Slow Looking Art Swap at Creative Arts Workshop in New Haven, CT

For their first Slow Art Day, the Creative Arts Workshop, a community art school in New Haven, Connecticut, hosted a slow-looking art swap – where the artists were the participants – facilitated by Dymin Ellis, poet, digital artist, musician, and community organizer. Artists ranging from youth to adults participated in the event, each contributing multiple original pieces including photography, altered books, digital art, and embossed prints. 

Instagram post advertising the event.

Dymin Ellis led the group through a series of three exercises designed to deepen their engagement with one another’s artworks, and started by asking participants to share their names, artistic disciplines, and the titles of the works they brought. They were then asked to exchange their art work but keep them face down until the exercises began. 

  • First, each artist was asked to share their piece for 10-seconds only.
    • Each participant was then asked to share a single word inspired by what they saw. 
    • They repeated the 10-second viewing a second time engaging all 5 senses, and were then asked: “What do you see? smell? feel? hear? taste?” 
  • Next, participants were asked to look at the same work for 1 minute. They were then asked if they had an emotional reaction to the art.
  • Finally, Ellis facilitated a ten-minute slow-looking session, introducing the following prompts every two minutes. Participants were asked to write their responses and share in a group discussion afterwards.
    • What if this artwork were a portal to a dream—whose dreamworld would it lead to, and what would greet you on the other side?
    • Who do you imagine this artwork remembers? Whose hands, eyes, or stories does it carry forward?
    • Put yourself in the place of the canvas and imagine what it must have endured to become what it is now.
    • Imagine the canvas is living flesh—warm, breathing, wounded, or healed. What kind of creature wears this? Is the artwork a tattoo, a scar, a birthmark, or a disguise?
    • Let your senses cross wires. What color does this artwork smell like? What texture does it sing in? What temperature does it speak with?

The session concluded with a collective reflection on the experience, where participants shared what stood out most and how they might apply slow-looking practices in the future. 

Dymin reported that the discussion was “intimate, reflective, and at times, magical,” and highlighted how the art-swap format created deep reciprocal learning and such a collaborative spirit that some attendees chose to gift their artwork to others.

At Slow Art Day HQ, we are delighted to hear of the unique art-swap format that the Creative Arts Workshop introduced for their Slow Art Day event, and love hearing how it has helped build slow looking into the local artist community. We look forward to seeing how the Creative Arts Workshop continues to innovate for Slow Art Day 2026.

– Ashley, Johanna, Jessica Jane, and Phyl

P.S. Stay connected with Creative Arts Workshop on Facebook and Instagram.

Inclusive Slow Sculpture and Drawing Experience at Kasteel van Gaasbeek in Belgium

For their first Slow Art Day, Kasteel van Gaasbeek (Gasbeek Castle) in Belgium held two activities that combined inclusive slow looking, touching and drawing.

The first activity was a slow-looking and slow-touching session with the “The Peasant Wedding,” a gilded bronze sculpture referencing Bruegel’s paintings that is located in a quiet and intimate corner of the castle. Visitors were invited to slowly experience the sculpture on their own terms. And to make the experience more inclusive, they could choose to also experience it blindfolded or by touch, which also ensured accessibility for people with visual impairments. A guide was also there to ask questions and encourage dialogue about their impressions. 

Visitors engage with The Peasant Wedding by Studio Job. Photo courtesy of Kasteel van Gaasbeek.

The second activity took place outside the castle, where a guide-lecturer hosted a small slow drawing workshop. Passers-by were invited to pause, sit, and sketch the castle, focusing on its details and slowing down to notice the intricacies of its architecture. This exercise provided participants with an opportunity to not only look carefully but also to translate their observations into creative expression.

We at Slow Art Day HQ love how Kasteel van Gaasbeek’s first Slow Art Day demonstrated how accessible, inclusive, and participatory approaches can enrich the slow looking experience. We look forward to seeing what they do for Slow Art Day 2026!

– Ashley, Johanna, Jessica Jane, and Phyl

P.S. Stay connected with Kasteel van Gaasbeek on Facebook and Instagram.

“What to think about when looking at art” – Slow Art Day at Glen Foerd in PA

For its fifth year celebrating Slow Art Day, Glen Foerd in Philadelphia, PA selected four works from the museum’s permanent collection:

  • “Flowers in a Gold Vase” by Mary Elizabeth Price (1987-1960)
  • “Lady Trimelston” by Sir Thomas Lawrence (1769-1830)
  • “Manifestation with Wings” by Benton Murdoch Spruance (1904-1967)
  • “An Archive of Desire” (2020) by Jennifer Johnson

 “Flowers in Gold Vase,” Oil on Panel. Mary Elizabeth Price (American, 1875-1960).
“Lady Trimelston,” Oil on Canvas. Sir Thomas Lawrence (British 1769 – 1830).
“Manifestation with Wings,” Oil on canvas. Benton Murdoch Spruance (1904-1967).
“An Archive of Desire,” 2020. Mixed Media, Porcelain. Jenifer Johnson (American).

Visitors were encouraged to spend 10 minutes with each piece before joining a group discussion. The museum provided a set of prompts (see the p.s.).

Executive Director Ross Mitchell started the group discussion with an anecdote about his son, who, while visiting a museum, asked his father a simple yet profound question: “What are you supposed to think about when you’re looking at art?”

Visitors were invited to share their experiences. The group discussed the three paintings, displayed side by side in the Glen Foerd mansion’s art gallery. Initial impressions gave way to deeper appreciation of technique, composition, color, and space. After nearly an hour of dialogue, the group had come up with their own answers to the question Mitchell’s son had posed.

The momentum of the morning continued to the final piece, a sculptural installation display by Jennifer Johnson titled “An Archive of Desire”. Visitors were again asked to share their impressions and observations of the work, taking note of the ways that paintings and sculpture are experienced differently.

The morning ended with final remarks and an invitation to return for next year’s event, which we at Slow Art Day HQ look forward to seeing. We thank Ross Mitchell and the Glen Foerd team for continuing to cultivate a community of slow looking in Philadelphia.

– Ashley, Johanna, Jessica Jane, and Phyl

P.S. Stay connected with Glen Foerd on Facebook and Instagram.

P.P.S. Here were the prompts used:

  • Look not only at what is pictured, but how it is pictured.
  • What kind of colors has the artist used? Are they bright, muted, or somewhere in between?
  • Can you see how the color has been applied or is the color smooth and blended?
  • Is there a sense of deep, moderate, shallow, or indeterminate space? Is that space consistent throughout the picture?
  • Is space clear and well defined or atmospheric? What about how the picture was painted gives it that quality?
  • Is there the suggestion of a directional light source, of light coming from one side or the other?
  • Can you see lines anywhere, whether painted lines or strong edges created by color-to-color areas? Where are lines used and how?
  • What other observations can you make?
  • How is the installation piece different from the paintings?
  • What is the unifying theme of the installation? 

Artist Talk and “Sweet and Sour Memories” at Art Gallery of St. Albert

On April 5, 2025, the Art Gallery of St. Albert in Alberta, Canada, welcomed a large audience (a small portion of which is shown below) for its Slow Art Day event, which featured an inspiring artist talk by Alberta’s Artist in Residence, Samantha Williams-Chapelsky alongside the exploration of a moving exhibition by Edmonton-based artist Edith Chu.

To start, artist Samantha Williams-Chapelsky shared her journey as a professional artist, offering insights into her creative process, the challenges she’s overcome, and her experiences representing Alberta’s vibrant arts community. She also reflected on the future of visual arts, addressing current trends, emerging opportunities, and the evolving role of artists in Alberta and beyond.

Artist Samantha Williams-Chapelsky and participants during the artist talk. Photo courtesy of Art Gallery of St. Albert.

Visitors were also invited to experience the exhibition “Sweet and Sour Memories” by Edmonton artist Edith Chu. In this exhibition, Chu looks back on her life growing up in her family’s restaurant Szechuen Cuisine. Her memories of this time form the foundation of her experience as a first-generation Canadian. Delicate watercolor paintings of restaurant life capture the day-to-day, family photos are drawn onto replica guest cheques, and Edith’s memories are captured in sculptural takeout boxes and narrative photographs.

The event also included a range of interactive activities: visitors created their own memorable buildings on envelopes in the Art Nook, completed a gallery-wide iSpy challenge, and engaged with an activity book designed for “Sweet and Sour Memories,” which encouraged participants to design their own takeout noodle boxes. Free refreshments added to the warm, welcoming atmosphere.

We at Slow Art Day HQ love to see such multifaceted events, and look forward to seeing what Leah Louden and the whole team at Art Gallery of St. Albert create for Slow Art Day 2026.

– Ashley, Johanna, Jessica Jane, and Phyl

P.S. Stay connected with the Art Gallery of St. Albert on Facebook and Instagram.

Shipping Brow Gallery in Cumbria, UK

For their second Slow Art Day, The Shipping Brow Gallery in Maryport, Cumbria, UK invited participants to explore artworks by renowned Cumbrian artist Percy Kelly. The gallery hosts the largest permanent collection of Kelly’s work in the United Kingdom.

Featured Works:
A selection of 35 paintings by Percy Kelly, prominently featuring local scenes, including the gallery itself.

A display of Percy Kelly’s works at the Shipping Brow Gallery. Photo courtesy of Shipping Brow Gallery.

The museum also introduced a prize drawing. Attendees submitted guesses identifying how many paintings depicted the Shipping Brow Gallery building for a chance to win a copy of the art book, The Man Who Couldn’t Stop Drawing, by Chris Wadsworth.

The Shipping Brow Gallery exterior. Photo courtesy of Shipping Brow Gallery.
Books on display, including the prize book The Man Who Couldn’t Stop Drawing, by Chris Wadsworth. Photo courtesy of Shipping Brow Gallery.

The event attracted a diverse group of attendees, ranging in age from 8 to 65 years, demonstrating broad community interest and engagement.

We thank Dolly Daniel and the entire Shipping Brow Gallery team for their organization and dedication to Slow Art Day 2025. We look forward to their participation in Slow Art Day 2026.

– Ashley, Johanna, Jessica Jane, and Phyl

P.S. Stay connected with Shipping Brow Gallery on Instagram.

Slow Art Day 2025 at Sawdust Art Festival in Laguna Beach

The Sawdust Art Festival in Laguna Beach, California, celebrated Slow Art Day on April 5, 2025, as part of their three-day Spring Fling pop-up show. The event was organized by host and artist Hedy Buzan, a founding host of Slow Art Day – and a longtime artist-presenter at the Sawdust.

Featured Works:

  • Sager-fired ceramic vessel
  • Stoneware cylinder
  • Two photographs
  • Bronze and enameled dragonfly sculpture
  • Watercolor painting of a neon sign and building
  • Two acrylic paintings
  • Two blown glass artworks

Participants gathered around the counter in Studio One, enjoying coffee during the morning session and wine during the afternoon gathering. Each session began with Hedy Buzan introducing five artworks by different artist, briefly discussing how each was made. Participants chose objects to closely observe in silence for five minutes, guided by the below prompts encouraging reflection on elements such as line, shape, texture, and personal emotional responses.

After individual reflection, attendees exchanged their objects, shifting between two-dimensional and three-dimensional works, allowing everyone to engage with a diverse range of artistic forms. This exchange was followed by a lively group discussion, facilitated by Hedy, who guided conversations by offering positive feedback and insights.

Participants engaging in lively discussion at Studio One. Photo courtesy of Hedy Buzan.

We express heartfelt thanks to Hedy Buzan and the entire Sawdust Art Festival team for their thoughtful planning and enthusiastic facilitation of Slow Art Day 2025. We look forward to what Hedy comes up with for Slow Art Day 2026.

– Ashley, Johanna, Jessica Jane, and Phyl

P.S. Stay connected with Sawdust Art Festival via their Facebook page and Instagram.

cARTie Art Museum Bus: Centering Children’s Perspectives Through Virtual Engagement

cARTie Art Museum Bus , a Connecticut-based nonprofit dedicated to making museums accessible and welcoming for young children, celebrated Slow Art Day virtually this year. Emphasizing children’s voices and perspectives, cARTie shared an engaging video experience on their Instagram, enabling community members to embrace slow-looking practices from home. See the virtual format of their exhibition on their website

Featured Works:

  • “Pretty Brown Eyes” by Siena Zawrotny
  • “Quiet Desperation” by Anna Kim
Two cARTie kids look closely at two works of art inside cARTie with different tools and from different angles, with a cARTIe educator. Screenshot from cARTie’s Instagram.
Two cARTie kids look closely at two works of art inside cARTie with different tools and from different angles, with a cARTIe educator. Screenshot from cARTie’s Instagram.

Both artworks, featured on cARTie’s traveling exhibit throughout 2024-2025, were created by secondary school student-artists from Connecticut. Participants watched a thoughtfully produced video highlighting children’s responses and insights, providing practical strategies for slow-looking.

Each work was featured for a recommended 5-10 minutes of focused viewing, encouraging deeper emotional and reflective engagement.

cARTie’s virtual approach captured the perspectives of children, underscoring the importance of accessibility and representation in museum spaces.

We extend our thanks to Clare, Co-Founder and Executive Director of cARTie, and the entire cARTie team for their innovative approach and dedication to Slow Art Day. We look forward to their participation in Slow Art Day 2026.

– Ashley, Johanna, Jessica Jane, and Phyl

P.S. Stay connected with cARTie Art Museum Bus on Instagram.

Deep Dives into Diverse Masterpieces at the Denver Art Museum

For its second Slow Art Day, the Denver Art Museum in Denver, Colorado, offered both self-guided viewing and structured, docent-led discussions, inviting guests to explore three artworks.

Featured Works:

Elaine de Kooning, Bullfight, 1959. Oil paint on canvas; 77 5/8 x 130 1/4 in.
El Anatsui, Ghanaian, Rain Has No Father?, 2008. Installation. Found bottle tops and copper wire.
Artist Unknown, Garden Party on the Terrace of a Country Home, about 1720-1730, Mexico. Folding screen, painted oil paint on canvas with gold.

Visitors were encouraged to spend 5–10 minutes individually observing each featured artwork, immersing themselves in a thoughtful, quiet exploration. Throughout the day, docents led engaging discussions every half hour, helping participants articulate their observations and uncover deeper meanings within the art.

The expressionism of Elaine de Kooning’s “Bullfight,” the textures of El Anatsui’s “Rain Has No Father,” and the narrative depicted in the 18th-century piece “Garden Party” sparked conversations and personal reflections among attendees. We recommend you check out the additional videos on the museum’s website showcasing El Anatsui’s installation and process.

You may view or download the handout for the event below:

We thank Holly Harmon, Andy Brashear, and the entire Denver Art Museum team and look forward to what they come up with for Slow Art Day 2026.

– Ashley, Johanna, Jessica Jane, and Phyl

P.S. Stay connected with Denver Art Museum on Facebook and Instagram.

Job Seekers and Art Converge in Seattle Art Museum

Volunteers Ashley Christensen, Erinn Kruser and Forrest Corbett organized a group of 25+ job seekers to spend an evening together looking at art slowly at the Seattle Art Museum, Thursday, June 5, 2025. This is part of a growing partnership between Never Search Alone and Slow Art Day.

Below is Christensen’s write-up. And the team at Slow Art Day HQ agree – we couldn’t have described the impact of slow looking at art better.


Slow Art Day at Seattle Art Museum – Recap

1. We all saw something different.
Despite looking at the same painting for 10 minutes, my group came away with wildly different takeaways. From metaphors and feelings to objective facts (sometimes one of us missed whole sections of the art pieces). I was honestly surprised. I thought the longer we looked, the more we’d converge. But the opposite happened, we diverged. The art unfolded differently for each of us.

It was such a clear reminder that our lived experiences shape what we notice, how we interpret, and what moves us.

2. People wanted to connect, with the art and each other.
More than 20 of the 26 attendees stayed after the art viewing, gathering at the MARKET to talk, laugh, and share takeaways. That blew me away. We moved up to Seattle two years ago and I’m still getting to know my new home but this felt deeply communal in a beautifully unexpected way. I assumed folks would drift off after the art-viewing but instead, the shared experience created something worth lingering for. People wanted to stay.

3. The vibe was genuinely kind.
Networking events are awkward but this was different. I could tell some folks felt anxious or uncertain but people showed up with open minds. 

There was something disarming about the format. No pitches. No small talk. Just attention, presence, and an invitation to be curious. It didn’t feel like a networking event. It felt human.

4. Slow looking really changed our state.
One person mentioned at the end that she couldn’t focus at first. Her mind was racing. She wanted to move on after a minute. But then she started to settle and by the end of the first painting, she was present.

Another person noticed that someone in our group was fidgety and tense at the start but was visibly relaxed by the end. I felt that too. Like my body had slowed to meet my gaze. The longer we looked, the more the art gave us back.

5. Our attention had ripple effects.
As our small groups paused in front of pieces of artwork, something unexpected happened: strangers began to gather near us. They looked from the painting to us and back again, curious about what had captured our attention for so long.

Our stillness seemed to signal that these pieces were worth an extra-long look. That quiet attention drew people in. It was a beautiful reminder that focus is contagious and that how we engage with the world can invite others to do the same.

Thanks again for the inspiration and for building such a powerful global movement. It was an honor to be part of it.

Ashley Christensen

P.S. Here’s the Never Search Alone website.

Florence County Museum: Discovering Confidence Through Observation

Florence County Museum in Florence, South Carolina, held its third Slow Art Day on April 5, 2025, continuing its tradition of encouraging thoughtful art engagement. Facilitated by Uschi Jeffcoat, Curator of Education & Community Engagement, the museum offered structured, guided slow-looking at artworks by William H. Johnson, featured in the exhibit Fighters for Freedom: William H. Johnson Picturing Justice, which was organized by the Smithsonian American Art Museum and supported by Art Bridges.

Guests thoughtfully engage in slow-looking during the event. Photo courtesy of Florence County Museum.

Participants visited the Focus Gallery on the second floor, where they engaged in a silent observation exercise for 5-10 minutes, thoughtfully guided by reflection prompts provided by the museum (view the file below). These prompts encouraged visitors to deeply consider elements such as their initial visual impressions, color observations, medium and techniques, and personal connections to the artworks. Questions posed included, “Where did your eye go first and why?” and “What would you ask the artist about this painting?”

Guests thoughtfully engage in slow-looking during the event. Photo courtesy of Florence County Museum.

The calm and supportive environment facilitated by these reflective strategies allowed attendees to comfortably share insights and discuss the deeper meanings discovered in William H. Johnson’s vivid portrayals of African American life from the 1930s and 1940s. Visitors noted that this structured approach significantly improved their confidence in independently engaging with art, positively enhancing their overall museum experience.

Florence County Museum’s ongoing commitment to Slow Art Day continues to inspire visitors, and we look forward to their participation in Slow Art Day 2026!

– Ashley, Johanna, Jessica Jane, and Phyl

P.S. Stay connected with Florence County Museum on Instagram and Facebook.