For Slow Art Day 2025, Bay Area participant Div hosted a unique, two-day experience that blended group slow looking at museums with individual ature observation, photography, and handmade art. The gathering, titled “Nowhere Div – Slow Art Day – San Francisco,” invited participants to slow down and reconnect with art through both creative practice and mindful observation.
Div’s personal experience unfolded over two days and across several locations in San Francisco, beginning with a slow walk through parks and gardens near Golden Gate Park and a reflective visit to the de Young Museum.
Div documented a series of seven “slow moments” during the journey, each centered on noticing beauty and emotional resonance in everyday surroundings. These moments included quiet reflection among the tulips at the Queen Wilhelmina Garden, a feeling of awe along Ocean Beach, and time spent with artworks at the de Young Museum. The walk continued through several locations in and around Golden Gate Park, including the Rose Garden, the Japanese Tea Garden, the Conservatory of Flowers, and the San Francisco Botanical Garden. You can read more about Div’s personal journey on their blog post.
Each stop became an opportunity to pause and look carefully. Flowers, trees, and landscapes were photographed and paired with short reflections. Together, these observations formed a contemplative visual journal inspired by the spirit of Slow Art Day.
The following day, Div hosted a small community gathering in the Bayview neighborhood of San Francisco. Participants were invited to spend time with handmade butterfly origami mandala wall art and floral photography created by the host. The session included prompts encouraging visitors to reflect on the experience of slow looking and to consider how spending more time with an artwork changes perception and emotional connection.
By combining museum visits, nature photography, and handmade artwork within a personal gathering, Div created a thoughtful example of how Slow Art Day can extend beyond formal institutions into everyday life. The experience demonstrated that slow looking can happen anywhere—from galleries and gardens to community spaces and personal creative practice.
We at Slow Art Day HQ are grateful to Div for sharing this reflective and deeply personal approach to Slow Art Day and look forward to what they come up with for Slow Art Day 2026, which is coming up April 11, 2026!
— Ashley, Johanna, Jessica Jane, and Phyl
P.S. If you have not yet registered your museum of gallery for Slow Art Day 2026, please do.
In 2025, Mexico City hosted its first city-wide Slow Art Day – and what may be the largest city-wide in the world – with 35 participating venues, coordinated by art writer and cultural organizer Constanza Ontiveros Valdés.
Ontiveros Valdés organized an unexpectedly wide range of participants, from established museums and galleries to alternative and emerging cultural spaces across the city.
The venues offered a rich mix of programming, including yoga, meditation, aromatherapy, workshops, panel discussions, and multidisciplinary artistic happenings. She noted that the accessibility and inclusiveness of Slow Art Day encouraged participation across diverse spaces, all eager to explore slow looking in ways that felt authentic to their communities.
We received reports from seven of the 35. Below are those highlights.
Galería Oscar Román featured an artist-led conversation titled “Sombras del Pintor” (Shadows of the Painter) with artist Saúl Kaminer, followed by a guided visit to his exhibition “La Tierra en el Cielo” (The Earth in the Sky). Kaminer shared insights into his creative process and the narratives behind his work, inviting participants to engage slowly through conversation and close observation. The session encouraged reflection on the relationship between art and nature, with visitors spending extended time discussing individual works.
Arte Abierto Reported by: Guadalupe Salcedo, Communications
Arte Abierto‘s Public Programs Team designed a Slow Art Day experience around the exhibition long last happy by Swiss artist Ugo Rondinone. Participants engaged in contemplative observation of the large format sculptures the sun and the moon (2022), followed by individual and group body activations inspired by dance and performance. The program invited participants to explore the idea of opposing forces through both stillness and body movement. Adults and children took part, and the event received significant public and media engagement.
Host: Constanza Ontiveros Valdés, Art Writer and Cultural Projects Coordinator Venue contact: Julia Villaseñor, Communications and Media Director
At kurimanzutto, participants were introduced to Slow Art Day through breathing and relaxation exercises before engaging in close looking with works by Haegue Yang from the exhibition Arcane Abstractions. The group explored intricate paper collages from the Mesmerizing Mesh series and interacted physically with the sculptural installation Mesmerizing Votive Pagoda Lantern. The session concluded with a hands-on activity in which participants created visual responses to their observations and shared reflections.
Natalia Martinez Aanaya, Communications Manager shared that Alejandra Topete Gallery participated with Between Threads and Stories, featuring works by Jason Kriegler and Claribel Calderius. The program included individual meditation sessions throughout the day and an empowering roundtable discussion led by Maria Ortiz, Cultural Mediator. Visitors were encouraged to form personal connections with the artworks through guided dialogue and slow observation.
Naranjo 141 gathered participants to look slowly at five selected works from their current exhibition. The session began with a brief introduction to Slow Art Day and the gallery’s residency program. Visitors then spent six to seven minutes in silent observation with each of five selected works:
Lily Alice Baker, Mothers’ Meeting (2024)
Colleen Herman, Blood Bloom in a Blue Field (2024)
Lee Maxey, Face the Front (2024)
Kataria Riesing, Holster (2024)
Pauline Shaw, Blackout (2025)
After slow looking, participants came together for a facilitated group discussion, sharing observations and personal responses over light refreshments. The session concluded with informal conversation and continued engagement with the exhibition.
Lee Maxey, Face the Front (2024)Lily Alice Baker, Mothers’ Meeting (2024)
Tinta Naranja focused on close observation of graphic design and visual culture. Participants explored original materials related to the Mexico 1968 Olympic design system, discussing the origins and historical context of the typography and imagery. The session concluded with a participatory activity in which attendees designed their own names using Olympic-inspired typographic forms.
Zona de Riesgo Art hosted a free evening program that combined slow looking, guided meditation, sound art, and collective reflection. The event opened with a brief introduction, then featured two guided meditative experiences led by artist Mónica Martz M.
The first, Realm of the Devas, combined guided meditation with sound art by Bruno Bresani and the projection of two visual works by Mónica Martz M.
After a short pause, Mónica Martz M. led a second meditation that explored The Human Realm, accompanied by sound art from Mercedes Balard and Montserrat Coltello, alongside projected works by Bruno Bresani.
Following the meditations, participants gathered for an open conversation, sharing sensations, images, and reflections that emerged during the experience. The evening concluded with expressions of gratitude among artists and attendees, highlighting the value of creating spaces for stillness, contemplation, and shared presence.
Together, these seven reports represent just a portion of the 35 venues that participated in Mexico City’s first citywide Slow Art Day. The range of formats—artist talks, guided observation, movement-based practices, meditation, and slow making—demonstrates how Slow Art Day can scale across a major global city while remaining grounded in local artistic practice. Check out a great article summarizing the day (in Spanish).
We thank Constanza Ontiveros Valdés for her leadership and all participating venues, artists, facilitators, and visitors for making this inaugural citywide Slow Art Day possible. We look forward to seeing what they come up with for Slow Art Day 2026.
For Slow Art Day 2025, Bloomington–Normal, Illinois once again led a citywide Slow Art Day – they were the first to pioneer citywide events several years ago. Led by Pamela Eaton of Eaton Studio Gallery, the citywide Slow Art Day has grown into a statewide collaboration with a number of sponsors and leaders coming together. See the beautiful poster below.
The collaborative citywide scope of the event was documented by the Illinois Route 66 Scenic Byway. These photographs captured the range of venues and the conversations taking place across the city during the Slow Art Day weekend.
Here are a few reports we received from across the 2025 Citywide.
Eaton Studio Gallery At the Eaton Gallery, their Slow Art Day event centered on Star Crossed Pollinators, a refurbished sculpture by artist Herb Eaton originally created in 2000 for Bloomington’s Sesquicentennial celebrations. The work was on view during Slow Art Day as part of its refurbishment process ahead of its planned move to a permanent location at the McLean County Museum of History.
Photos below are of artist Herb Eaton with the original sculpture in 2000 on the left, and the new version in 2025 on the right.
Inside Out Accessible Art (IOAA) IOAA hosted artists demonstrating their techniques alongside other artists who brought individual works to discuss with patrons. The open format encouraged dialogue and allowed visitors to spend time with both artistic process and finished work. Photographs of the event below were taken by Shelley Schultz.
Red Raccoon Games Red Racoon in downtown Bloomington hosted artist Gina LaMonica, whose works were shown via the table setup below.
The Bloomington–Normal Slow Art Day demonstrated how a coordinated, multi-site approach can support slow looking at scale while remaining grounded in local artists, studios, and shared civic spaces. We thank Pamela Eaton, Eaton Studio Gallery, Inside Out Accessible Art, and all participating organizations and artists for making this citywide Slow Art Day possible. We look forward to seeing what they come up with for their citywide Slow Art Day in 2026.
