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Slow Art Day News

The Significant Blue Bead at Gorgas House Museum in Alabama

October 13th, 2024

For their third Slow Art Day, the Gorgas House Museum, which is the oldest dwelling on the campus of the University of Alabama, hosted an event focused on a bohemian blue bead that was found behind the museum and is believed to have once belonged to an enslaved person.

Slow Art Day coordinator, Dr. Sharony Green, Associate Professor at the Department of History at the University of Alabama, asked her students to study the bead and slavery in advance of the event, then create art based on their study (some even created haikus). She then invited the campus and local community to slowly look at the bead and hear about the students’ work.

Visitors were also invited to use bead stations that were set up in the front parlor of Gorgas House to make a blue bead bracelet to commemorate the event.

Photo of one of Dr Green’s Students. Photo by Sharony Green.
Photo of two UA anthropologists studying the blue bead. Photo by Sharony Green.
A Blue Bead (WordPress)

Above is a preview/link to the website they used to promote the project.

The bead station at Gorgas House before the event began. Photo by Sharony Green.

Dr. Green gave us some history about the bead:

The bead was found in an outdoor cooking area and was likely owned by an enslaved person. Some researchers believe it arrived via the Pacific Northwest and was brought to the Deep South via an indigenous trade network and that it was subsequently used as a protection amulet by an enslaved worker. While we speculate, we can also study the bead and sort through its significance during the antebellum period.

Dr. Sharony Green

Here’s a link to view some of the projects from Dr. Green’s students: Blue Bead Project Catalogue, and below you can scan a few of their photos and videos. All students took either an introductory level History class or an upper level History class taught by Dr. Green.

At Slow Art Day HQ we love how Dr. Green designed this whole Slow Art Day program – and that one small object, a bead, and its deep historical significance, became the point of inspiration for Slow Art Day. Thank you to Dr. Sharony Green, and her students, for such a unique event, and we look forward to whatever they come up with for Slow Art Day 2025.

-Johanna, Ashley, Jessica Jane, and Phyl

P.S. Stay up to date with future events at the Gorgas House via their social media @TheGorgasHouse

A friendship bracelet and student sewn piece. Photo by Rebecca Johnson.

Locals Sketch for Slow Art Day at the Art Gallery of St. Albert

August 9th, 2024

For their 2024 Slow Art Day (their fifth!), the Art Gallery of St. Albert in Canada invited local sketch groups to visit the exhibition Threading Through Time by Jamaican visual artist Raneece Buddan. Director Leah Louden told us they chose to focus on Raneece’s exhibition, in part because her work “rewards the viewer with lots of fine details you only discover through careful observation.”

Slow Art Day participants sketching works by Raneece Buddan, Threading Through Time (exhibition view), 2024. Photo by Brenda Lakeman.
Slow Art Day participants sketching works by Raneece Buddan, Threading Through Time (exhibition view), 2024. Photo by Brenda Lakeman.

This year, the museum decided to partner with a series of local organizations who could bring in “sketch groups” including the Edmonton Art Club, The Federation of Canadian Artists Edmonton Chapter, Sketch Around YEG Club, and the St. Albert Visual Arts Council Guilds.

Upon arrival, the groups were offered both free refreshments and free drawing materials. In total, over 30 visitors joined. Some participants stayed for an extended period of time, spending 2 hours drawing and slowly appreciating the artwork.

All visitors were encouraged to choose a single artwork in the show, and then look and sketch slowly. The museum also provided prompts (see below – and feel free to copy!).

Staff were on hand to answer questions and more in-depth information about the art and about the process of slow looking/sketching.

We can’t wait to see what the Art Gallery of St. Albert comes up with for their next Slow Art Day event in 2025.

-Johanna, Ashley, Jessica Jane, and Phyl

P.S. Stay up to date with events at the Art Gallery of St. Albert via their social media: @ArtGalleryofStAlbert on Facebook and Instagram

The Barnes Foundation Hosts Their 5th Slow Art Day

August 8th, 2024

For Slow Art Day 2024 – their 5th Slow art Day, the Barnes Foundation in Philadelphia invited visitors to look slowly at five artworks from their collection:

  • Cezanne’s Card Players
  • Soutine’s Flayed Rabbit
  • Renoir’s Before The Bath
  • Claude Monet’s The Studio Boat
  • Picasso’s Young Woman Holding a Cigarette
Paul Cézanne. The Card Players (Les Joueurs de cartes), 1890–1892, Oil on canvas. The Barnes Foundation, BF564.
Chaim Soutine. Flayed Rabbit (Le Lapin écorché), c. 1921, Oil on canvas. The Barnes Foundation, BF333. © 2024 Artists Rights Society (ARS), New York / ADAGP, Paris
Pierre-Auguste Renoir. Before the Bath (Avant le bain), c. 1875, Oil on canvas. The Barnes Foundation, BF9.
Claude Monet. The Studio Boat (Le Bateau-atelier), 1876, Oil on canvas. The Barnes Foundation, BF730.
Pablo Picasso. Young Woman Holding a Cigarette (Jeune femme tenant une cigarette), 1901, Oil on canvas. The Barnes Foundation, BF318. © 2024 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

After looking slowly at these artworks, the many participants went to the Kean Family Classroom for an opportunity to talk together. This is the moment that Slow Art Day becomes community – a time to reflect, see through each other’s eyes, and create both intimacy and joy.

Led by Michael Williamson, Senior Instructor in Adult Education, the discussion among the participants was indeed so good – people felt so connected to the art and to each other – that it went way beyond the scheduled time allotted for it.

Giving expression to the exuberance that everyone felt, Williamson called the event a “resounding success.”

Below you will find a photo from the conversation – and their very cool handout (feel free to copy!).

Slow Art Day participants engaging in discussion in the Kean Family Room

The Barnes Foundation Slow Art Day hand-out.

In terms of marketing, the Barnes Foundation promoted Slow Art Day on their website, Instagram, and Facebook.

At Slow Art Day HQ we get inspired by these reports that come in from around the world – from big museums, and small, to highly influential organizations like The Barnes.

The Barnes, which has a long history of fostering slow looking at art, has become a great leader in our global movement and we look forward to seeing what they come up with for 2025, which also happens to be their centennial year.

– Johanna, Ashley, Jessica Jane, and Phyl

“Tell Me Stories”: Slow Art Day at Angel Ambrose Fine Art Studio

July 18th, 2024

This year the city-wide Slow Art Day phenomenon continued in Bloomington, Illinois, with 20(!) participating museums and art galleries. And, for the third year running, Angel Ambrose Fine Art Studio participated.

For their contribution to the citywide Slow Art Day, Angel Ambrose featured “Tell Me Stories”, a painting that had been on long-term loan at Illinois State University’s Alumni Center on Michigan Avenue in Downtown Chicago.

Angel Ambrose, “Tell Me Stories”. Over 3 1/2’ x 4 1/2’.

On Slow Art Day, Angel invited visitors of all ages to the studio gallery to take a slow look and hear about the stories behind the painting between 10 AM – 2 PM.

Angel welcomed all participants and asked them to take 3-5 minutes or more to contemplate “Tell Me Stories” or another artwork using some of the following prompts for slow looking.

She came up with some good prompts, as you see below.

—- Prompts

For your head (objective thought/intellect) you can consider any of the following:

  • What did you see?
  • What decisions did you notice that Angel made in her painting—line, color, texture, form, repetition, contrast, etc?
  • Was there a color scheme/theme apparent?
  • Notice the paint—can you see individual brushstrokes, or a smooth surface, or perhaps another tool was used to apply the paint?
  • How was movement used in the artwork?
  • Was the piece representational, abstracted, or somewhere between? Why do you think Angel chose this format?

For your heart (feelings/emotions), consider the following:

  • How did you feel when you looked at the work?
  • Did the colors evoke any emotions?
  • What did these feelings make you think about?
  • Did your mood change after looking at the artwork?
  • Did you experience any personal significance to the piece?

Artist Angel Ambrose and her “Management of Time” triptych at Angel Ambrose Fine Art Studio.

During the day, visitors could also visit any of the 20 Bloomington Slow Art Day locations free of charge. The day concluded with a closing reception at The Hangar Art Co. from 2 – 4 PM for participants from all venues.

The Eaton Gallery was the first to host a Slow Art Day in Bloomington. In 2020 at the height of the pandemic, they organized a walk up/drive by exhibition. Then in 2022 Eaton and other Bloomington galleries pioneered hosting a city-wide Slow Art Day – and Angel Ambrose was in that original group.

At Slow Art Day HQ we have eagerly followed the growth of Slow Art Day in Bloomington along Route 66. We (unsurprisingly) like to take things slow, but the fast spread of the citywide movement in Bloomington (and now around the world) both calms and excites us.

We can’t wait to see what Angel Ambrose Fine Art Studio comes up with for Bloomington’s citywide Slow Art Day in 2025.

-Johanna, Ashley, Jessica Jane, and Phyl

P.S. Stay up to date with events at Angel Ambrose Fine Art Studio via their Facebook page.

P.P.S. We are hearing rumors that the state of Illinois might host a *statewide* Slow Art Day in 2025. Stay tuned.