For their first Slow Art Day, the Musée Stewart in Montréal, Canada, invited participants to watch slow-motion videos of two pieces in the NIGHTS exhibit (below).
After watching the videos, viewers were encouraged to close their eyes and describe or draw the artifacts from memory. They were asked, “What do you remember?” and “Why do you remember what you remember?”
At Slow Art Day HQ, we decided to participate ourselves. Watching the videos felt almost like traveling slowly through space. The experience demonstrates something most video artists know: just how powerful slow-motion videos can be.
We also found that the memory drawing exercise was a wonderful way to connect a physical activity to a memory. We recommend that other Slow Art Day hosts consider this simple but powerful memory drawing exercise.
The Slow Art Day team loved Musée Stewart’s first Slow Art Day and we are excited to see what creative initiatives they develop for 2021.
For their second Slow Art Day, the Roemer and Pelizaeus Museum (RPM) in Hildesheim, Germany, produced short videos about three objects by artist Gerd Hjort Petersen that were part of the exhibit “Begegnung mit Gerd Hiort Petersen und Hans Munck Andersen” [Encounter with Gerd Hiort Petersen and Hans Munck Andersen].
Short texts promoting the objects and Slow Art Day were shared before the videos went live. Then, on April 4, the three videos were shared to Facebook and the Museum’s website, featuring brief commentary by Dr. Andrea Nicklish, Curator of the Ethnological Collection. They received 350+ views, and are still available to watch on the Museum’s website.
At Slow Art Day HQ, we love the focus on shapes, materials and textures in this event. The videos recreated the experience of viewing the objects in the actual museum space, and gave a sense of their sizes, intentionally exaggerated by the artist.
We look forward to what the Roemer and Pelizaeus Museum come up with for Slow Art Day 2021.
In April of 2020, Slow Art Day veteran Hedy Buzan co-ordinated an event inspired by Wayne Thiebaud’s edible-looking paintings of food.
Sent out as a ‘Super Challenge’ via Mailchimp, Hedy asked participants to make their own sketch of Thiebaud’s ‘Jolly Cones’ with colored or standard pencils. She also provided hints and step-by-step pictures of her own process, which we include below following Thiebaud’s original:
After they completed the challenge, participants were invited by Hedy to send images of their work alongside three observations from the exercise. Following the instructions, Hedy also included this helpful reminder:
“Remember, we are not trying to make a perfect drawing but are using sketching to S L O W down and learn to look.“
The event had several asynchronous participants. One of them, Ellen Brundige, even captured a time-lapse video of her digital drawing, viewable here, the final result of which can be seen below:
Hedy, who helped launch Slow Art Day in 2010, has previously collaborated with the Laguna Art Museum, where the original ‘Jolly Cones’ is exhibited. The Laguna Art Museum had to close this year due to the pandemic but Hedy hopes for further slow looking collaborations.
At Slow Art Day HQ, we have been impressed with the resourcefulness of all the hosts this year as they have found ways to connect people through art across virtual platforms. We love the fun spirit of Hedy Buzan’s challenge and look forward to more innovative Slow Art Day events from this pioneering artist in the future.
The STEM acronym has become familiar to many since its introduction in 2001. Now, it is evolving, with the most recent term, ‘STEAM’, also incorporating art. In this post, we profile Dr. Koshi Dhingra, a forefront pioneer in linking STEM subjects with art, and her non-profit:talkSTEM.
With over 30 years of experience in STEM research and education, Dhingra is passionate about letting every child — especially girls and underrepresented youth — access STEM resources. This directly inspired her to found talkSTEM in 2015, which has since become a powerhouse of free material for educators.
As part of talkSTEM, children and students get the chance to have “outside the textbook” STEM mindset experiences with the walkSTEM project, often in connection with art.
Developed by Dr. Dhingra and her partner Dr. Glen Whitney, founder of the National Museum of Mathematics, walkSTEM is a framework for place- or concept-based tours with the aim of seeing the world through the lens of STEM. The talkSTEM and walkSTEM resources are easily accessible and adaptable for a range of ages, places and interests.
In the following video, Dr. Dhingra introduces the talkSTEM YouTube channel, where participants can find hundreds of videos focused on STEM topics.
In the video below, you can view the introduction to a walkSTEM tour by Dr. Whitney in the Dallas Arts District.
The inclusion of art with science, technology, engineering, and math is an exciting development, evident across talkSTEM resources such as:
This page containing the Create Your Own walkSTEM framework (click on the appropriate colorful tile for museums).
At Slow Art Day HQ we recently took part in a video call together with Drs. Koshi Dhingra and Paul Fishwick, Distinguished University Chair of Arts, Technology, and Emerging Communication; Professor of Computer Science at the University of Texas at Dallas, both of whom have great STEAM projects in store for the Dallas area. We are excited to be in discussion with these great minds on the connection between STEM and art, and see clear links to the Slow Art Day aim of getting more people discover the joy of looking at art in new ways.
We have loved learning more about art through a STEM lens, and will keep following talkSTEM’s development.
During the spring 2020 Covid19 lockdown, the National Gallery in London began releasing 5-minute long art meditation videos on YouTube in order to promote mental wellbeing among the public.
Written by Christina Bradstreet, Courses and Events Programmer at the National Gallery, the meditation videos were produced at home by members of the gallery’s digital team and promoted across social media platforms.
So far, the slow looking video-series has included meditations on:
A true slow looking pioneer, Bradstreet is a powerful advocate at the National Gallery for slow programming throughout the year. When we asked her how she first became aware of the power of slow looking, she recalled how she felt as she walked home after attending her first mindfulness class:
“I felt acutely aware of the crunch of my footsteps on the gravel, the air on my skin, the bird song – and I thought, “wow! maybe mindfulness can really help us to savour the sensory details of paintings.”
Her positive experience inspired her to design a range of events at the gallery, such as finding wonder in familiar paintings like Van Gogh’s ‘The Sunflowers’, mindful looking, drawing sessions, and, during the lockdown, the above meditation videos.
The first two slow looking videos have been an enormous success, with an average of 16,000 hits each on Youtube, and a total of 260k hits and counting across the gallery’s social media platforms.
Viewers have also given strongly positive feedback:
“Well done. Please do more.”
“Fabulous meditation! Thank you so much for these slow looks.”
“Soul touching and relaxing with a new breath of freshness.”
“I’ve seen this painting many times but I never saw the hare, or the people at the side of the river [in Turner’s ‘Rain, Steam, and Speed’]. Thank you so much!”
Bradstreet also shared with us some thoughts on the design of these 5-minute videos:
Rather than simply offering a slow looking experience, I’m interested in choosing meditation techniques that connect with the paintings content or how it was painted, so that the art and the meditation enhance one another. For example, in the video on Rosa Bonheur’s The Horse Fair, I explore the theme of the commotion of the busy horse fair as a metaphor for the busy mind, and think about how we might stay mindful when the world is chaotic around us. Clearly, these themes can be taken much further in a longer meditation. However, we have kept these short, partly because many of our audience will be beginners at meditation, and partly because we don’t want to add to online fatigue!
The National Gallery has truly captured the essence of slow looking within these meditation videos, and I have loved incorporating the short art meditations into my own workday as a way to relax. I recommend that you do the same.
I and the whole Slow Art Day HQ team hope that these videos inspire more slow looking around the world. We can’t wait to see what Christina Bradstreet and the National Gallery in the UK design for Slow Art Day 2021.
For their third Slow Art Day the Frye Art Museum, Seattle, WA, shared slow-panning videos of two artworks from the Museum’s Founding Collection:
Friedrich August von Kaulbach (German, 1850-1920), ‘Rosario Guerrero,’ ca. 1908
In the manner of Edouard Manet, ‘Landscape with Figures,’ not dated.
Slow looking prompts were included in the video descriptions and on the Frye Slow Art Day website. After viewing the artworks, participants were encouraged to share their thoughts by commenting on the posts.
The event was promoted via social media posts and stories on Facebook, Instagram and Twitter. Compared to other posts by the Museum, the Slow Art Day event had a higher than average reach on Facebook and more engagement across all social media platforms.
Feedback from participants was also positive and showed that the Slow Art Day ethos was passed on. One viewer even wanted to use the exercise in their teaching:
“Thank you! You gave me an assignment for my students to do in our new online art class.”
At Slow Art Day HQ we loved the Frye’s art choices. The panning in ‘Landscape with Figures‘, which integrated movement in different directions, was especially innovative. We also extend special thanks to Caroline Byrd, Education Coordinator, for sharing details about the Frye’s event with us.
We look forward to what the Frye Art Museum comes up with for Slow Art Day 2021.
Art by Australian Impressionist Bessie Davidson was at the heart of the third Slow Art Day hosted this year by The Bendigo Art Gallery in Victoria, Australia.
On April 4, slow-panned videos of three paintings from the exhibition ‘Bessie Davidson & Sally Smart – Two artists and the Parisian avant-garde’ were shared on the gallery’s website (still images below):
Lecture au jardin (reading in the garden), 1930s.
Fillette au perrouquet (Little girl with parrot), 1913.
An interior, c. 1920.
Staggered images of the paintings were also shared on the gallery’s Facebook page via three posts before, during and after April 4th. Participants were invited to respond by posting comments, thoughts and images of their own works inspired by the slow-looking.
Each Facebook post got more likes than the previous, with the last post receiving 1.2k likes. Several people also sent in beautiful paintings of their own children and interiors.
Suzie Luke, Public Programs and Learning Officer at the Bendigo Art Gallery, said that many participants had “tremendously positive feedback” about the artist, artworks and the gallery itself:
Love that you’re doing this. This is the sort of thing I need to lift my spirits, just like every visit to your gallery has always done. Thank you!
This idea is so great, please keep doing it even when the emergency is over.
Jan Deane; Papageno Ragdoll
Slow Art Day at Bendigo Art Gallery usually consists of slow-looking guided tours by their wonderful volunteers, followed by discussions of the paintings and afternoon tea. This year, it has been inspiring to see the gallery make such a beautiful transition to virtual platforms.
We hope that The Bendigo Art Gallery will host another innovative Slow Art Day in 2021.
The Google Arts platform allowed participants to zoom in on the 5 selected artworks to closely study brushstrokes and textures. Participants were then encouraged to consider the wider social context of each work and provide their commentary via the museum’s Facebook and Twitter accounts — which reached more than 4000 people during the event. The museum produced a video (in Latvian) about Google Arts and slow looking that is still available to download.
Sandra Kempele, Curator of Education at Riga Bourse, reflected on how “encouraging [it is] to be part of this global community” of Slow Art Day especially now in the face of changing and trying circumstances.
At Slow Art Day HQ, we heartily echo this sentiment. Despite still advocating for the special experience of viewing art in museums, we are continually encouraged by the creativity and adaptability showcased by art institutions such as the Riga Bourse during this pandemic.
We look forward to the Riga Bourse’s continued participation in 2021 –hopefully in their actual museum.