Successful First Slow Art Day for The Treasure Coast

The Treasure Coast Art Association in Fort Pierce, FL hosted their first Slow Art Day this year for the Fort Pierce Art Club members in the home of member Jeanne Johansen.

The morning started with the participants sketching an internationally trained nude model, and was followed by an afternoon exploring art club members’ paintings through various interactive techniques.

Jeanne reported that one of the most fun techniques was to have everyone sit with their backs to the paintings and attempt to draw them as participant Barry Levine described them out loud.

New member, Carol Merrett, engaged the group by asking them to guess what her paintings were before she unveiled her acrylic textured paintings.

Scott Serafica, an art teacher from Texas, brought a beautiful oil still life to be observed. The group paired the artwork with a cup of fragrant tea to complement the teapot in the painting, which engaged the groups sense of smell as they slowly observed it.

The Treasure Coast Art Association is planning their next Slow Art Day event with the Backus Museum in April 2020, and we look forward to hearing what they have in store for their second event.

– Ashley

Philadelphia Museum of Art Combines Poetry, Music, and Visual Art

Philadelphia Museum of Art creatively integrated music and poetry with their 2019 Slow Art Day in celebration of National Poetry Month. 

“Since poems slow us down to consider individual words, phrases, and the structure of language, we thought this would be a great way to encourage slow looking,” said Greg Stuart, Museum Educator and Public Programs Coordinator.

Slow Art Day participants were asked to focus on a single work of art for 45 minutes while experiencing an in-gallery music performance. They were then also encouraged to participate in poetry writing workshops and a bookmaking program.

Candy Alexandra Gonzalez, a local poet and visual artist, encouraged participants to create a collaborative book by writing and drawing about things in their lives that they wished moved at a slower pace.

Collaborative book created by Slow Art Day participants.

One visitor said: 

“This was great for me and my eight year old daughter. It helped us look at the art more closely and talk about it together. Thank you!”

We couldn’t be happier to hear of such a successful multimedia, multi-sensory Slow Art Day, and look forward to what the Philadelphia Art Museum creates for Slow Art Day 2020.

Ashley

Cincinnati Slow Art Day Engages All Senses

Cincinnati Art Museum’s 7th Slow Art Day engaged five senses as the museum staff creatively combined scents, food, music, touchable objects, and color filters to enhance the overall experience.

Visitors mimicking brushstrokes within the artwork

Sara Birkofer, Cincinnati Art Museum’s Manager of Accessibility & Gallery Programs, recently led a Slow Art Day webinar on designing multi-sensory visitor experiences

In the webinar, Sara spoke about how engaging all the senses helps participants look at art in a new way, and how it brings a pleasant and unexpected element to the visitor experience.

We look forward to Cincinnati Art Museum’s continued leadership and creative design for their Slow Art Day in 2020!

Ashley

Multi-sensory Slow Art Day at BOZAR

BOZAR Center of Fine Arts in Brussels, Belgium hosted participants ages 10 to 70 in their multi-sensory 4th annual Slow Art Day in 2019.

Attendees focused on the exhibition Bernard van Orley: Brussels and the Renaissance, where they meditated in front of the rich landscapes within Bernard van Orley’s tapestries while listening to polyphonic renaissance music. Visitors also looked at portraits of the powerful but tragic Margaret of Austria while listening to her life story.

Participants reportedly went home with peaceful smiles.

We love to hear of such creative Slow Art Days, and look forward to BOZAR’s participation in 2020.

Ashley

Multi-Sensory, Multi-Faceted Event at Byron School of Art

For their first Slow Art Day, the Byron School of Art Project Space in Mullumbimby – a small Australian town well-known for its artist colony – combined several multi-sensory activities along with food and yoga.

They started Slow Art Day with an artist talk by Marlene Sarroff whose exhibition 365 Days: You Get What You Choose is a meditation on everyday practice. Marlene spoke about her long history of working and exhibiting in artist-run spaces, about finding materials whilst not seeking them, and also about being awake to possibility.  

Marlene Sarroff speaking about 365 Days: You Get What You Choose   

After Marlene’s talk, participants began something organizers called The Slow Art Challenge. The challenge started with five minutes of silent looking at one artwork, then followed that with a group discussion. Next, participants took a few moments to enjoy cups of tea together, and then reconvened in pairs to observe a second chosen work in silence. For the final segment, they listened to music while looking at another artwork, and then held another discussion after that multi-sensory experience.

Artist Marlene Sarroff participating in Slow Art Day

And as if this were not enough, their Slow Art Day finished with an evening Slow Flow Yoga Class led by yoga instructor Shien Chee from Seeker + Kind yoga studio, their neighbor two doors down. Chee and Meredith Cusack, BSA Project Space Coordinator, wanted to integrate yoga, sound, smells, and sight. They came up with the idea of using the art as a way to talk about drishti (gaze point). As a result, Chee built her class around changing drishti – looking at different works, but also from different positions, and heights. Wow.

Instructor Shien Chee from Seeker + Kind Yoga Studio leading participants in Slow Flow Yoga Class

The Byron School of Art Project Space had such a good – and creative – first Slow Art Day that participants asked if they would do the exercises for other exhibitions, which they plan to do. They also look forward to participating in Slow Art Day 2020 and we look forward to having them back. They are a wonderful addition to the global slow looking movement.

Ashley

Multi-sensory Slow Art Day in New Brunswick

AX, the Arts and Culture Centre of Sussex in New Brunswick, Canada, held a multi-sensory Slow Art Day 2019 led by artist Deanna Musgrave, who had recently researched and written her Master’s thesis on multi-sensory art experiences.

Musgrave, whose own art was being shown, began by guiding the participants through a relaxation exercise, using sound and voice commands to invite the audience to achieve a trance-like state. She then focused on three pieces of work and encouraged viewers to experience tastes (wine, chocolate, peaches), smell (wine and peppermint), and sounds (recorded instruments) paired with each piece.

According to AX, audience members, ranging in age from 8 to 70, said that the slow multi-sensory session really enhanced their experience.

In other good news, Bonny Hill, Exhibitions Committee Chair at AX said they recently applied for and were awarded a grant to curate and host an exhibition of artists who work in the “slow art” style, using outdated technology and painstaking methods to create contemporary work. That exhibition will launch in early 2020, and perhaps be the focus of their Slow Art Day 2020.

Phil

Oceanside – Multi-Sensory Slow Art Day

The Oceanside Museum of Art in California reports that they had a “wonderful” multi-sensory Slow Art Day 2019.

The museum developed three self-guided stations aimed at slowly engaging multiple senses – designing multi-sensory experiences is a growing trend in the slow art movement (see the webinar we hosted in January 2019).

Slow looking and pairing music with painting

The three self-guided stations they created were:

  1. Partner blind-drawing station in their watercolor exhibition
  2. Storytelling station based around Matthew Barnes: Painter of the Night exhibition
  3. Pairing music with paintings in their surrealism exhibition (photo to the left).

They ran Slow Art Day through the weekend and had many more people participate as a result. In fact, Slow Art Day and the self-guided stations were so successful – led to so much visitor participation – that the curatorial staff has asked that stations remain up longer.

The variety of activities – and the multi-sensory element – really allowed visitors to participate in ways that worked for them and that also added a sense of fun.

Andrea Hart, Director of Education and Public Programs at the Oceanside Museum of Art

Phil

P.S. I’m particularly pleased with this report given that my mother lived in Oceanside for years and ran a clandestine Slow Art Day at this museum with a few friends when we launched a decade ago.

Slow Art Day in Rural Basque Country

Slow Art Day 2019 this year was celebrated in hundreds of museums and galleries from The Rubin Museum in NYC, to the Tate Modern in London, to a small museum in the rural Basque countryside, the Ur Mara Museoa.

Ur Mara Museoa Slow Art Day 2019

Elena Cajaraville sent us this lovely 60 second video, which shows the Ur Mara’s slow and long day filled with art, food, music, and dance.

Watch it.

I guarantee it will put you in a good mood and show you some of the magic of this global/local Slow Art Day phenomenon.

Phil