Slow Art Day Across Generations at MART, Italy

For their fourth Slow Art Day, the Museum of Modern and Contemporary Art of Trento and Rovereto (MART) in Italy, hosted a slow looking event aimed at creating a multi-generational experience.

Denise Bernabè, the Membership Coordinator at MART, selected five pieces from the Galleria Civica di Trento, the museum’s venue for temporary exhibitions and a hub for local Trentino artists. These works are part of the exhibit titled “Allegoria della Felicità Pubblica” (“Allegory of Public Happiness”), featuring pieces by Maurizio Nannucci, Diango Hernandez and Nan Goldin. The selected artworks were sent to participants via email a few days ahead of Slow Art Day, so that they could take their time and contemplate them slowly on their own in advance.

Participants engaging with Maurizio Nannucci’s “Moving Between Different Opportunities and Open Singularities,” 2017-2018
Participants engaging with Anna Esposito’s “Prima e dopo il concerto,” 1982
Participants engaging with “Tired Stop” by Diango Hernàndez, 2008

On Slow Art Day, participants were divided into two groups, each guided by a coordinator who engaged them in conversation about the artworks. They re-titled the works based on what each group felt they should be named and assigned scores from 0 to 5 based on the level of emotion evoked and aesthetic pleasure. They also discussed if they would put the artwork in their own home.

Further to make the inter-generational conversation work, an old “Amico del Museo” (literally ‘friend of the museum’), who is a professor at the University of Enology in San Michele all’Adige, brought a group of students to join Slow Art Day. These students were then invited them to engage with their “Amici del Museo” (lit. ‘friends of the museum’), mainly made up of older participants.

Discussions between and across generations were inspiring, and many said that they enjoyed the experience.

“Slow Art allows me to truly see the artworks, to see them through my own eyes. I visit so
many museums that I often walk through the galleries without really looking. But Slow Art
reminded me that artworks have meanings, even if there are multiple interpretations. It’s
my task as an art advocate to capture at least a couple of those meanings.”

MARIAGRAZIA, Slow Art Day participant


“What I appreciate about Slow Art is the opportunity it gives me to listen to different
opinions, often enriching my own understanding of the artwork. It sparks discussions and
inspires me. I’ve also noticed that I’m now influenced by slow looking even when I visit
other museums on my own.”

GIUSEPPE, Slow Art Day participant

Slow Art has become a well-established practice at the Museum of Modern and Contemporary Art of Rovereto and Trento (MART). Every month since 2020, a selection of artworks is presented to the Friends of the Museum (“Amici del Museo”), MART’s Members. They view the artworks together and share their perspectives both online and in person.

At Slow Art Day HQ we are always excited to hear about events at MART and how they continue to engage the wider community of museum members, including across generations, in slow looking activities throughout the year as well as for Slow Art Day itself.

We can’t wait to see what they come up with for Slow Art Day 2025.

– Johanna, Ashley, Jessica Jane, and Phyl

Japanese Fairytale Reading at Coral Gables

For their first Slow Art Day the Coral Gables Museum in Florida featured the reading of a Japanese fairy tale, and an exhibit with Japanese-style art by the artist known as The Talented Mr. Martin. The South Florida Charter Ensemble, a non-profit dedicated to improving lives through music, was a co-sponsor of this Slow Art Day, and took the lead in promoting and organizing the session (flyer below).

Flyer created for the Coral Gables Museum event, sponsored by SFCE Music

The session began with the Japanese Fairy Tale “Issun-bōshi”. The story revolves around a boy born to elderly parents, who had wanted a child for a long time. Despite Issun-bōshi only being one-inch tall, and never growing taller, he distinguishes himself through his courage and strong-will. In the story, he journeyes to far-off lands to find his place in the world, carrying a samurai sword made from a sewing needle, with a boat constructed from a rice bowl and rudder made from chopsticks. Below is a japanese drawing of Issun-bōshi, as he travels in his small boat.

Issun-bōshi going down the river in a bowl from “Buddha’s crystal and other fairy stories” (1908). Public Domain.

The day’s event then transitioned into a slow looking session focused on Japanese art.

Here are some photos they sent to us from the day, featuring samurai armor constructed by The Talented Mr. Martin. The armor connects to the theme of bravery in the context of Japanese culture, which the children also encountered in the story of Issun-bōshi.

We are glad to have the Coral Gables Museum and the South Florida Charter Ensemble join the slow looking movement. Reading a known fairytale that connects to the theme is a great idea to for a Slow Art Day event for children, and we hope that more museums might be inspired by this.

We look forward to what the Coral Gables Museum creates for Slow Art Day 2024.

– Johanna, Ashley, Phyl and Jessica Jane

Sweden’s Nationalmuseum Designs a Multi-Activity Event for Kids and Adults

For their Slow Art Day 2023, Sweden’s National Museum (referred to as “Nationalmuseum” in Sweden) offered a full day of all kinds of interesting and creative sessions. Museums around the world take heed – this is a great way to celebrate Slow Art Day. 

Under the direction of Johannes Mayer who coordinates the public events/programming, Sweden’s Nationalmuseum started Slow Art Day with a slow yoga class amongst sculptures in the sculpture yard, in the morning at 8:30 am before the museum opened. Participants were led by yoga teacher Victoria Winderud and the session ended with a fresh smoothie served in the café beneath.

Wow. We wish we could have been there.

Then, once the museum opened, young visitors (5-11 years old) were invited to go on a slow looking tour of a handful of paintings in the collection, led by museum staff, between 10:30 and 11:15 am. At 2 pm, adults were invited to do the same.

But that was not all.

There was also a storytelling session at the beautiful Strömsalen (a large room with both paintings and sculptures), led by Sara Borgegård, Intendent Pedagog for the museum (roughly – the “Superintendent of Pedagogy”), who told a saga based on one of the sculptures in the room.

Wait. There was more.

All day long, the Nationalmuseum offered “drop-in art-chill” sessions at the sculpture-hall/yard, where visitors could sit or lay down on a yoga mat and listen to a pre-recorded session, slowly observing the beautiful room.

And even that is not all.

Finally, all visitors could borrow a slow-looking guide to explore and discover works of art at their own slow pace.

Wow. Wow. Wow.

What a great design.

See some fabulous photos below.

Slow Art Day yoga with sculptures at Sweden’s National Museum, 2023.

Children slow looking at paintings at the National Museum for Slow Art Day,

2023 Children slow looking at paintings at the National Museum for Slow Art Day, 2023.

Slow looking at an artwork for Slow Art Day 2023 at the National Museum

Slow Yoga (a person in a resting pose behind a half-reclining statue) at the National Museum’s Slow Art Day event.

Slow Art Day yoga with sculptures at Sweden’s National Museum, 2023

The Nationalmuseum team of Sara Borgegård Älgå, Johannes Mayer and Helena Sjödin Landonthere tell us they are looking forward to Slow Art Day 2024, especially as they continue to receive such great feedback from visitors (note: 2023 was their fourth Slow Art Day). Further, since Slow Art Day usually happens around Easter and many tourists are in town, they plan to offer some of the programs in English as well as Swedish, to make it accessible to even more people.

Wow. We can’t wait to see what they come up with for Slow Art Day 2024.

– Phyl, Johanna, Ashley, and Jessica Jane

P.S. The Slow Art Day team has decided to ask the Accademia Gallery of Florence if they would host a yoga session around the statue of David. Right? Let’s all go!

Engaging All Ages at the Art Gallery of St. Albert, Canada

For their 4th Slow Art day, the Art Gallery of St. Albert, Canada had 44 visitors who took part in slow looking while viewing their current exhibitions “Connected Currents” by Kelsey Stephenson, and “LandEscape” by Crystal Lee Clark.

Exhibition view of “Connected Currents” by Kelsey Stephenson.

The gallery also provided a free art activity for all ages where visitors could create a collage bookmark inspired by Connected Currents. Younger guests were encouraged to try an iSpy activity carefully looking around the gallery to find smaller sections of the different art pieces on display.

Image from St. Albert’s Facebook post.

The day was promoted on their events calendar, Facebook and Instagram pages in advance.

We at Slow Art Day HQ love the simplicity of St. Albert’s event, and how they engaged youth to slow down and appreciate art.

We look forward to seeing what they come up for April 13, 2024.

– Ashley, Johanna, Jessica Jane, and Phyl

P.S. Registration is now open for Slow Art Day 2024.

Drawing Encourages Slow Looking at The Hirshhorn

The Hirshhorn Museum & Sculpture Garden, one of the Smithsonian Institution’s 19 museums in Washington, DC, participated in its second annual Slow Art Day by merging two of their existing programs that encourage slow looking: How to Look at Art and Hirshhorn/DRAW.

The museum’s Slow Art Day event led 150 participants through four simultaneous 30-60 minute sessions paired with a single artwork. Participants were given tips on how to slowly enjoy artwork without having any background information on the work. They were also provided with seats and drawing materials, and were invited to slow down and enjoy the works through drawing.

Participants drawing one of the selected works at the Hirshhorn’s Slow Art Day event.

A Smithsonian Fulbright Fellow participant stated:

“I am extremely grateful for the family-friendly drawing programs – my kids benefited more than I did! My 10 year-old spent 45 minutes drawing (she forgot that she said she was hungry) and was very proud of herself.”

We love to hear how Slow Art Day events foster joy and creativity, and can’t wait to see what The Hirshhorn has in store for Slow Art Day 2020.

– Ashley

Youth Lead Art Institute of Chicago’s Third Slow Art Day

The Art Institute of Chicago had a stellar third Slow Art Day, with 377 visitors of all ages participating in a three hour event designed and led by *13* teenagers.

Statue of a Young Satyr Wearing a Theater Mask of Silenos, ca. 1st century CE. Anonymous sculptor, with 1628 restorations by Alessandro Algardi

The teen guides selected 6 artworks to feature from across the museum’s broad collection. With support from the museum’s staff, they generated conversation starters with participants, posed open-ended questions, and employed strategies to keep visitors engaged throughout the experience.

 Frans Snyder, Still Life with Dead Game, Fruits, and Vegetables in a Market 1614
Glenn Ligon, Stranger in the Village #13

We often hear that slow looking is not for young people – they don’t have the time or attention. They are digital natives and not interested in real space. But many Slow Art Day museums have successfully run programs with teenagers and kids as young as four or five years old, and with this event, the Art Institute of Chicago proves yet again that art is – and must be – for everyone.

We look forward to seeing what the Art Institute comes up with for Slow Art Day 2020.

– Ashley

Philadelphia Museum of Art Combines Poetry, Music, and Visual Art

Philadelphia Museum of Art creatively integrated music and poetry with their 2019 Slow Art Day in celebration of National Poetry Month. 

“Since poems slow us down to consider individual words, phrases, and the structure of language, we thought this would be a great way to encourage slow looking,” said Greg Stuart, Museum Educator and Public Programs Coordinator.

Slow Art Day participants were asked to focus on a single work of art for 45 minutes while experiencing an in-gallery music performance. They were then also encouraged to participate in poetry writing workshops and a bookmaking program.

Candy Alexandra Gonzalez, a local poet and visual artist, encouraged participants to create a collaborative book by writing and drawing about things in their lives that they wished moved at a slower pace.

Collaborative book created by Slow Art Day participants.

One visitor said: 

“This was great for me and my eight year old daughter. It helped us look at the art more closely and talk about it together. Thank you!”

We couldn’t be happier to hear of such a successful multimedia, multi-sensory Slow Art Day, and look forward to what the Philadelphia Art Museum creates for Slow Art Day 2020.

Ashley