Tag Archives: Italy

Slow Art Day Across Generations at MART, Italy

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For their fourth Slow Art Day, the Museum of Modern and Contemporary Art of Trento and Rovereto (MART) in Italy, hosted a slow looking event aimed at creating a multi-generational experience.

Denise Bernabè, the Membership Coordinator at MART, selected five pieces from the Galleria Civica di Trento, the museum’s venue for temporary exhibitions and a hub for local Trentino artists. These works are part of the exhibit titled “Allegoria della Felicità Pubblica” (“Allegory of Public Happiness”), featuring pieces by Maurizio Nannucci, Diango Hernandez and Nan Goldin. The selected artworks were sent to participants via email a few days ahead of Slow Art Day, so that they could take their time and contemplate them slowly on their own in advance.

Participants engaging with Maurizio Nannucci’s “Moving Between Different Opportunities and Open Singularities,” 2017-2018
Participants engaging with Anna Esposito’s “Prima e dopo il concerto,” 1982
Participants engaging with “Tired Stop” by Diango Hernàndez, 2008

On Slow Art Day, participants were divided into two groups, each guided by a coordinator who engaged them in conversation about the artworks. They re-titled the works based on what each group felt they should be named and assigned scores from 0 to 5 based on the level of emotion evoked and aesthetic pleasure. They also discussed if they would put the artwork in their own home.

Further to make the inter-generational conversation work, an old “Amico del Museo” (literally ‘friend of the museum’), who is a professor at the University of Enology in San Michele all’Adige, brought a group of students to join Slow Art Day. These students were then invited them to engage with their “Amici del Museo” (lit. ‘friends of the museum’), mainly made up of older participants.

Discussions between and across generations were inspiring, and many said that they enjoyed the experience.

“Slow Art allows me to truly see the artworks, to see them through my own eyes. I visit so
many museums that I often walk through the galleries without really looking. But Slow Art
reminded me that artworks have meanings, even if there are multiple interpretations. It’s
my task as an art advocate to capture at least a couple of those meanings.”

MARIAGRAZIA, Slow Art Day participant


“What I appreciate about Slow Art is the opportunity it gives me to listen to different
opinions, often enriching my own understanding of the artwork. It sparks discussions and
inspires me. I’ve also noticed that I’m now influenced by slow looking even when I visit
other museums on my own.”

GIUSEPPE, Slow Art Day participant

Slow Art has become a well-established practice at the Museum of Modern and Contemporary Art of Rovereto and Trento (MART). Every month since 2020, a selection of artworks is presented to the Friends of the Museum (“Amici del Museo”), MART’s Members. They view the artworks together and share their perspectives both online and in person.

At Slow Art Day HQ we are always excited to hear about events at MART and how they continue to engage the wider community of museum members, including across generations, in slow looking activities throughout the year as well as for Slow Art Day itself.

We can’t wait to see what they come up with for Slow Art Day 2025.

– Johanna, Ashley, Jessica Jane, and Phyl

New Slow Art Club in Rovereto, Italy

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For their first Slow Art Day, The Slow Art Club, a recently-formed-group of Italian slow-looking enthusiasts in Italy, organized a trip to the region of Emilia-Romagna at the Fondazione Magnani Rocca in Mamiano (Parma) and to the Collezione Maramotti in Reggio Emilia. These collections, which are privately owned, showcase both national and international artwork.

While the Club is based in Rovereto, Italy, members come from all over Italy and visit museums to apply the slow looking approach.

For the event, the Club had two people from the group select three works from each collection for everyone to spend time with. They posted the artworks in their WhatsApp group. Members then went to the museums for a series of slow looking sessions. They then made notes and uploaded those to WhatsApp for a club-wide discussion.

Below are three of the six selected artworks:

Nicola De Maria, Sera, 1981 (front), Collezione Maramotti
Nicola De Maria, Sera, 1981 (back), Collezione Maramotti
Eric Fischl, The Philosopher’s Chair, 1999, Collezione Maramotti
Slow Art Club members looking and taking notes.

Several days after their slow looking sessions, they convened on Zoom to share their notes with each other and discuss their experience. They used Zoom’s breakout group feature to create small groups of 3-4 to talk in depth.

At Slow Art Day HQ we would like to thank Piero Consolati and the Slow Art Club for organizing the first such club that we know of in the world. And we hope they are launching a movement in Italy and other countries where art lovers will come together in clubs to support the slow looking movement.

– Jessica Jane, Johanna, Ashley and Phyl

Slow Art and Slow Food Come Together in Italy

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For their third Slow Art Day, the Museum of Modern and Contemporary Art of Trento and Rovereto (MART), Italy organized a two-stage event in collaboration with a local Slow Food collective, which specializes in cheese, jam, wine and bread.

For the first-stage, MART invited the Slow Food producers to a private event in order to experience slow looking with the works of art shown below.

  • “Spiralando sull’Arena di Verona”, by Renato Di Bosso, 1935 (from the permanent collection)
  • “L’incantesimo dell’amore e la primavera della vita” by Galileo Chini, 1914 (from the temporary exhibition on Klimt and Italian Art)

“Spiralando sull’Arena di Verona”, by Renato Di Bosso. 1935.
Left panel detail from “L’incantesimo dell’amore e la primavera della vita” by Galileo Chini. 1914.
Right panel detail from “L’incantesimo dell’amore e la primavera della vita” by Galileo Chini. 1914.
Visitors looking at “L’incantesimo dell’amore e la primavera della vita” by Galileo Chini (1914) for Slow Art Day at MART 2023

For the second stage held about a week later, MART invited the public to the same slow looking experience with the same works of art.

This time, however, the Slow Food producers held a food tasting afterwards that featured foods they chose to pair with the art based on things like color and emotion. During the tasting, the Slow Food collective talked about their choices in the pairings.

Wow! What a great design for Slow Art Day.

We encourage museums around the world to do something similar: partner with a local Slow Food organization.

Slow Art collaboration with Slow Food at MART 2023
Slow Food tasting as part of MART’s Slow Art Day 2023

Not surprisingly, the MART hosts (Monica Sperandio, Social Media Representative, and Denise Bernabe, Membership Coordinator), reported that the event was a success on all fronts:

We were very satisfied with the experience and the collaboration as Slow Art and Slow Food have very similar ethics and visions, and we were able to combine two different but similar pleasures of life such as art and quality food.

Monica Sperandio

At Slow Art Day HQ, we love the partnership with Slow Food.

We (one of us is based in Italy) hope to visit MART in the future, and get a chance to see and taste the art and food ourselves.

And, of course, we are eager to see what unique design MART comes up with for Slow Art Day 2024.

-Johanna, Ashley, Jessica Jane and Phyl

P.S. Stay up to date with upcoming events at MART via their Instagram and Facebook pages.

Slow Art Week at Atelier delle Fate

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For their second Slow Art Day, the Atelier delle Fate in Calvagese della Riviera, Italy, hosted a week of hybrid in-person and virtual slow looking events.

Atelier della Fate Slow Art Day poster 2022
Artwork by Lorenzo Bianchini • Samuel Maccarinelli • Lorena Bianchini. Photo: Lorena Bianchini.

During the week, visitors to the gallery were able to slowly look at a series of 15 artworks by different artists. They were encouraged to write a written response to each of the artworks, including reflection about the emotions or memories evoked by each painting.

The event was also made virtual, and images of each work were shared in staggered intervals to the event page on Facebook, where people also shared their thoughts in the comments.

At Slow Art Day HQ, we especially like that participants who could not visit the gallery in person could still join online. The idea of staggering images to be released across a week allows people to make slow looking part of each day — a practice we love to see.

We look forward to what the Atelier delle Fate comes up with in 2023.

– Johanna, Ashley, Jessica Jane, Phyl and Robin

Aesthetics and Emotions at MART

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For their second Slow Art Day, the Museum of Modern and Contemporary Art of Rovereto and Trento (MART), Italy, organized both an online and an in-person event.

For the online session, which took place on April 1, the eight participants received three artworks by email the day before of the event so that they could look slowly on their own and then come and present their thoughts during the session.

For the in-person event, organizers presented the three artworks at the beginning of the session, then they left the 20 participants to look slowly for 45 minutes.

Participants were given some prompts to think about while looking:

  • Which elements strike you the most?
  • Which positive or/and negative emotions do you feel looking at this artwork?
  • Do you like this artwork asethetically?
  • Does it evoke you memories? If so, which ones?

They also asked participants to do the following:

  • Rate their emotional and aesthetic responses with a scale of of 0 to 5 points.
  • Assign a title for each work of art (we recommend other educators consider adding this fun element).
  • Think of a common thread connecting the three artworks.

Once their slow looking was done, the museum then divided the participants into small discussion groups of four people each.

Photos from the in-person session can be viewed below.

Gino Severini, Cannoni in azione, 1915 oil on canvas, 50 x 61,5 cm, Mart, Collezione VAF-Stiftung
On the left: Participants engaging with a piece of art. In the middle and on the right: participants working in groups.

Organizers collected the participants feedback and shared with us a few snippets (translated from Italian).

Admiring, observing and talking in a group about the individual and personal sensations that the works made on us was very beautiful, instructive and formative. Feeling how each participant had his own point of view and his impression and how the various impressions intertwined with each other was very welcome and was appreciated by all.

Renzo – Slow Art Day participant

I think we all had a great desire to live this moment, in which physical closeness, looks, voice, were finally used as “normal” means of communication and expression simply belonging to our human race. After these two years of restrictions [for Covid] I think we all felt happy to get to know and re-know each other in a close way and to make a group. Looking together, exchanging opinions and impressions, sharing the different possibilities of reading and interpreting the works was an enriching experience and, let me say, at least for me, even moving.”

Maddalena – Slow Art Day participant

We’d like to add that Denise Bernabè, Membership Coordinator at MART, and Piero Consolati, MART member for several years, have been organizing Slow Art monthly meetings in addition to the annual events. And, due to the pandemic, April 2 was the first time they ran an in-person slow looking session – and they did great!

We very much look forward to what they come up with for 2023.

– Jessica Jane, Phyl, Johanna, and Ashley

Slow Art Day in an 18th century building: Casa Regis

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For their first Slow Art Day, Casa Regis, a non-profit association and centre for culture and contemporary art in Valdilana, Italy, featured local artists in a video and social-media-based event.

Casa Regis’ Facebook post of the event.
In the picture, Achill(a)/Frame, sculpture by Daniele Basso.

On April 10, 2021, art photographer and founder of Casa Regis, Mikelle Standbridge, uploaded a series of short videos of different artistic installations on the organization’s Instagram page.

The videos featured a soundscape of birds chirping, as Mikelle briefly introduces works by local artists Sissi Castellano, Daniele Basso, Carla Crosio, Michela Cavagna and herself. Note: the artists were selected and chosen in part because of the interesting juxtaposition of their work against the backdrop of the eighteenth-century building in which Casa Regis is located.

Below you can find pictures of the featured installations, links to the videos, and a brief description of each.

Screenshot from the short video of
Sissi Castellano’s installation I AM NOT AN ARTIST

Sissi Castellano‘s silkworm cocoon installation entitled‘ ‘I AM NOT AN ARTIST‘, is based on the Japanese Mingei philosophy of objects, which the artist follows. The Mingei approach simulatenaously focuses on the function and aesthetic value of common household objects.

You can view the installation and the above video here.

Daniele Basso. Hawk. Steel and white bronze sculpure. Picture taken from Casa Regis’ IG page.

Sculptor and artist Daniele Basso‘s ‘Hawk’, which comes from a series called Frames, is a stainless steel and white bronze sculpture. The artist plays with effects of mirroring, showing the complexity and the different levels of reality.

You can find a brief explanation and watch above video here.

Carla Crosio. Cancer. Picture taken from Casa Regis’ IG page.

Artist Carla Crosio‘s installation, entitled Cancer, is made of of marble, bronze and glass and it takes inspiration from her personal life.

View the above video here.

Michela Cavagna. Birth. Picture taken from Casa Regis’ IG page.

Fiber Artist Michela Cavagna‘s installation entitled ‘Birth’, is inspired by the Russian tale of Vassilissa.

You can view the video of the installation with a brief explanation here.

Screenshot from the short video of
Mikelle Standbridge’s installation Public Domain.

Mikelle Standbridge also included one of her works of art named ‘Public Domain’. This art work can be seen as a bridge between art and science.

View Part 1 and Part 2 of that video.

At Slow Art Day HQ, we love the use of video for creating slow looking environments. We recommend that our museum educator and curator friends around the world watch some of the short videos that Mikelle created.

We are also happy to report that their inaugural event was so successful that they then planned in-person Slow Art day events for the rest of 2021. Excellent!

We look forward to whatever Casa Regis comes up with for Slow Art Day 2022.

Jessica, Johanna, Ashley, and Phyl

PS: A press release of the event is available in Italian here.

What’s in a Name? Titles and Emotions at MART

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On April 10th, the Museo di Arte Moderna e Contemporanea di Trento e Rovereto (MART) in Rovereto, Italy, organized a virtual Slow Art Day event that focused on re-titling artworks based on participants’ emotional experiences of slow looking.

Images of three artworks from the MART collection were emailed to the 15 registered participants ahead of joining a Zoom session. Once in the virtual session, participants were given 45 minutes to look slowly at three artworks. They then split into 3 discussion groups, each led by a coordinator, that focused on the emotions and observations of the participants while viewing the works. Participants were then asked to give each artwork their own title based on emotions experienced during the slow looking. The day after the session, participants were sent a brief profile of each artwork that included the emotional titles, the actual title, and the name of the artist, date, and art movement.

Below is one of the artworks along with a word cloud of the emotional titles given by the participants. Some of these translate to: “Disgust”, “Towards tomorrow?”, “Artist’s self-portrait”, “Who am I?”.

Arnulf Rainer, Splitter, 1971
Pastel and oil on photography, cm 60,5 x 50,5, Mart
Titles assigned to the artwork by the participants.

The event was well recieved by all the attendees, with one participant commenting:

“See how this way of following art stimulates a lot of creativity in us. Beautiful. We are like amateur jazz improvisers, extemporizing on a score!”

Participant Quote

That’s right. Slow looking is like jazz improvisation. We love this design of MART’s first official Slow Art Day event and hope that others decide to copy this.

Note that their Slow Art Day was not their first slow looking series. In 2020, local art enthusiast and MART member Piero Consolati approached Denise Bernabe, the Membership Coordinator at MART, about the possibility of organizing slow art sessions. Thanks to their initiative, MART has hosted nine slow art sessions since May 2020, which are now held monthly at the museum (so far, mostly virtually).

At Slow Art Day HQ we are delighted that slow looking has become a staple activity for the MART Museum. Denise Bernabe and Piero Consolati share updates with us about the status of slow art at MART throughout the year.

We look forward to MART’s continued events throughout the year, and their celebration of Slow Art Day in 2022.

– Johanna, Jessica and Ashley