In the last 48 hours, museums and galleries from Shanghai to Finland to New Orleans, from Germany to Minneapolis, from Cornwall, Connecticut, Oakland, and Australia have all signed up to organize events.
We are very happy to welcome all of these to Slow Art Day 2018 (including this year’s first event in mainland China):
The focus of the research is to “explore the visitor experience at the park and what impact it could have on happiness and wellbeing.”
On Slow Art Day this year, the Sculpture Park will run two workshops – Mindful Moments for adults, and one for families, Move, Make and Meditate.
A growing number of museums are combining Slow Art Day with mindfulness and meditation. The Phoenix Art Museum, also a longtime participant in Slow Art Day, organized a summer mindfulness series in 2017 and we held a webinar with them to talk about the experience (watch the webinar here).
We hope you’re as excited for Slow Art Day 2018 (just three months away!) as we are! One of this year’s hosts, Karolina Fabelova of Kunstzeichnen in Germany, certainly is – check out the great video she made all about Slow Art Day!
Listen to the Slow Art Day live podcast recorded Tuesday, September 12, 2017 with Slow Art Day hosts around the world and our special guest Christian Adame, longtime Slow Art Day host and Assistant Education Director at the Phoenix Art Museum. Christian designed and piloted the Slow Art & Mindfulness Summer Series at the Phoenix Art Museum this summer.
He talked us about this pilot program and what they learned and answered questions from listeners.
He was one of Jacques Derrida’s first American graduate students. Trained in comparative literature, Reed authored a prize-winning study of Coleridge and Baudelaire (mentioned above). His career as a scholar of literature was interrupted in 1984, when he experienced a conversion. An encounter with Max Beckmann’s triptych The Actors at the Fogg Museum pivoted Reed’s field of study to the visual arts. His Manet book mentioned above has been translated into French and Spanish.
His forthcoming book
Professor Reed’s latest book Slow Art: The Experience of Looking, Sacred Images to James Turrell (University of California Press, to be published late June 2017) is about attending to visual images in a culture of distraction, specifically extending the six to 10 seconds that Americans, on average, spend looking at individual works on museums walls and why that matters.
The research and writing of his latest book was supported by a Guggenheim Fellowship, and residencies at the Rockefeller Foundation Study Center at Bellagio, the Clark Art Institute, and the American Academy in Rome. Reed has given presentations on slow art, among other venues, at the Russian Academy of Sciences in St. Petersburg, the Metropolitan Museum of Art, King’s College Cambridge University, the Chicago Humanities Festival, and the École normale supérieure in Paris.
Buy and read his book
Professor Reed’s newest book is a foundational book for the slow art movement and we highly recommend that all Slow Art Day hosts read it.
Listeners to the podcast can receive a 30% discount to the book if they order from the University of California press. To get the discount, order online via www.ucpress.edu. Just enter code 16V6526 at checkout.
Slow Art Day is hosting a webinar on Tuesday, June 13 at 11 AM EST for the slow art community and other interested participants featuring special guest Arden Reed.
Dr. Reed is a professor of English and Art History at Pomona College. His latest book Slow Art: The Experience of Looking, Sacred Images to James Turrell (University of California Press, French translation Editions Hermann) is about attending to visual images in a culture of distraction, specifically extending the six to 10 seconds that Americans, on average, spend looking at individual works on museums walls and why that matters.
Dr. Reed will discuss his new book (which will be published on the date of the webinar – June 13) and answer questions from participants.
Slow Art Day 2017, Kunsthalle Hamburg, Friederike Redlbacher
Host Friederike Redlbacher of Kunsthalle Hamburg, Germany writes of their Slow Art Day 2017 experience:
“We looked at three different works of art by Lorrain, Chagall and Böcklin. To connect deeper with the artwork and ourselves I guided the group with reflective questions like ‘What in the artwork is drawing your attention?’ or ‘How did this situation came about and how could it develop?’. This encouraged the participants to deeply engage with what they saw. After a silent period of looking we shared our thoughts and perceptions. Listening to what the others saw, opened a whole new perspective to the artwork but also to the way of looking at art. To look slowly and engage oneself with the art is a truly inspiring experience.”
Slow lookers at Jorn Keseberg’s studio in Cologne.
Host Sabine Klement writes,
Slow Art Day 2017 in Cologne took place at Jörn Keseberg’s studio in Köln-Ehrenfeld, one of the city’s most vibrant and trendiest districts, home to many artists’ studios and creative entrepreneurs. There was a tough competition going on between beautiful, sunshine, the local soccer club having a derby and our quite avantgarde, subcultural, non-profit art event – yay! But it still worked out fabulously with about a dozen curious participants, willing to communicate on art with each other. Instead of looking eight seconds at each artwork – the average museumvisitors’ attentionspan – we donated ten minutes to six (oops, one plus…) pre-selected art objects. As a result of hosting Slow Art Day for several years, I decided to give a signal every ten minutes to let the visitors know when to change their site. In the beginning most find it challenging to fix their attention for “such a long time” at one item. But the ability (or willingness?) to concentrate and to get involved more deeply grows swiftly. As an artist, Jörn Keseberg is engaging with the connections between technology, nature, art and man – topics that concern every modern human being. He composes objects that captivate every viewer’s interest instantaneously with an unique mixture of beauty and weirdness, even horror. He frequently combines natural materials like time-worn rare timbers, small animal-bones or leaves with electronic components as parts of hard disks and draws on unlimited resources of aesthetically appealing bits and pieces. Accordingly there was an abundant supply of inspiring details to detect and ideas to discuss for the participants – we couldn’t manage to wait until the obligatory “after-show-meeting!” Very happy visitors and promoter had coffee and cake afterwards at the café around the corner! A huge THANKYOU♥ to the artist for inviting us to his studio! Looking forward to do it again next year, April 14 ;).
The Museo de Eduardo Carrillo is a virtual museum with a web-only presence, but they didn’t let that stop them from participating in Slow Art Day 2017! On April 8, they encouraged their audience to engage in a virtual slow looking and discussion session.
Their instructions to their followers were:
Starting at 7AM, use your cell phone to visit Museo Eduardo Carrillo’s online gallery, presenting art by painter Frank Galuszka with an essay by Christina Waters.
Richly textured paintings and narrative complement each other. As does the exploration of the central theme in many of the paintings highlighted here “On View.”
On Slow Art Day choose one of Galuszka’s paintings, spend at least five minutes looking slowly at it and then post a comment on Museo’s ON VIEW page.
Comments from participants included:
I’ll tell you what I see in Frank’s beautiful works of art. I see various demonstrations of how the our quantum universe works shown in a painting. As important to me is what isn’t the focus of the paintings (the background) and its relationship to the focus or central theme. They are great demonstrations of the “particle-wave” theory of quantum physics. Out of a background of uncertainty or potential (waves) is contrasted a central character or theme (particles). But the painting shows the visual and the non visual world it is all “one.” What materializes out of a field of unlimited potential is what the observer (artist) wants to see.
I had already viewed Frank’s paintings. The one that I liked the most was “The Threshold.” I interpret that as 2 individuals on different journeys, about to step over the threshold from their journey to the journey the other has taken. Neither journey is better than the other person has endured. Each one trying to leave pain and sorrow behind,
i.e. the broken glass, the dead rabbit, the sharp saw blades, the broken/leaking pipe, the rough road – all obstacles along their way.