Marionettes and More at Ur Mara Museoa

For their 7th annual event, Ur Mara Museoa in Alkiza, Spain — which always creates one of the most innovative Slow Art Day extravaganzas in the world — invited local and international artists and performers to present art on the theme of nature and sustainability.

Ur Mara Museoa. Courtesy of the museum

Their 2021 Slow Art Day featured performances and presentations by:

  • Painters Idoia Iturri, Diana Vasina and Bea Gonzalez Rojo,
  • Maria Giró Coll, a Catalan artist and cultural mediator, presented a sculpture by Jose Perez Ocaña, a Spanish artist who visited Alkiza in 1983
  • Marionette artist Corrado Massaci (watch some of it in the video below)

The artists observed each other’s work, and shared opinions and reflections with the participants.

Below we provide photographs, details and videos about each of the performances, starting with the painter Idoia Iturri.

Idoia Iturri presented four art works, all created in 2021. Three of them form a trilogy named Pandemiaren Trilogia (Pandemic Trilogy). Haurtzaroa (Childhood), Maskara (Mask) and Duintasuna (Dignity). The fourth artwork is named Bizipoza (Joy of Life).

Idoia Iturri, (Pandemic Trilogy). Haurtzaroa (Childhood), Maskara (Mask) and Duintasuna (Dignity), 2021.
Participant viewing Idoia Iturri’s Duintasuna (Dignity), 2021.

Diana Vasina presented four artworks created during the pandemic year, 2020-2021:

  • Mirate Ojo (pantalla)
  • MOVIMIENTO INTERMINABLE
  • Densidad
  • BIDEAN DENEAN BIDAIA
Diana Vasina, Mirate Ojo.
Diana Vasina, MOVIMIENTO INTERMINABLE
Diana Vasina, Desidad.

Beatriz González presented three art works from her TFG (final master’s thesis):

  • ‘Abuhero’
  • ‘Ehpurriajas’
  • ‘Lombo’
Beatriz González, Lombo, 2017.

Maria Giró Coll, a Catalan artist and cultural mediator, presented a sculpture by Jose Perez Ocaña, a Spanish artist who visited Alkiza in 1983.

Jose Perez Ocaña, Luna, 1984, presented by Maria Giró Coll during the Slow Art Day event at Ur Mara Museoa.

Following the event, Ur Mara Museoa created a 50-second video showing sequences of art pieces and marionettes, as well as museum curators, artists, performers, and visitors interacting with one another (all at a safe distance and wearing face masks). We love the spirit and warmth that Ur Mara Museoa always brings to their daylong Slow Art Day festival.

Video “Ur Mara Museoa 2021 Slow Art Day” 10 april, 2021.

35 people attended the event, which was promoted both on the museum’s Facebook and Instagram accounts. They received many likes on their IG posts. Read (in Basque) a great article about the event by the local newspaper.

Again, we at Slow Art Day HQ always look forward to what Ur Mara Museoa produces, and we hope to finally visit the museum next year, when we plan a European summer tour of Slow Art Day sites.

And we can’t wait to see what Ur Mara Museoa comes up with for 2022.

Johanna, Jessica, Ashley and Phyl

BYU’s First Slow Art Day

On April 10, the Brigham Young University Museum of Art (BYU) in Provo, Utah, welcomed visitors to their first Slow Art Day event, which was in-person. Visitors were welcomed by a student educator at the front desk, who invited them to try the four slow looking strategies outlined in the below brochure. Participants were given suggestions for art to use for the exercise, but were free to apply the strategies to any work of art on display.

Brigham Young University Museum of Art Slow Art Day brochure.

Below we have summarized their four key instructions (to see the full details, look at the picture of the brochure above):

  1. Look BIG: casting a wide net can yield a range of observations and reveal the complexity of things. How? Explore and discover everything, everywhere in any given work of art!
  2. Narrow your focus: organizing your viewing strategy gives structure to the museum experience and helps you focus on something specific. How? Select an artwork and focus on certain types of things, such as colors, shapes, lines, faces, hands, trees, or anything that interests you.
  3. Change your perspective: this technique can lead the discovery of small details and large patterns. How? Alter your physical distance to the artwork, as well as your angle and perspective.
  4. Contrast & Compare: noticing similarities and differences (some of which may be intended by curators) can enrich your insights. How? Compare and contrast two neighboring artworks and describe your observations.

The event was advertised via an in-house digital banner, printed signage, social media coverage on Facebook and Instagram, and a feature in the on-campus digital newsletter. A total of 116 visitors participated in the activity throughout the day.

The Museum already has a Slow Looking Gallery Guide based on Shari Tishman’s 2018 book “Slow Looking”, which features Slow Art Day and inspired BYU’s event brochure (Note: we are planning a webinar with Shari Tischman for the fall of 2021).

Below are several photos from their event.

Participants engaging with art following the four slow looking strategies.

Visitors arriving at the front desk of the Museum

Philipp Malzl, Museum Educator, said that many visitors later shared their experience and insights with Museum staff. As a “thank you” gesture for sharing their feedback, the Museum gave participants a small gift (either a magnifying glass, art print, or museum pin).

Student educator at the front desk of the Museum hands a Slow Art Day participant a gift

They received a lot of great feedback (below are some highlights):

“I had no idea there was so much to see!”

Participant’s quote

“That was awesome! A whole new perspective.”

Participant’s quote

“I have [one of these paintings] hanging in my office, but I’ve never taken the time to really look at the details. I’m an art guy… this was different, and I loved it.”

Participant’s quote

“Usually we try to see everything in a museum, but today we didn’t. We really loved slowing down and paying more attention to the details.”

Participant’s quote

“We’ve been participating in this for years…we love slow art!”

Participant’s quote

At Slow Art HQ, we are excited that more than 100 participants took part in Brigham Young University Museum’s inaugural Slow Art Day. We loved their detailed four-step brochure, and their *thank-you* gifts. They did an amazing job of creating a welcoming environment.

We look forward to seeing their plans for Slow Art Day 2022.

Johanna, Jessica, and Ashley

Meditative Slow Art Day at Grounds For Sculpture

For Slow Art Day, Grounds For Sculpture (GFS) in Hamilton, New Jersey, hosted nearly 1,000 participants and provided them with meditative prompts to use while slow-viewing the sculptures.

Picture of visitors engaging with different sculptures at Grounds.

On April 10, all visitors were encouraged to do a slow looking activity using the following instructions created by Libby Vieira da Cunha, Manager of Group Visit and School Programs at Grounds For Sculpture:

1) Pick any sculpture on the grounds that interests you

2) Challenge yourself to look at the sculpture for 5 minutes – set a timer and allow yourself to slow down

3) While taking a slow look, ask yourself the following questions:

Observe

  • Take a deep breath. Walk around the sculpture and let your eyes move slowly around the artwork – from where it touches the ground all the way up to the sky.
  • What do you notice? Make three observations based on what you noticed.

Share

  • Think of a story or experience this sculpture reminds you of – anything that comes to mind.
  • Think of a friend that you want to share this sculpture with, why does this person come to mind?

Reflect

  • What do you notice about the sculpture now that you did not see at first glance? How does this change your impression of the sculpture?
  • If you’re with others share your responses with each other. Did they have similar or different thoughts on the sculpture?

Repeat

  • If you’re up for the Slow Art Day challenge, then repeat this exercise with two other sculptures
  • What new question might you pose for slow looking? Add it to your next slow look.

Slow Art Day at Grounds for Sculpture Poster

Throughout the day, facilitators also walked between different groups, inviting them to discuss the artwork ‘Dorian’ by artist Bruce Beasley (pictured below).

Bruce Beasley, Dorian (1986). Welded stainless steel, burnished surface.
240 in x 360 in x 120 in. Courtesy of Grounds for Sculpture

Ahead of the event, it was advertised on Facebook and Instagram, receiving more than 600 likes from the public. The in-person activity was very well received, and experienced by a total of 952 visitors from across the country – from Arizona, California, Minnesota, and many states along the east coast.

Participants shared that they found the experience fun, stimulating, reflective, special, interesting, insightful, and meditative:

“The fact that you can see it (the artwork) from so many different perspectives makes it more beautiful.”

Slow Art Day Participant

“I felt a closer bond to my friend doing it as we expressed our experiences”

Slow Art Day Participant’s quote

“Allows for seeing hidden beauty”

Participant’s quote

“I was able to reflect and learn something new”

Slow Art Day Participant’s quote

At Slow Art Day HQ, we were excited to see Grounds for Sculpture bring out nearly 1,000 people for their first annual event. We also appreciated GFS’ enthusiasm, creativity and attention to detail. And their poster (pictured above) is terrific.

We can’t wait to see what they come up with for their second Slow Art Day in 2022.

Johanna, Jessica, and Ashley