrounding sounds, become immersed in the nature’s logic of being, and then, from memory, I recreate my experiences in drawings and paintings.”
Anna Bogatin Ott
For the slow drawing part of the event, participants were encouraged to draw horizontal lines while trying to stay in touch with their physical sensations — focusing attention on the sound of their breath, the feel of the texture of the paper, and the visual effect of negative and positive space between the lines. The activity became a mindful way of remaining present through a multi-sensory art experience.
Pre-event Virtual Jigsaw Puzzle
Leading up to the main event, the museum shared a virtual interactive jigsaw puzzle of their featured painting to their Facebook page. Several participants completed the jigsaw, and the post reached 647 readers.
Without being formally promoted, their event was a social media success with over 2000 Instagram impressions and 185 Facebook interactions.
The Slow Art Day HQ team has loved participating in these mindful activities. They made us feel centered and at peace, which is a big part of what Slow Art Day is all about.
We look forward to seeing more of The Georgia Museum of Art’s immersive events – hopefully for Slow Art Day 2021.