Listen to the inaugural Slow Art Day live podcast recorded Tuesday, June 13, 2017 with Slow Art Day hosts around the world and our special guest Professor Arden Reed discussing his forthcoming book, Slow Art: The Experience of Looking, Sacred Images to James Turrell.
You can download the podcast or listen to it below.
View Dr. Reed’s slides simultaneously while listening to the podcast by downloading his powerpoint here.
About Professor Reed
Professor Arden Reed is the Arthur and Fanny Dole Professor of English at Pomona College. Recipient of fellowships from the Guggenheim Foundation, the Rockefeller Foundation, and the Clark Art Institute, he writes on the visual arts and literature, including Manet, Flaubert and the Emergence of Modernism and the prize-winning Romantic Weather: the Climates of Coleridge and Baudelaire.
He was one of Jacques Derrida’s first American graduate students. Trained in comparative literature, Reed authored a prize-winning study of Coleridge and Baudelaire (mentioned above). His career as a scholar of literature was interrupted in 1984, when he experienced a conversion. An encounter with Max Beckmann’s triptych The Actors at the Fogg Museum pivoted Reed’s field of study to the visual arts. His Manet book mentioned above has been translated into French and Spanish.
His forthcoming book
Professor Reed’s latest book Slow Art: The Experience of Looking, Sacred Images to James Turrell (University of California Press, to be published late June 2017) is about attending to visual images in a culture of distraction, specifically extending the six to 10 seconds that Americans, on average, spend looking at individual works on museums walls and why that matters.
The research and writing of his latest book was supported by a Guggenheim Fellowship, and residencies at the Rockefeller Foundation Study Center at Bellagio, the Clark Art Institute, and the American Academy in Rome. Reed has given presentations on slow art, among other venues, at the Russian Academy of Sciences in St. Petersburg, the Metropolitan Museum of Art, King’s College Cambridge University, the Chicago Humanities Festival, and the École normale supérieure in Paris.
Buy and read his book
Professor Reed’s newest book is a foundational book for the slow art movement and we highly recommend that all Slow Art Day hosts read it.
Listeners to the podcast can receive a 30% discount to the book if they order from the University of California press. To get the discount, order online via www.ucpress.edu. Just enter code 16V6526 at checkout.
Slow Art Day is hosting a webinar on Tuesday, June 13 at 11 AM EST for the slow art community and other interested participants featuring special guest Arden Reed.
Dr. Reed is a professor of English and Art History at Pomona College. His latest book Slow Art: The Experience of Looking, Sacred Images to James Turrell (University of California Press, French translation Editions Hermann) is about attending to visual images in a culture of distraction, specifically extending the six to 10 seconds that Americans, on average, spend looking at individual works on museums walls and why that matters.
Dr. Reed will discuss his new book (which will be published on the date of the webinar – June 13) and answer questions from participants.
More info and registration here: bit.ly/2p5TSvr
Host Friederike Redlbacher of Kunsthalle Hamburg, Germany writes of their Slow Art Day 2017 experience:
“We looked at three different works of art by Lorrain, Chagall and Böcklin. To connect deeper with the artwork and ourselves I guided the group with reflective questions like ‘What in the artwork is drawing your attention?’ or ‘How did this situation came about and how could it develop?’. This encouraged the participants to deeply engage with what they saw. After a silent period of looking we shared our thoughts and perceptions. Listening to what the others saw, opened a whole new perspective to the artwork but also to the way of looking at art. To look slowly and engage oneself with the art is a truly inspiring experience.”
Host Sabine Klement writes,
Slow Art Day 2017 in Cologne took place at Jörn Keseberg’s studio in Köln-Ehrenfeld, one of the city’s most vibrant and trendiest districts, home to many artists’ studios and creative entrepreneurs.
There was a tough competition going on between beautiful, sunshine, the local soccer club having a derby and our quite avantgarde, subcultural, non-profit art event – yay! But it still worked out fabulously with about a dozen curious participants, willing to communicate on art with each other.
Instead of looking eight seconds at each artwork – the average museumvisitors’ attentionspan – we donated ten minutes to six (oops, one plus…) pre-selected art objects. As a result of hosting Slow Art Day for several years, I decided to give a signal every ten minutes to let the visitors know when to change their site. In the beginning most find it challenging to fix their attention for “such a long time” at one item. But the ability (or willingness?) to concentrate and to get involved more deeply grows swiftly.
As an artist, Jörn Keseberg is engaging with the connections between technology, nature, art and man – topics that concern every modern human being. He composes objects that captivate every viewer’s interest instantaneously with an unique mixture of beauty and weirdness, even horror. He frequently combines natural materials like time-worn rare timbers, small animal-bones or leaves with electronic components as parts of hard disks and draws on unlimited resources of aesthetically appealing bits and pieces. Accordingly there was an abundant supply of inspiring details to detect and ideas to discuss for the participants – we couldn’t manage to wait until the obligatory “after-show-meeting!” Very happy visitors and promoter had coffee and cake afterwards at the café around the corner!
A huge THANKYOU♥ to the artist for inviting us to his studio! Looking forward to do it again next year, April 14 ;).