The Hirshhorn Museum & Sculpture Garden, one of the Smithsonian Institution’s 19 museums in Washington, DC, participated in its second annual Slow Art Day by merging two of their existing programs that encourage slow looking: How to Look at Art and Hirshhorn/DRAW.
The museum’s Slow Art Day event led 150 participants through four simultaneous 30-60 minute sessions paired with a single artwork. Participants were given tips on how to slowly enjoy artwork without having any background information on the work. They were also provided with seats and drawing materials, and were invited to slow down and enjoy the works through drawing.
A Smithsonian Fulbright Fellow participant stated:
“I am extremely grateful for the family-friendly drawing programs – my kids benefited more than I did! My 10 year-old spent 45 minutes drawing (she forgot that she said she was hungry) and was very proud of herself.”
We love to hear how Slow Art Day events foster joy and creativity, and can’t wait to see what The Hirshhorn has in store for Slow Art Day 2020.
The Treasure Coast Art Association in Fort Pierce, FL hosted their first Slow Art Day this year for the Fort Pierce Art Club members in the home of member Jeanne Johansen.
The morning started with the participants sketching an internationally trained nude model, and was followed by an afternoon exploring art club members’ paintings through various interactive techniques.
Jeanne reported that one of the most fun techniques was to have everyone sit with their backs to the paintings and attempt to draw them as participant Barry Levine described them out loud.
New member, Carol Merrett, engaged the group by asking them to guess what her paintings were before she unveiled her acrylic textured paintings.
Scott Serafica, an art teacher from Texas, brought a beautiful oil still life to be observed. The group paired the artwork with a cup of fragrant tea to complement the teapot in the painting, which engaged the groups sense of smell as they slowly observed it.
The Treasure Coast Art Association is planning their next Slow Art Day event with the Backus Museum in April 2020, and we look forward to hearing what they have in store for their second event.
The day started with the yoga session led by yoga instructor Risa Larsen, who focused on gaining new energy and a relaxed body and mind.
Then throughout the day, visitors were encouraged to choose five artworks in the sculpture park, taking the time to observe each slowly.
Finally, in the afternoon, visitors were invited to the “Meditative Action Painting” workshop inspired by the Danish artist Jeppe Hein. Participants filled Tibetan singing bowls with colored water and used a ringer to slowly move around the edge of the bowl to create vibrations. These vibrations then created a work of art by sprinkling colored droplets onto a canvas underneath the bowl.
Elin Magnusson, Head of Education at Wanås Konst, reported that many of the visitors stayed for the entire program.
We look forward to seeing what this site-specific, international contemporary art-focused organization has in store for their 2020 Slow Art Day.
Philadelphia Museum of Art creatively integrated music and poetry with their 2019 Slow Art Day in celebration of National Poetry Month.
“Since poems slow us down to consider individual words, phrases, and the structure of language, we thought this would be a great way to encourage slow looking,” said Greg Stuart, Museum Educator and Public Programs Coordinator.
Slow Art Day participants were asked to focus on a single work of art for 45 minutes while experiencing an in-gallery music performance. They were then also encouraged to participate in poetry writing workshops and a bookmaking program.
Candy Alexandra Gonzalez, a local poet and visual artist, encouraged participants to create a collaborative book by writing and drawing about things in their lives that they wished moved at a slower pace.
One visitor said:
“This was great for me and my eight year old daughter. It helped us look at the art more closely and talk about it together. Thank you!”
We couldn’t be happier to hear of such a successful multimedia, multi-sensory Slow Art Day, and look forward to what the Philadelphia Art Museum creates for Slow Art Day 2020.
The Frye Art Museum in Seattle, WA combined looking, drawing, and shared discussion for their Slow Art Day 2019.
The museum chose a single artwork in their current exhibition Tschabalala Self as a focus.
Each person then participated in three connected activities:
a close-looking session
a detailed artwork discussion rooted in Visual Thinking Strategies
a drawing activity and discussion with a partner (to see the drawing activity they used, watch this video here…the drawing assignment begins at about minute 3)
During the drawing portion, one participant noted it was “meaningful to exchange our drawing with a partner, interpret each other’s, then explain our own.” The museum also provided a self-guided form for visitors to lead their own slow looking art exploration.
Caroline Byrd who works in the Education Department at the museum says, “Slow Art Day is an accessible, inventive, and community-oriented opportunity that we continue to look forward to each year.” We couldn’t have said it better and appreciate the creativity they brought to the design of their day.
The Oceanside Museum of Art in California reports that they had a “wonderful” multi-sensory Slow Art Day 2019.
The museum developed three self-guided stations aimed at slowly engaging multiple senses – designing multi-sensory experiences is a growing trend in the slow art movement (see the webinar we hosted in January 2019).
The three self-guided stations they created were:
Partner blind-drawing station in their watercolor exhibition
Storytelling station based around Matthew Barnes: Painter of the Night exhibition
Pairing music with paintings in their surrealism exhibition (photo to the left).
They ran Slow Art Day through the weekend and had many more people participate as a result. In fact, Slow Art Day and the self-guided stations were so successful – led to so much visitor participation – that the curatorial staff has asked that stations remain up longer.
The variety of activities – and the multi-sensory element – really allowed visitors to participate in ways that worked for them and that also added a sense of fun.
Andrea Hart, Director of Education and Public Programs at the Oceanside Museum of Art
P.S. I’m particularly pleased with this report given that my mother lived in Oceanside for years and ran a clandestine Slow Art Day at this museum with a few friends when we launched a decade ago.